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[Commlist] 'Internet Musicking: Popular Music and Online Cultures' Conference CfP
Tue Nov 09 20:49:59 GMT 2021
*Internet Musicking: Popular Music and Online Cultures*
*Call For Papers*
A free academic conference sharing new research into cultural practices
of music taking place online
21–22 May 2022
Department of Music, University College Cork (Ireland) & Online
::: https://internetmusicking.com <https://internetmusicking.com> :::
Over the last few years, music researchers have paid increased attention
to the internet and its effects on cultural life. For example, edited
collections on digital culture, virtuality, and social media have
emerged alongside landmark research projects that seek to understand how
the internet shapes the cultural production of music. Meanwhile,
interdisciplinary inquiry has addressed internet-based cultural
practices of popular music, critically examining the tension between
creative platform uses and the political economy of an increasingly
privatised internet.
Given the intensification of the internet as a site for cultural
activities during the COVID-19 pandemic, online popular music
communities have recently been transformed and new online practices have
emerged. Popular musicians and industry personnel are adapting to a
quickly shifting landscape for cultural production and promotion via
social media, while listeners, viewers, and fans share, curate, and
comment on music across the globe. Video and communication platforms
have captured the imagination of participants worldwide, with musical
and multimodal self-expression broadcast across the social web. These
developments, however, are contextualised by profit-driven corporate
entities that reframe cultural producers as ‘content creators’ and other
participants as consumers, followers, or subscribers. Concerns about
personalisation algorithms, surveillance strategies, and data security
are escalating in sites of popular music culture. The widespread use of
the web in the developed and the developing world has undoubtedly
altered everyday cultural practices, although between the poles of
technological determinism and cyberutopian narratives of
democratisation, there is still much detail to be sought.
This conference invites contemporary research into cultural practices of
popular music taking place online. The phrase ‘internet musicking’ takes
Small’s term – and developments of it – to address all social activities
involving music on the internet. The conference is particularly (though
not exclusively) interested in spotlighting previously undocumented uses
and experiences of music online. It is designed to generate discussion,
identify major issues, and develop a diverse network of scholars to be
formalised in subsequent activities and events. We invite submissions on
topics including (but not limited to):
• social media musicking: sharing, curation, and platform interactions
• viral new media and musical memes
• music and internet socialities: (imagined) communities of practice,
networked individualism, and online music sub/countercultures
• genres of popular music and their online mediations
• non-musical expressions of online popular music cultures, such as
dance and games
• ‘the I in Internet’: popular music and identity, otherness, queering
practices, and resistance
• online music and cultural economies: datification, platformization,
surveillance, and attention
• music and cultural industry agents in the context of Big Tech
• global participation in music culture, digital divides, and issues of
internet access
Deadline for abstract submissions:*20 December 2021*
https://internetmusicking.com/submit <https://internetmusicking.com/submit>
For full details, please head to https://internetmusicking.com
<https://internetmusicking.com>. The conference is committed to ensuring
a diversity of views along with a code of conduct following the REACH
Inclusive Conference Guide.**The organising committee is Raquel Campos
Valverde (King’s College London), Steven Gamble (University College
Cork), and Jason Ng (University College Cork).
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