[ecrea] CFP: InVisible Culture, Issue 28 CFP "Contending with Crisis"

/InVisible Culture: An Electronic Journal for Visual Culture (IVC)/is 
circulating the CFP for its 28th 
Issue<http://ivc.lib.rochester.edu/call-for-papers-issue-28-contending-with-crisis/>“Contending 
with Crisis.” 
<http://ivc.lib.rochester.edu/call-for-papers-issue-28-contending-with-crisis/> 
Thedeadline for submissions is June 30th, 2017. Please share widely with 
any potentially interested scholars, artists, and relevant listservs, 
anddon’t hesitate to reach out with any questions.

We are also pleased to announce that IVC 26: Border Crossings 
<http://ivc.lib.rochester.edu>, the second installment of our Special 
Double Issue 25 & 26 is now live. In addition to our regular featured 
content, the special issue includes contributions from University of 
Rochesterfaculty and an interview with renowned art historian Douglas 
Crimp about his memoir///Before Pictures/.



—
Hend Alawadhi
هند العوضي

Managing Editor
/InVisible Culture/
503A Morey Hall
University of Rochester
Rochester, NY 14627

http://ivc.lib.rochester.edu
(halawadh /at/ ur.rochester.edu)



*Issue 28: “Contending with Crisis” *



For its twenty-eighth issue,///InVisible Culture: An Electronic Journal 
for Visual Culture/ invites scholarly articles and creative works that 
address the complex and multiple meanings of contending with crisis.

Defined by the global uncertainty of a world afflicted by varied and 
ambiguously interrelated states of emergency, the present can be seen as 
a critical historical conjuncture characterized by crisis. In the 
context of its worldwide occurrence, crisis refers irreducibly to a 
multitude of circumstances, events, and thematizations: military 
conflict, debt crises, issues of political representation, the mass 
migration and displacement of refugees, increasing ecological 
disruptions. Such ruptures in the social demand constant attention from 
individuals and communities, constituting a need for committed 
artististic and scholarly engagements with questions of what it means to 
be in crisis and how to deal with it.

Following Lauren Berlant’s understanding of crisis as “an emergency in 
the reproduction of life, a transition that has not found its genres for 
moving on,” we encourage authors to contemplate the fluidity/liminality 
of crisis, exploring both its emancipatory and repressive potentials. As 
an ongoing situation, a conceptual and rhetorical figure, an ideological 
representation and for many an urgent fact of life, the contemporary 
condition of crisis evokes a range of responses from those forced to 
contend with it.

For IVC 28, we invite contributors to explore visual representations and 
contestations of various states of crisis. How do crises emerge and 
perform in the visual field? How does the global situation of crisis 
reconfigure the possibilities of political representation? How do the 
material conditions of crisis constrain and transform everyday life and 
social organization? What kind of aesthetic responses and modes of 
cultural production proliferate in response? What forms of domination 
surface in times of crisis and how do they become realized in ensuing 
reorganizations of social orders? What productive potentials emerge or 
re-emerge in the face of specific and far-reaching crisis conditions?

Possible topics of exploration include, but are not limited to:

    • Visualizing/representing crisis, the visual politics of crisis
    • Political representation and subjectivity in/of crisis
    • Uneven distribution of vulnerabilities along lines of race,
    gender, and sexuality
    • Precarity, biopolitics and affective regimes of crisis and austerity
    • Activism, social movements, visual and performative protest
    repertoires
    • Creative responses to states of crisis, new modes of artistic
    production, aesthetics of resistance

    • Collaborative aesthetics and the commons

    • Material landscapes of crisis, crisis and urban space, austerity
    urbanism

    • Aesthetics of rupture, ruin, abandonment

    • Historiographies, afterlives of crises

    • Crisis genres: crises of dispossession (debt crisis, moral
    discourse of indebtedness), crises of political
    representation (Arab Spring, global rise of neo-populist
    nationalisms, Brexit, 2016 US election), postcolonial crises,
    military crises (Syria, Ukraine), refugee and humanitarian crisis,
    ecological crises (climate change, Fukushima, DAPL)


*Please send completed papers (with references following the guidelines 
from the Chicago Manual of Style) of between 4,000 and 10,000 words to 
(invisible.culture /at/ ur.rochester.edu)** by June 30th, 2017. Inquiries 
should be sent to the same address.*

*Creative/Artistic Works*
In addition to written materials, InVisible Culture is accepting works 
in other media (video, photography, drawing, code) that reflect upon the 
theme as it is outlined above. Please submit creative or artistic works 
along with an artist statement of no more than two pages to 
(invisible.culture /at/ ur.rochester.edu). For questions or more details 
concerning  acceptable formats, go to 
http://ivc.lib.rochester.edu/contribute or contact the same address.

*Reviews*
/InVisible Culture///is also currently seeking submissions for book, 
exhibition, and film reviews (600-1,000 words). To submit a review 
proposal, go to http://ivc.lib.rochester.edu/contribute or contact 
(invisible.culture /at/ ur.rochester.edu).

*Dialogues *
The journal also invites submissions to its Dialogues page, which will 
accommodate more immediate responses to the topic of the current issue. 
For further details, please contact us at 
(invisible.culture /at/ ur.rochester.edu) with the subject heading “Dialogues 
submission.”

* /InVisible Culture: An Electronic Journal for Visual Culture (IVC)/ is 
a student-run interdisciplinary journal published online twice a year in 
an open access format. Through peer reviewed articles, creative works, 
and reviews of books, films, and exhibitions, our issues explore 
changing themes in visual culture. Fostering a global and current dialog 
across fields, IVC investigates the power and limits of vision.


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