[Commlist] Journal of Screenwriting 13.1 is published

Intellect is pleased to announce that Journal of Screenwriting 13.1 is 
out now.


For more information about the journal and issue click here>>

https://www.intellectbooks.com/journal-of-screenwriting 
<https://www.intellectbooks.com/journal-of-screenwriting>


Aims & Scope


The Journal of Screenwritingexplores the nature of writing for the 
screen in its broadest sense. It showcases original thinking around 
screenwriting history, theory, practice and pedagogy, with a truly 
international perspective and outlook. The journal encourages a broad 
range of approaches to studying screenplays and the screenwriting 
profession, drawing on methodological traditions from creative practice, 
cultural and media studies, history, and industry/production studies, to 
name just a few. The journal is also open to submissions that take the 
form of ‘industry insights’ and ‘pedagogy papers’, encouraging a wide 
range of voices and interests to help build and shape the field of 
screenwriting studies. The journal also prides itself on mentoring new 
voices within the field and collaboratively written articles that assist 
in this endeavour are welcomed.


Issue 13.1


Editorial 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00001>

CRAIG BATTY


Articles


‘I wasn’t open to notes’: S. Craig Zahler, Dragged Across Concrete 
(2018) and the 157-page screenplay 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00002>

LEE GOODARE


June Mathis: The master class 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00003>

LESLIE KREINER WILSON


Little cinemas: Eugene O’Neill as screenwriter 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00004>

BENNET SCHABER


Hauntological screenwriting: Reflections on writing Render 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00005>

TRACY MATHEWSON


Catalysing Elastextity in adaptation screenwriting: The motivic 
chronotope of liminality 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00006>

L. J. THEO


Roundtable: Pushing the boundaries of the Screenwriting Research Network 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00007>

PAOLO RUSSO, ROSAMUND DAVIES, ALEXANDRA KSENOFONTOVA, RAFAEL LEAL, IAN 
W. MACDONALD, STEVEN MARAS AND CLAUS TIEBER


Book Reviews


Robert De Niro at Work From Screenplay to Screen Performance, Adam Ganz 
and Steven Price (2020) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00008>

LAURA KIRK


Script Development: Critical Approaches, Creative Practices, 
International Perspectives, Craig Batty and Stayci Taylor (eds) (2021) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00009>

TOM CARTER


Scripting Bollywood, Anubha Yadav (2021) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00010>

Y’DHANNA DANIELS


Screenwriting is Filmmaking: The Theory and Practice of Writing for the 
Screen, Brian Dunnigan (2019) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2022/00000013/00000001/art00011>

MISTY BRAWNER


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