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[Commlist] CFP: 25 Years of The Big Lebowski
Sat Jan 15 22:22:19 GMT 2022
Approaching Deadline: 25 Years of The Big Lebowski; Abstracts due by
31 January
Call for Abstracts:
Ethan and Joel Coen’s The Big Lebowski (1998) is lauded
as the first cult film of the internet age, due in no small part to
the role played by online communities in its gradual rise to
popularity. It sees a travelling festival dedicated to it, The
Lebowski Fest, celebrated annually across various cities in the USA
and the UK since 2002 and 2008 respectively. Over years, the film’s
protagonist has garnered such adoration that it led to the formation
of a contemporary religion, Dudeism, in 2005, with a community of
more than 600,000 members worldwide ordained through its simple
online procedure. After being trashed initially, the film has gone
on to garner critical acclaim and was even added to the USA's
Library of Congress’ National Treasury in 2014. It has also drawn a
fair share of scholarly attention with time in critical anthologies
such as The Year's Work in Lebowski Studies (2009), The Big Lebowski
and Philosophy: Keeping Your Mind Limber with Abiding Wisdom (2012),
and Fan Phenomena: The Big Lebowski (2014). However, these represent
only a fraction of the vast body of literature on the film, with
numerous (aca)fan books, fan theories, and online forums
passionately dissecting it as well. The film seems to have sustained
its cultural relevance over the years — as evidenced by a Super Bowl
commercial featuring its protagonist as well as popular films like
Avengers: Endgame referencing it, in 2019, and a spinoff titled The
Jesus Rolls releasing in 2020. As recently as August 2021, a reddit
user posited that the underlying message of The Big Lebowski is more
relevant now than it has ever been.
As the 25th anniversary of its release draws closer, we
look to revisit The Big Lebowski to facilitate and foster further
scholarly dialogue on this film which seems well on its way to
becoming a cultural artefact. For this, we seek original
contributions of qualitative research that offer fresh perspectives
on The Big Lebowski from a myriad of vantage points and analytical
frameworks. Prospective strands of discussion include but are not
limited to:
Film theory and The Big Lebowski
The filmography of the Coen brothers
The Big Lebowski’s b(l)ending of conventional genre
norms
Cyberculture and The Big Lebowski
Fan(dom) studies and The Big Lebowski
The Lebowski lexicon
Philosophical readings of The Big Lebowski
Comparative studies of The Big Lebowski
The Big Lebowski in and as adaptation
Gender in The Big Lebowski
Queer aesthetics in The Big Lebowski
Reading The Big Lebowski through critical race theory
The Big Lebowski beyond the anglophone world
We welcome interested contributors to submit Abstracts of
around 250 words along with a bio-note of no more than 150 words as
a single MS Word (.doc or .docx) file to
(cinej25yearsoflebowski /at/ gmail.com)
<mailto:(cinej25yearsoflebowski /at/ gmail.com)> by 31 January 2022.
Authors of selected Abstracts will be invited to contribute full
papers for a Special Section/Issue of the University of Pittsburgh's
CINEJ Cinema Journal to be published around the 25th anniversary of
The Big Lebowski’s release. CINEJ Cinema Journal is an open-access
journal that is free for readers to access, and does not levy any
Article Processing Charges on authors.
Key Dates:
Abstract (250 words) Deadline: 31 January 2022
Intimation of Selection: 1 March 2022
Full paper (5,000-7,000 words) Deadline: 1 July 2022
Publication: Early 2023
Guest Editors:
Elloit Cardozo, independent scholar, Mumbai, India
Dr. Sachin Labade, Associate Professor of English,
University of Mumbai, India
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