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[Commlist] Vista | Call for Papers | The Emancipated Referent
Mon Jan 31 19:01:11 GMT 2022
Vista | Call for Papers | The Emancipated Referent
*Thematic editors:* José Capela (School of Architecture, Art and
Design/Lab2PT, University of Minho, Portugal) & Ana Cristina Pereira
(CES, University of Coimbra)
The communication mechanisms have been a central theme of the so-called
“conceptual art”. Within the broad theme of communication — and despite
the porosity of artistic categories characterising this kind of art —
the specific theme of /visual representation/ assumed particular
importance for artists. Millennia of pictorial figuration of reality,
and decades of photography, were thus placed under scrutiny that,
despite fitting into the work of art and not renouncing its
/artistic/ condition, is often close to the mission of art theory or of
semiotics. Art was, accordingly, set to serve the consideration of the
phenomena — namely those of communication — that underlie it. For that
reason, it may be said to be a self-reflexive art: art about art.
In this new issue of /Vista/, we propose to focus on the entity
linguistics has called “referent” and on the possibility of its
resurgence beyond its mere representation — a territory that extends
from the impossibility of absolute fidelity to the model (is it in the
lack of fidelity that art may reside?) to the characterisations aiming
at manipulating, distorting and abusing.
Much importance has been given to the most diverse form of art works’
receiver as a producer of meanings for those works. Importance is given
to this phenomenon that lies downstream of the work and ultimately
determines what it is to our eyes. The aim here is to highlight what
lies upstream: the entity that precedes the representation and whose
presence that representation intends to replace, in this case, in the
specific context of the visual arts and images. This perspective may
include themes such as:
·the representation of /visual configuration/ mechanisms within artistic
practices;
·the condition of the referent (absent or present) in the context of
visual representation;
·the rights of the referent and iconographic ethics: between
self-representation and appropriation;
·the possibility of inserting the /readymade/ in a work/image;
·animism in visual representation;
·memory, trauma and the possibility of emancipation of the referent.
*IMPORTANT DATES*
Full article submission deadline: *April 30, 2022*
Journal publication date: *continuous edition (January to June 2022)*
**
*LANGUAGE*
Articles can be submitted in English or Portuguese. After the peer
review process, the authors of the selected articles should ensure
translation of the respective article, and the editors shall have the
final decision on publication of the article.
**
*EDITING AND SUBMISSION*
/Vista/ is an open access academic journal following demanding
peer-review standards, based on a double-blind review process. After
submission, the papers will be forwarded to two reviewers, previously
invited to evaluate them according to their academic quality,
originality and relevance to the journal’s objectives and scope.
Originals must be submitted through the journal’s website
<https://revistavista.pt/>. If you are accessing /Vista/ for the first
time, you must register before submitting your article (instructions for
registration here <https://revistavista.pt/index.php/vista/user/register>).
The guidelines for authors are available here
<https://revistavista.pt/index.php/vista/about/submissions>.
For further information, please contact: (vista /at/ ics.uminho.pt)
<mailto:(vista /at/ ics.uminho.pt)>
No payment from the authors will be required.
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