Archive for February 2021

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[Commlist] latest issue of Music, Sound, and the Moving Image published

Thu Feb 04 12:48:47 GMT 2021




Liverpool University Press is pleased to inform you of the latest content in/Music, Sound, and the Moving Image <https://liverpooluniversitypress.co.uk/journals/id/47> (MSMI)/, a highly regarded publication that is essential reading for those working in and researchingvisual culture.

This month’s issue includes articles on the uses of music and sound in the opening sequences of Peter Jackson’s Middle-earth trilogies, and the cinematic experience as a cinesomatic experience.

Browse all articles on the /MSMI/ webpage <https://bit.ly/3akxhjH>.

To recommend a subscription to/Music, Sound, and the Moving Image /to your library, click the ‘recommend to your librarian’ button <https://liverpooluniversitypress.co.uk/journals/id/47>on the /MSMI/ webpage.


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_Table of contents_

RESEARCH ARTICLES

/ONE DOES NOT SIMPLY WALK INTO MORDOR <https://liverpooluniversitypress.co.uk/journals/article/60568/>/

/SOUND AND MUSIC AS SUTURE IN THE OPENING SEQUENCES OF PETER JACKSON’S MIDDLE-EARTH FILMS/

DANIEL WHITE

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/SONIC SPACE AND ECHOES OF THE FLESH <https://liverpooluniversitypress.co.uk/journals/article/60567/>/

/TEXTUAL AND PHENOMENAL READINGS OF GRAVITY/

ALISON WALKER

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/MEDIATING AND DISRUPTING THE FLOW <https://liverpooluniversitypress.co.uk/journals/article/60566/>/

/CLASSICAL MUSIC CONVENTIONS IN THE PERFORMANCE AND VIDEO ART OF NAM JUNE PAIK AND CHARLOTTE MOORMAN/

EVELYN KREUTZER

/BOOK REVIEW <https://liverpooluniversitypress.co.uk/journals/article/60565/>/

ROGER HILLMAN

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/CONTRIBUTORS TO ISSUE 14:2 <https://liverpooluniversitypress.co.uk/journals/article/60564/>/

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/IINDEX TO VOLUME 14 <https://liverpooluniversitypress.co.uk/journals/article/60563/>/

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