[Commlist] Publication of JICMS 9:3, 2021

The Editor announces the publication of:

*JICMS Volume (9): Issue (3) 2021*


https://www.intellectbooks.com/journal-of-italian-cinema-media-studies 
<https://www.intellectbooks.com/journal-of-italian-cinema-media-studies>

**

*Articles:*

**

*Double exposures: Embodiment, vulnerability and agency in Letizia 
Battaglia’s photography*

_Claudia Karagoz_

_
_

*Almost as good as Soviet cinema: Reception of Italian neorealism in 
Poland: 1946–56*

Konrad Klejsa <https://www.intellectbooks.com/konrad-klejsa>, Anna 
Miller-Klejsa <https://www.intellectbooks.com/anna-miller-klejsa>

*/I dannati della terra:/** The Italian left facing the Third World on 
the eve of 1968*

Mariano Mestman <https://www.intellectbooks.com/mariano-mestman>

*Coming of age in Milano: Ermanno Olmi from sponsored cinema to feature 
filmmaking*

Jim Carter <https://www.intellectbooks.com/jim-carter>


*Il ‘gioco di telefono’: The posthuman and cellular technology in Paolo 
Genovese’s /Perfect Strangers/*

Kristina Varade <https://www.intellectbooks.com/kristina-varade>



*Interviews: *

**

*Cinematic adventures: An interview with Liliana Cavani*

Gaetana Marrone <https://www.intellectbooks.com/gaetana-marrone>

* ‘The poetics of hauntology in /Sicilian Ghost Story/’: Gloria 
Lauri-Lucente interviews Fabio Grassadonia and Antonio Piazza*

Gloria Lauri-Lucente <https://www.intellectbooks.com/gloria-lauri-lucente>


*Conference Report:*

*/Il cinema fa scuola (School and Cinema)/**, Cine-Room Conference, Live 
on Cine-Room Facebook Page, 12 November 2020*

Federica Notari <https://www.intellectbooks.com/federica-notari>


*Film Reviews:*

*/Sulle Tracce di Fellini/** (/On Fellini’s Footsteps/), Gérald Morin 
(dir.) (2013), France and Switzerland: ARTE, Artemis Films Productions, 
RSI Radiotelevisione Svizzera and SRG-SSR*

Diego Bonelli <https://www.intellectbooks.com/diego-bonelli>


*/Fellini fine mai/** (/Fellini Never-Ending/), Eugenio Cappuccio (dir.) 
(2019), Italy: Aurora TV, RAI Cinema and RAI Teche*

Jim Carter <https://www.intellectbooks.com/jim-carter>

*/
/*

*/La verità su La dolce vita/** (/The Truth about La Dolce Vita/), 
Giuseppe Pedersoli (dir.) (2020), Italy: Arietta Cinematografica and 
Istituto Luce Cinecittà*

Marina Vargau <https://www.intellectbooks.com/marina-vargau>

*/
/*

*/Fellini degli spiriti/** (/Fellini of the Spirits/), Anselma dell’Olio 
(dir.) (2020), Italy, Belgium and France: Mad Entertainment with Rai 
Cinema, in co-production with Walking the Dog, Arte and Rai Com*

Glen Bonnici <https://www.intellectbooks.com/glen-bonnici>

*/Nul homme n’est un île/** (/No Man Is an Island/), Dominique Marchais 
(dir.) (2020), France: Zadig Films*

Pasquale Verdicchio <https://www.intellectbooks.com/pasquale-verdicchio>

*/
/*

*/Waiting for Woody/**, Claudio Napoli (dir.) (2020), USA: OkoZoko*

Sarah Annunziato <https://www.intellectbooks.com/sarah-annunziato>

*/
/*

*/Sorprese!/** and the theme song for Premio Melograno, Emanuela Piovano 
(dir.) (2013), Italy: KitchenFilm*

Federica Notari <https://www.intellectbooks.com/federica-notari>



*Book Reviews:*

*/Rappresentare la violenza di genere: Sguardi femministi tra critica, 
attivismo e scrittura/**, Marina Bettaglio, Nicoletta Mandolini and 
Silvia Ross (eds) (2018)*

Sole Anatrone <https://www.intellectbooks.com/sole-anatrone>

*/
/*

*/Translating for (and from) the Italian Screen: Dubbing and 
Subtitles/**, Phillip Balma and Giovanni Spani (eds) (2020)*

Rory McKenzie <https://www.intellectbooks.com/rory-mckenzie>


*What can cinema /do/? Three new dissertations about Italian films that 
advertise, educate and mediate consumption*

Eleonora Sforzi <https://www.intellectbooks.com/eleonora-sforzi>, 
Giovanni Grasso <https://www.intellectbooks.com/giovanni-grasso>, 
Margherita Ghetti <https://www.intellectbooks.com/margherita-ghetti>

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