Archive for April 2023

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[Commlist] 19th. Music and Media International Meeting

Thu Apr 27 14:02:35 GMT 2023




*Life of an artist...*

/A star is born/a film that crosses time. Initially released in 1937, it underwent new versions in 1954, 1976 and 2018. Always starring prestigious singers-actresses in the American music scene, the melodrama describes the love story between a little-known singer and an already established and famous singer. While the first gradually reaches stardom; the second succumbs to alcohol, destroying his career and life itself. Having as scenarios significant periods (post-great depression, era of post-war musicals, rise of rock and feminism, 3rd. Millennium and issues about gender equality), all versions had Oscar nominations.

What does this plot tell us, beyond the so powerful theme "love can everything"; "only love builds" (among so many popular adages) on the subject? Lovers are singers, devotees of their music. The unfolding of the plot leads to an antagonistic situation: while it gains "brightness", it "goes out". Both will have their artistic trajectory guided not only by their way of life, their efforts to which they submitted to reach their place on the podium, but also by the conditions put by the environment in which they live (commitments to record labels, tours, public success etc.). This narrative of fiction - which seems to find coincidences with the material world, we take here as inspiration for the 19th International Meeting of Music and Media, Artistic Life, this year dedicated to the artist of the music universe, the person and the media persona; the condition of idol/diva/celebrity/icon/star, in identification processes ranging from performance, its transposition to physical media (record, film, press) and the virtual life.

It is often believed that the twentieth century began the system of generation and proliferation of idols, divas and celebrities, practices that date back to structures of previous centuries, especially during the modern period. With the growing process of expansion of existing media languages - especially publications (books, newspapers), iconography, as well as the circulation of artists on tour, it became possible to identify the various forms of cult to the person. It is true that the conversion of individuals and personalities into "idols" come from the world of theater and opera, with the concept of /prima donna/ and the transformation of artists into central personalities of the show. However, as Edgar Morin (1989) points out, the creation of the star system phenomenon gained strength and capillarity from the film industry and, especially, from the progressive media interest not only to produce the artist and/ or the works, but the person behind, the "subject".

Progressively, the "individual" who worked in the audiovisual media became a subject of reference not only thanks to his public action (production, creation, performance), but also private domain (personal life, tastes). The "Hollywood culture", as well as the radio, in its intensive coverage media also expanded vertiginously towards the various strands of the music universe, in popular music scene: from the second half of the twentieth century, singers, bands/groups and musicians began to experience a similar process that would culminate in the "celebrity culture" whose peak would occur in the 1980s, 1990s and early 2000s. These same individuals would associate to their person the image of symbols of identification when not spokespersons of great social and political mobilization. Thus, they overcome the difficult task of meeting a strong market potential, pushing a strong audience, to the point of dragging hundreds and thousands of fans to sports stadiums, tours and, more recently, on social networks. The same process is perceived in the universe of performance that, progressively, was expanding towards other forms of media communication: the artist unfolds: his body multiplies into several images (BAITELLO JR., 2005) through various processes of resignification, from its involvement in a multitude of new artistic-creative languages; particularly the audiovisual, in the most varied mediatic platforms.

The 19th International Media and Media Meeting is challenged to reflect on the process of transforming artists into idols (BAITELLO, 2005), divas (SOARES; LINS; MANGABEIRA, 2020) and celebrities (FRANCE; FREIRE FILHO; LANA; SIMÕES, 2014) in an interdisciplinary approach. In summary, it is intended to problematize the theme and try to find some answers to questions: How to build and produce an idol in the field of music? How does this idol fix itself as memory; that is, how does it conquer immortality in the gallery of "media gods"? To what extent does the artist have control over his creative forms and his professional performance?

MusiMid invites researchers who wish to present their research that contemplate the topic at hand, dismembered in the thematic axes: The artist in movement, music in displacement: circularities, networks and mediatizations of music; From analog record to digital networks: the artist, musical genres, and audiovisual production; performances, memory, and the construction of idols: ways of feeling and remembering consecrated and forgotten artists.

As usual, MusiMid counts on the participation of external researchers of high relevance in the domain of the general theme. This year, Paula Gomes Ribeiro (Universidade Nova de Lisboa-UNL) and Juliana Marília Coli (Universidade do Espírito Santo-UFES) will participate in the organization of this 19th edition. Papers will be accepted in the following modalities: oral communication, posters, artistic presentations. All works received must be submitted through the Doity system website, according to the standards indicated. In addition to the thematic sessions, the program includes lectures, round tables, and a workshop. The texts presented in the thematic sessions will be published in the proceedings of the 19th. Music and Media International Meeting, with ISBN registration, on the Doity website.

