[Commlist] Film International 17.3 published

Intellect is excited to report that /Film International/17.3 is now 
available!

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For more information about the issue and journal, click here >> 
http://www.intellectbooks.com/film-international-journal-of-world-cinema

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*Aims & Scope*

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Rejecting the dichotomies of ‘high' and ‘low' cinema, Film International 
embraces debate on how film interacts with the broader culture, history 
and economy of society. This magazine aims to encourage critical study 
and public discussion of the role of moving images in our society, 
bridging the gap between academics and cineastes.

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*Issue 17.3*

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Editorial 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00001>

Daniel Lindvall


_Articles_

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Kennedy in History and in Cinema 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00002>

Carl Freedman

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<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00003>*

A Peking Opera, English Play and Hong Kong Film: Lady Precious Stream in 
a cultural crossroads 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00003>

Da Zheng

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Performing Documentary in Lola Arias’ Theatre of War 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00004>

Louis Rogers

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Preserving Yugoslav Cultural Memory Through Un día de vida 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00005>

Mina Radović

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Through the Wall: Breaking cultural barriers in Fellini Satyricon 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00006>

Ted Knighton

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The Wild Bunch 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00007>

Tony Williams

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Through the Looking Glass: Bodies of data in Alex Garland’s Ex Machina 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00008>

Paula Murphy

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The Narrative in Loveless 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00009>

Shmavon Azatyan

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<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00010>*

A Universal Cinema: Against the confusion of Charlie Chaplin’s politics 
with his artistry 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00010>

John Fawell


_Interview_

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<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00011>*

Interview: Marcelo Martinessi 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00011>

Alex Ramon


_Articles_

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Half Baked: Harmony Korine’s The Beach Bum 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00012>

James Slaymaker

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Taking To the Sea: Gender and the oceanic gaze in The Lure and Evolution 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00013>

Nicole Elizabeth Cook


_Reviews_

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Review: Light and Shadows: Modern Visual Arts and Weimar Cinema 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00014>

Tony Williams

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Review: This Great Stage of Fools 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00015>

Matthew Fullerton

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Review: Lana and Lilly Wachowski: Sensing Transgender 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00016>

Madeline Hawk


_Parting Words_

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<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00017>*

Parting Words: They’ve Come to Save Us! 
<https://www.ingentaconnect.com/contentone/intellect/fint/2019/00000017/00000003/art00017>

Matthew Sorrento


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