[eccr] cfp: art and terror

>Call for Papers: ART AND TERROR
>
>Australian and New Zealand Journal of Art (ANZJA) Volume 5.2, December
>2004 [forthcoming]
>
>Terror has been a longstanding theme in art, from Michelangelo, Goya and
>Picasso, to Jeff Wall, Susan Norrie and Shirin
>Neshat. Since 9/11, terrorism has prompted renewed interest in terror,
>inciting debate about its cultural significance and
>relationship to visual art. This issue of ANZJA invites essays that
>touch on the broad theme of terror. It might cover art
>historical work that focuses on periods ranging from Ancient Greek, 15th
>Century Renaissance to Romantic, or modernist to
>cross-cultural contemporary. It might also encompass art theory that
>intersects with psychoanalysis, philosophical aesthetics,
>politics, film history, cultural studies or postcolonial studies.
>Questions addressed might include: How is terror visualized or
>conceptualized in particular historical conditions such as war, rape,
>famine, disease and natural disaster? Does terror affect
>the critical function of art? What are the specifically visual
>strategies, affects and artistic modes employed by artists to depict
>terror, conflict, violence and pain?
>
>
>In addition, the editors welcome papers and reviews outside the theme,
>in any area of art, art history and visual culture.
>
>Guidelines for submissions available from:
>The School of Art History, Cinema, Classics and Archaeology
>The University of Melbourne
>VIC 3010 Australia
>Email: (anzja-editor /at/ unimelb.edu.au)
>Website: www.artjournal.net
>
>Length of papers: up to 6,000 words
>Length of reviews: up to 1,500 words
>Submissions deadline: June 30th 2004
>
>About the Journal:
>Australian and New Zealand Journal of Art (ANZJA) is a refereed journal
>of the Art Association of Australia and New
>Zealand (AAANZ) ­ the only one of its kind in this region. The Art
>Association of Australia was founded in 1974 and in 1999
>was extended to include New Zealand. It is a professional body
>representing art historians, critics, curators, artists and students
>in Australia and New Zealand. Recent themed issues of ANZJA have
>included 'Art and Ethics' (2004), 'Indigenous Art'
>(2003), 'Globalization' (2002) and 'Affect and Sensation' (2001­2),
>featuring writers such as Leo Bersani, Okwui Enwezor, Jill
>Bennett, Ian McLean, Ernst van Alphen and Geoffrey Batchen.

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Carpentier Nico (Phd)
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Katholieke Universiteit Brussel - Catholic University of Brussels
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Office: 4/0/18
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Vrije Universiteit Brussel - Free University of Brussels
Centre for Media Sociology (CeMeSO)
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F: ++ 32 (0)2-629.28.61
Office: C0.05
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European Consortium for Communication Research
Web: http://www.eccr.info
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E-mail: (Nico.Carpentier /at/ kubrussel.ac.be)
Web: http://homepages.vub.ac.be/~ncarpent/
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