[Commlist] Journal of Screenwriting 12.3 published (Special Issue: ‘Screenwriting for children and young audiences’)

Intellect is pleased to announce that Journal of Screenwriting 12.3 is 
out now!


Special Issue: ‘Screenwriting for children and young audiences’


For more information about the journal and issue click here>>

https://www.intellectbooks.com/journal-of-screenwriting 
<https://www.intellectbooks.com/journal-of-screenwriting>


Aims and Scope


The Journal of Screenwritingaims to explore the nature of writing for 
the moving image in the broadest sense, highlighting current academic 
thinking around scriptwriting whilst also reflecting on this with a 
truly international perspective and outlook. The journal will encourage 
the investigation of a broad range of possible methodologies and 
approaches to studying the scriptwriting form, in particular: the 
history of the form, contextual analysis, the process of writing for the 
moving image, the relationship of scriptwriting to the production 
process and how the form can be considered in terms of culture and 
society. The journal also aims to encourage research in the field of 
screenwriting, the linking of scriptwriting practice to academic theory, 
and to support and promote conferences and networking events on this 
subject.



Issue 12.3


Editorial 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00001>

EVA NOVRUP REDVALL AND KATRINE BOUSCHINGER CHRISTENSEN


Articles


Just dancing with ideology? The role of dramaturgs within the socialist 
mode of children’s film development 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00002>

STEFFI EBERT


Children’s fiction and anime: The case of Shōkōjo Sēra 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00003>

MARIA CHIARA OLTOLINI


The deliberated decision in children’s mainstream cinema: On 
socialization in the discourse of freedom 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00004>

MARC PLANA


Writing inclusive and diverse children’s television: Transgender 
representation in ABC Australia’s First Day 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00005>

NATALIE KRIKOWA


Industry Perspectives


Fear and wonderment in a limitless world: Learning to write from a 
child’s point of view 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00006>

FRANK DEESE


Royals Next Door: Team writing for children on Zoom 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00007>

LINE LANGEBEK


‘Do animals talk in this dimension? ’Cos I don’t wanna freak anyone 
out’: Writing for children’s animation 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00008>

PAUL WELLS


Book Reviews


Women Make Horror: Filmmaking, Feminism, Genre, Alison Peirse (ed.) 
(2020) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00009>

MIKAYLA DANIELS


A Tale from Constantinople: The History of a Film that Never Was, Bo 
Florin and Patrick Vonderau (2019) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00010>

ALEXANDRA KSENOFONTOVA


Backwards & In Heels: The Past, Present and Future of Women Working in 
Film, Alicia Malone (2017) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00011>

JAMES L. SHELTON


The Science of Writing Characters, Kira-Anne Pelican (2020) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2021/00000012/00000003/art00012>

PAUL GULINO


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