[Commlist] Idealism and Contemporary Film Theory: Subjectivity, Politics, Technics - Transformations Journal Issue No. 37



*Transformations 2024 Issue No. 37 – Idealism and Contemporary Film 
Theory: Subjectivity, Politics, Technics*

The Editors of Transformations Journal are pleased to announce the 
launch of issue 37 - Idealism and Contemporary Film Theory: 
Subjectivity, Politics, Technics, guest edited by Corey Cribb 
(University of Melbourne), Laurent Shervington (University of Western 
Australia) and Laurence Kent (University of Bristol)

/Mihai Băcăran//
_/The Mark of the Brief Night/: Immanent Loss and Responsibility 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_01_Bacaran.pdf>_/

/Eric Coombs Esmail//
/Documentary Intersubjectivity 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_02_Coombs.pdf>

/Corey Cribb//
/Maurice Merleau-Ponty, Vivian Sobchack and the Materialization of 
Cinematic Sense 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_03_Cribb.pdf>

/Sudeep Dasgupta//
/_(Dis)locating the Subject, Moving the Image and Reasoning with History 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_04_Dasgupta.pdf>_

/Cristóbal Escobar//
/The Con·temporary in Cinema 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_05_Escobar.pdf>

/John Hillman//
/Becoming George 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_06_Hillman.pdf>

/Andrew Jampol-Petzinger//
/Deleuze, Benjamin and the Deterritorialisation of Film Subjectivity 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_07_Jampol-Petzinger.pdf>

/Lawrence Kent//
/Transcendental Reelism 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_08_Kent.pdf>

/Dominic Lash/
Scenes of Instruction: The King of Comedy 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_09_Lash.pdf>

/Warwick Mules//
/Mechanical Creativity in the Shift from the Absolute of German Idealism 
to Real Thinking: Towards a Transcendental Materialism of 
Film-Philosophy 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_10_Mules.pdf>

/Laurent Shervington/
Like Spectator, Like Subject: The Cinematic Framing of the Dialectics 
contra Object-Oriented-Ontology Debate 
<http://www.transformationsjournal.org/wp-content/uploads/2024/09/Trans37_11_Shervington.pdf>


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