**

*Thematic axes - details:*

*- The artist in movement, music in displacement: circularity, networks and mediatization of music.*

**

This thematic axis of presentations aims to bring together works focused on the analysis of networks, circulations, and processes of media construction of the artist in different spaces, temporalities, and contexts. The idea of artistic circularity is privileged, to promote the debate on how different individuals acted and act in the promotion of their productions, in the creation of the artist and in the creative representation of this in the midst of fluid processes of displacement, transit and alternation of spaces/times. This proposal expands both the idea of circularity, adaptability and diachrony of music production in different media platforms (radio, television, streaming) to the different formats of artist circulation (shows, social networks, tours, etc.).

*- From analogue recording to digital networks: the artist, musical genres, and audiovisual production.*

This thematic axis aims to bring together works focused on the universe of support/ format, especially its adaptability, and the different ways in which music is present in physical, virtual, and audiovisual media. It is particularly interesting the debate about the production (and by unfolding of individuals) from the forms of creative and artistic production, such as physical albums, digital EPs, video clips and recorded performances, to debate the artistic dialogue with material and virtual world. In a related way, this axis also opens to macro-analytical approaches, also focused on musical genres and the audiovisual industry itself, to analyze how fields, sectors and/or artistic movements deal under the social and historical aspect with different supports/formats, giving rise to translation processes (adaptations, “nomadic versions”, in the words of Paul Zumthor (1990) in order to meet diverse demands, with emphasis on marketing.

*- Performances, memory, and the construction of idols: ways of feeling and remembering consecrated and forgotten artists.*

**

This thematic axis is structured around the problematic of memory and the construction of idols in music and in the various languages of the media from performative acts, which includes from the dimension of the persona and the artist himself to the forms of collective construction by fans, groups, fields, industries of culture and media. It is intended to gather studies that are dedicated to reflecting on the figure of the artist in its interface with time and society, in order to understand how it becomes a symbol of identifications, promoting new forms of organization, behavior and agency in society. The performance, as an act of transmission and fixation of memories, is the backbone of this debate, whether it is linked to the act of "being in the scene" or the later forms of mediation, including those aimed at remembering and forgetting practices.

**

*Some theoretical references:***

BAITELLO JR, Norval. *A era da iconofagia:  Ensaios de comunicação e cultura */(The era of iconophagia: Essays on communication and culture) ./ São Paulo: Hacker Editores, 2005.

FRANÇA, Vera; FREIRE FILHO, João; LANA, Lígia; SIMÕES, Paula (Org.). *Celebridades no Século XXI: transformações no estatuto da fama (Celebrities in the 21st Century: transformations in the status of fame)* Porto Alegre: Sulina, 2014.

MORIN, Edgar*/. Les stars et le mythe de la seduction au cinéma/*/. /(/The stars and the myth of seduction in cinema)/**. Paris: Seuil, 1972.

SOARES, Thiago; LINS, Mariana; MANGABEIRA, Alan. *Divas Pop: o corpo-som das cantoras na cultura midiática* ( /Divas Pop: the body-sound of singers in media culture/ ) (editors): Thiago Soares, Mariana Lins, Alan Mangabeira. – Belo Horizonte, MG: Fafich/Selo PPGCOM/ UFMG, 2020.

ZUMTHOR, Paul*. Introduction à la poésie orale* (/Introdution to oral poetry)*.*/ Paris: Seuil, 1983.**

*____Écriture et nomadisme. Escritura e nomadismo. Entretiens et essais. */(Scripture and nomadism. Interviews and essays)/. Montréal: Éditions de l’ Héxagone, 1990.

**

**

* Important deadlines :*

*Call for papers:*  24/04/2023

*Final submission of papers*: 01/06/2023

*Deadline for receipt of proposals*: 01/06/2023

*Announcement of results*: 08/06/2023

*Deadline for receiving full papers*: 10/08/2023

*Payment of fees: *


	

*From  09/06/2023*

	

*After 10/08/2023*

*Listeners *

	

R$ 30,00

	

R$ 50,00

*Ms, PhD. Students (presenting a paper)*

	

R$50,00

	

R$ 80,00

*PhD. Participants (presenting a paper)*

	

R$ 80,00

	

R$ 120,00

**


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