[Commlist] Webinar program - Pop-rock Music and 2000s Cinema

Please find below the link to the website of the online symposium "Pop 
and Rock Music and 2000s Cinema" and the program of 5 sessions held from 
January 29th to February 26th, 2021.

*https://biopop21.sciencesconf.org/ <https://biopop21.sciencesconf.org/>*

Please feel free to contact us if you wish to attend.

Clémentine Tholas (Université Sorbonne Nouvelle - CREW) and Catherine 
Girodet (Université de Reims-Champagne Ardenne - CIRLEP)
(clementine.tholas /at/ sorbonne-nouvelle.fr) 
<mailto:(clementine.tholas /at/ sorbonne-nouvelle.fr)>
(catherine.girodet /at/ univ-reims.fr) <mailto:(catherine.girodet /at/ reims-univ.fr)%20>
*
*


    *SESSION 1*

*/Blinded by the Light/**: Fan Culture and Transnational Storytelling*

January29, 2021 - 6-8 <callto:29, 2021 - 6-8>P.M. (Paris time; GMT +1 )

Keynote address by* Mark Duffett *(University of Chester, UK) **

"I Want to be a Writer...": Music Fandom and Identity in /Blinded By The 
Light/ (Chadha, 2019).*
*

**

*Khaled Chouana* (Abbes Laghrour University of Khenchela, Algeria)

“Bruce is the direct line to all that’s true in this shitty world”: 
Music, Identity, and Hope in Gurinder Chadha’s Biographical Film 
/Blinded by the Light/”

**

**


    *SESSION 2*


    *Challenging the Young Male Rock-star Canon: **Re-empowering Female
    Performers and Ageing Musicians*

February5, 2021 - 6-8 <callto:5, 2021 - 6-8>P.M. (Paris time; GMT +1)

*
**Kirsty Fairclough* (Manchester Metropolitan University, UK)

 From Judy to Beyoncé : Fame, Performance and Narratives of Gendered 
Genius on Screen.

*Richard Lee* (St. Bonaventure University, US)

How Terribly Normal to be 70 in /Danny Collins/ (2015), /Crazy 
Heart/ (2009), /Ricki and the Flash/ (2015).

**


    *SESSION 3*


    *Cinematic Space as the Site of Life-writing, **Identity
    Construction, and Intersubjectivity*

February 12, 2021 - 6-8 P.M. (Paris time; GMT +1)

**

*Marian Jago* (University of Edinburgh, UK)

“It’s Only Rock‘n’ Roll”: Self-Myth and Springsteen on Film.

*Joe Albert (*Gonzaga University, US)

Exploring the Intersubjective Roots of the Artist, Audience and 
Authenticity.

10-minute extra:* Catherine Girodet* (Université Reims 
Champagne-Ardenne, France) presents a piece on Nick Cave and self-writing


    *SESSION 4*

*Heroic Tales of the Saints and the Damned*

February 19, 2021 - 6-8 P.M. (Paris time; GMT +1)

**

*J**ustin Wadlow* (Université de Picardie Jules Verne, France)

Art, Capitalism and the Devil: Rock’n’roll, Stardom and Modern Sainthood 
in Biopics.

**

*Guillaume Mouleux* (Université Sorbonne-Paris-Cité, France)

“/The Last Days of Grunge?/: Gus Van Sant’s 2005 Film as an Alternative 
History of a Music Genre.


    *SESSION 5*


    *E**xperimenting with Alternative Identities*

February 26, 2021 - 6-8 P.M. (Paris time; GMT +1)

**

*Christophe Becker *(Université de Nantes /Centre de Recherches en 
Histoire Internationale et Atlantique, France*)*

A Nightmare in the Daylight / Assembling Lady Jaye Breyer P-Orridge 
through Marie Losier's The Ballad of Genesis and Lady Jaye (2011)

*Ira Osterberg *(Aleksanteri Institute, Finland)

The “Fictional” and the “Real” in Kirill Serebrennikov's /Leto/ (Russia, 
2018)

10-minute extra: *Céline Murillo* (Université Paris 13 Nord, France) 
presents a piece on Lydia Lunch

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