Archive for 2022

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[Commlist] Special Issue: The Lonely Nerd: Cultural representations of nerds around the world

Tue Aug 09 15:07:09 GMT 2022





*Exchanges: The Interdisciplinary Research Journal*

*Volume 9 No 3 (2022) – Special Issue Lonely Nerd*

*https://doi.org/10.31273/eirj.v9i3* <https://doi.org/10.31273/eirj.v9i3>**

/Table of Contents/

Gareth J Johnson./Going Where My Heart Will Take Me: Editorial, Volume 9, Part 3/. pp. i-xii. DOI:https://doi.org/10.31273/eirj.v9i3.1186 <https://doi.org/10.31273/eirj.v9i3.1186>.

Filippo Cervelli & Benjamin Schaper./Socially Inept?: The perceived loneliness of nerds/. pp. 1-10. DOI:https://doi.org/10.31273/eirj.v9i3.946 <https://doi.org/10.31273/eirj.v9i3.946>.

Benjamin Schaper./Conquering the Meatspace: The lonely nerd in David Fincher’s The Social Network (2010) and Baran bo Odar’s Who Am I (2014)/. pp. 11-29. DOI:https://doi.org/10.31273/eirj.v9i3.866 <https://doi.org/10.31273/eirj.v9i3.866>.

Janée Burkhalter./‘Gus, don’t be the comma in Earth, Wind & Fire’: Understanding Psych’s (sometimes) lonely blerd Burton Guster/. pp. 30-45.https://doi.org/10.31273/eirj.v9i3.869 <https://doi.org/10.31273/eirj.v9i3.869>.

Alena Cicholewski:/‘A place where everybody is a legendary hero… and a total dork’: Representing the American nerd community as an antidote to loneliness in G. Willow Wilson’s Ms. Marvel Comics (2014-2019)/. pp. 46-61.https://doi.org/10.31273/eirj.v9i3.861 <https://doi.org/10.31273/eirj.v9i3.861>.

Sharon Coleclough./So Many Ways to be an Outsider: ‘Nerdism’ and ethnicity as signifiers of otherness/. pp. 62-83. DOI:https://doi.org/10.31273/eirj.v9i3.859 <https://doi.org/10.31273/eirj.v9i3.859>.

Rebecca Lewis./The Simultaneity of Loneliness and Popularity in Dear Evan Hansen/. pp. 84-103. DOI:https://doi.org/10.31273/eirj.v9i3.864 <https://doi.org/10.31273/eirj.v9i3.864>.

Daniele Durante./From Misfit to Guide: Toward a corrective depiction of Otaku and Hikikomori in Japanese videogame Persona 5/. pp. 104-123. DOI:https://doi.org/10.31273/eirj.v9i3.854 <https://doi.org/10.31273/eirj.v9i3.854>.

Natalia Rumak./Sherlock and Shārokku: ‘Nerdy’ detectives in the West and in the East/. pp. 124-144.https://doi.org/10.31273/eirj.v9i3.860 <https://doi.org/10.31273/eirj.v9i3.860>.

Kwasu David Tembo./Social and Spatial Representations of the Nerd in Donnie Darko/. pp. 145-161. DOI:https://doi.org/10.31273/eirj.v9i3.917 <https://doi.org/10.31273/eirj.v9i3.917>.

Carolin Fleischer-Heininger./Loneliness as the New Human Condition in Murakami Ryū's In za miso sūpu: Otaku-ness, space, violence and sexuality/. pp. 162-184. DOI:https://doi.org/10.31273/eirj.v9i3.893 <https://doi.org/10.31273/eirj.v9i3.893>.

Christopher Smith:/Consumable Bodies, Consumable Self: The queer potential of otaku subjectivity in Kio Shimoku’s Genshiken/. pp. 185-202. DOI:https://doi.org/10.31273/eirj.v9i3.855 <https://doi.org/10.31273/eirj.v9i3.855>.

Filippo Cervelli./Saved by the Nerd: Otaku and the space of family in Summer Wars/. pp. 203-225. DOI:https://doi.org/10.31273/eirj.v9i3.887 <https://doi.org/10.31273/eirj.v9i3.887>.


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