[Commlist] Film International 20.1-2 is published

Intellect is pleased to announce that Film International 20.1-2 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/film-international-journal-of-world-cinema 
<https://www.intellectbooks.com/film-international-journal-of-world-cinema>


Aims & Scope


Film Internationalcovers film culture as part of the broader culture, 
history and economy of society. We address topics of contemporary 
relevance from historically-informed perspectives. We wish to bridge the 
gap between the academy and the outside world, and encourage the 
participation of scholars from a variety of disciplines. We refuse the 
facile dichotomies of 'high' and 'low', Hollywood and independent, art 
and commercial cinema. We discuss Hollywood films seriously, and 'art' 
movies critically. We aim at becoming a truly international journal, 
recognising local specificities, but also the ultimate 
interconnectedness of an increasingly globalised world.


Issue 20.1-2


Editorial 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00001>

By Daniel Lindvall


La dolce vita: The male and female experience of life within the 
patriarchal cultural system – Fellini’s cautionary tale of male 
domination and the long lost search for the female perspective 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00002>

By Antonella D’Aquino


The Bollywood Item Girl, New Femininity and Hypersexualization 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00003>

By Joel Gwynne and Arukshita Anand


The Queen’s Body: The Favourite by Yorgos Lanthimos 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00004>

By Serra Inan and Ayça Tunç Cox


Australia’s Outback Wonderland: Dreams of the Other in Nicolas Roeg’s 
Walkabout and Ted Kotcheff’s Wake in Fright 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00005>

By Kierran Argent Horner


History as Melancholia: Masahiro Shinoda’s Spy Sorge 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00006>

By Tony Williams


Prolepsis in the Terminator Series 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00007>

By Kenneth E. Hall


Disciplining the Reader: Epistolary Cinema and the relentless superego 
in Michael Haneke’s Caché 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00008>

By Jason Clemence


Almost Understood: Rehearsals for life and death in John Huston’s The 
Misfits (1961) 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00009>

By George Toles


Hidden Fire: Four motifs in Pablo Larraín’s Spencer 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00010>

By Steven Rybin


In the Shadow of Women: Frustrated gazes and thwarted desire in José 
Luis Guerín’s In the City of Sylvia 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00011>

By James Slaymaker


Bing Crosby: Nemesis of an actor’s director 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00012>

By Tiela Garnett


Interview: Amanda Kramer 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00013>

By Yun-hua Chen


Interview: Sam Asaert 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00014>

By Tom Ue


Review: Giallo Essentials (Yellow Edition) 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00015>

By Jeremy Carr


Review: Uncut Gems 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00016>

By Thomas M. Puhr


Review: Ancient Epic in Film and Television 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00017>

By Varsha Ramachandran


Parting Words: Back to the Story: Narrative and Narration: Analyzing 
Cinematic Storytelling 
<https://www.ingentaconnect.com/contentone/intellect/fint/2022/00000020/f0020001/art00018>

By Matthew Sorrento


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