[Commlist] Film International 19.1 published

Intellect is pleased to announce that Film International 19.1 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/film-international-journal-of-world-cinema <https://www.intellectbooks.com/film-international-journal-of-world-cinema>


Aims and Scope


Rejecting the dichotomies of ‘high' and ‘low' cinema, Film International 
embraces debate on how film interacts with the broader culture, history 
and economy of society. This magazine aims to encourage critical study 
and public discussion of the role of moving images in our society, 
bridging the gap between academics and cineastes.


Issue 19.1


Editorial 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00001>

By Daniel Lindvall


2008 and after: Representations of finance capital in contemporary 
American cinema 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00002>

By Carl Freedman


Rotten with Beauty: Another look at Godard’s Le Mépris 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00003>

By Sherry Johnson


Trevor Griffiths, Bill Brand and Political Television Drama 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00004>

By Tony Williams


The Revenge of Nationalism and the ‘New Indian’ Narrative of Uri: The 
Surgical Strike 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00005>

By Nihar Sreepada


Financing Hell: Event Horizon as a boxoffice black hole 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00006>

By Vincent L. Barnett


Space Dogs: A haunted story of cruelty and compassion 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00007>

By Mathijs Peters


Myth, Folklore and Science Fiction: Changelings, shapeshifters and 
animal mythology 
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By Ken Hall


‘He Put His Disease in Me’: Abjection, depravity and postmodern suburbia 
in David Lynch’s Blue Velvet 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00009>

By Crescencia Chay


Animated Islam: The Last Prophet (2001) 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00010>

By Ruth Roded


Identity Masquerade and Its Discontents in Jonathan Demme’s Something 
Wild (1986) 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00011>

By George Toles


The Monstrous Invading the Monstrous: The Purge (2013) 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00012>

By Matthew Sorrento


Interview: Richard Pakleppa 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00013>

By Stefanie Hofer


Parting Words: Proto-Noir, Confession and the Working Class: Mervyn 
LeRoy’s Two Seconds (1932) 
<https://www.ingentaconnect.com/contentone/intellect/fint/2021/00000019/00000001/art00014>

By Matthew Sorrento


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