[Commlist] Film, Fashion & Consumption 8.2 published

Intellect is pleased to announce that /Film, Fashion & Consumption/ 8.2 
is finally available for download!


For the full article list and to find out more about the journal, click 
here >> http://www.intellectbooks.com/film-fashion-consumption 
<http://www.intellectbooks.com/film-fashion-consumption?fbclid=IwAR1vOzJIz2O_YSxvFZBmz9KaM-EzbKS7X3QwcsuvgDStk1rVlxDgkZqjPHk>


*Aims & Scope*


Film, Fashion & Consumptionis a peer-reviewed journal designed to 
provide an arena for the presentation of research and practice-based 
writing within and between the fields of film, fashion, design, history 
and art history. The journal aims to unite and enlarge a community of 
researchers and practitioners in these fields, whilst also introducing a 
wider audience to new work, particularly to interdisciplinary research 
that looks at the intersections between film, fashion and consumption.


*Issue 8.2*


_Editorial Foreword 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00001>_

Pamela Church Gibson


_Articles_


The noir side of couture: Balenciaga and Luis Marquina’s Alta costura 
(1954) 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00002>

Jorge Pérez


<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00003>

The transitivity of costume in That Lady (Terence Young, 1955) 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00003>

Sarah Wright and Lidia Merás


Suits and subcultures: Costuming and masculinities in the films of Pedro 
Almodóvar (OPEN ACCESS) 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00004>

Sarah Gilligan and Jacky Collins


‘Daddy’s Lil Monster’: Suicide Squad, thirdwave feminism and the 
pornification and queering of Harley Quinn 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00005>

Adam Geczy and Vicki Karaminas


_Book Reviews_


Fashion Film: Art and Advertising in the Digital Age, Nicholas 
Rees-Roberts (2018) 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00006>

Hilary Radner


Street Fashion Moscow, Elena Siemens (2017) 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00006>

Graham H. Roberts


L.A. Chic: A Locational History of Los Angeles Fashion, Susan Ingram and 
Markus Reisenleitner (2018) 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00006>

Vanessa Jones


Transglobal Fashion Narratives: Clothing Communication, Style Statements 
and Brand Storytelling, Anne Peirson-Smith and Joseph H. Hancock II 
(eds) (2018) 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00006>

Graham H. Roberts


_Exhibition Reviews_


Fashion and Feminism, Ulster Museum, Belfast, 22 June 2018–2 June 2019 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00007> 


Catherine O’Hara


Christian Dior: Designer of Dreams, Victoria and Albert Museum, London, 
February–September 2019; Christian Dior: Couturier Du Rêve, Musée des 
Arts Décoratifs, Paris, July 2017–January 2018 
<https://www.ingentaconnect.com/contentone/intellect/ffc/2019/00000008/00000002/art00007>

Matteo Augello


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