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[Commlist] Zanzalá: Brazilian Journal of Studies on Film and Audio-Visual Genres 7.1 published
Fri Mar 11 00:36:45 GMT 2022
The special issue /Genres in Question/, edited by Luiza Lusvarghi
(University of Campinas, Brazil) and Luiz Felipe Baute (University of
Campinas, Brazil), has been published in /Zanzalá: Brazilian Journal of
Studies on Film and Audio-Visual Genres/:
https://periodicos.ufjf.br/index.php/zanzala/issue/view/generosemquestao
<https://periodicos.ufjf.br/index.php/zanzala/issue/view/generosemquestao>.
/Zanzalá/ (ISSN 2236-8191) is the first Brazilian academic journal
dedicated to genre studies in their multiple platforms or
manifestations: prose, poetry, film, television, theatre, music,
computer games, etc. It’s a publication linked to GENECINE: Research
Group for Film and Audio-Visual Genres, based at the University of
Campinas’ Department of Film. /Zanzalá/ is published annually and
remains a scientific patrimony of the Federal University of Juiz de
Fora, cradle of the original project and host institution of the
necessary infrastructure for its publication. Manuscripts in the
categories Dossier, Guest Authors, Articles, Short Papers, Review,
Interview, and Video-Essay are accepted in five languages: Portuguese,
English, Spanish, French, and Italian. The journal’s title is a tribute
to a fundamental novel in the history of Brazil’s science fiction
literature: /Zanzalá e O Reino do Céu/ (1949), written by Afonso Schmidt.
/Zanzalá/ 7.1 contains the following articles:
EDITORS’ NOTE
/Editorial/
Genres in Question: An Introduction
<https://periodicos.ufjf.br/index.php/zanzala/article/view/37249>
/Gêneros em questão: à guisa de introdução/
Luiza Lusvarghi, Luiz Felipe Baute
GUEST AUTHORS
/Autores convidados/
/Madame Brouette/ (2002) and /Nha Fala/ (2002): African Musicals of
Multiple Transits
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36642>
Madame Brouette/(2002) e /Nha Fala/(2002): musicais africanos de
múltiplos trânsitos/
Jusciele Oliveira, Leandro Afonso Guimarães, Wanderley de Mattos
Teixeira Neto
>From Theatre to Streaming: Traces and In-Between Places of Melodrama
in Fictional Narratives of the Past and Present
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36782>
/Do teatro ao /streaming/: rastros e entre-lugares do melodrama nas
narrativas ficcionais do passado e do presente/
Lucas Martins Néia
What is Suspense for Netflix?
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36465>
/O que é suspense para a Netflix?/
Luís Enrique Cazani Júnior
DOSSIER
/Dossiê/
Sabrina and Carmen, the Rebel Witches: Feminism, Cultural Hybridization
and Gender Issues in Netflix’s Original Teen Series
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36846>
/Sabrina e Carmen, as bruxas rebeldes: feminismo, hibridação cultural e
questões de gênero nas séries originais /teen/da Netflix/
Luiza Lusvarghi
Eros’ Encoded Language: Suspense Thriller, Romantic Comedy and /You/
<https://periodicos.ufjf.br/index.php/zanzala/article/view/35498>
/A linguagem cifrada de Eros: suspense, comédia romântica e /Você
Carolina Oliveira do Amaral
Once Upon a Crime: The Documentary and the Crime Fiction Genre
<https://periodicos.ufjf.br/index.php/zanzala/article/view/35595>
/Era uma vez um crime: a linguagem documental e o gênero da ficção policial/
Tatiana Helich, Tatiana Siciliano, Valmir Moratelli
Staging and Affection in the Composition of Horror in /Hereditary/ and
/Midsommar/
<https://periodicos.ufjf.br/index.php/zanzala/article/view/35722>
/Encenação e afeto na composição do horror em /Hereditário/e /Midsommar
Ana Maria Acker, Alexia Rodriguez, Éverton Barboza, Paola Altneter
INTERVIEW
/Entrevista/
Isis Broken, Sergipean /Cangaceira/ Travesty Witch
<https://periodicos.ufjf.br/index.php/zanzala/article/view/36865>
Isis Broken, travesti bruxa cangaceira sergipana
Samuel Macêdo do Nascimento
REVIEW
/Resenha/
Irradiating Monsters: A New Treaty of Monsterology
<https://periodicos.ufjf.br/index.php/zanzala/article/view/37248>
Monstras irradiantes: um novo tratado da monstrologia
Marina Costin Fuser
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