[Commlist] Moving Image Review & Art Journal 8.1&2 published

Intellect is pleased to announce that /MIRAJ/ 8.1&2 is now available!

Special Issue: ‘Beside Chantal Akerman’s NOW’

For more information about the special issue and journal, click here >> 
http://www.intellectbooks.com/miraj-the-moving-image-review-art-journal


*Aims & Scope*


Moving Image Review & Art Journalis the first international 
peer-reviewed scholarly publication devoted to artists' film and video, 
and their contexts. It offers a forum for debates surrounding all forms 
of artists' moving image and media artworks: films, video installations, 
expanded cinema, video performance, experimental documentaries, 
animations and other screen-based works made by artists.


*Issue 8.1&2*


_Editorial 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00001>_


_Articles_


‘Akerman’ on-screen: Chantal Akerman behind and before the camera, and 
after cinema 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00002>

Griselda pollock


News From Home the redux version: Amodal perception and ‘la jouissance 
du voir’ 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00003>

Maria walsh


‘A pedagogy of the image’: Chantal Akerman’s ethics across film and art 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00004>

Kate rennebohm


Revisiting Jeanne Dielman: Autour de Jeanne Dielman (2004), Woman 
Sitting After Killing (2001) and Akerman’s ‘cinéma de ressassement’ 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00005>

Ros murray


Sensory experience, sound and queerness in Chantal Akerman’s Maniac 
Shadows (2013) 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00006>

Albertine fox


‘A matter of skin’: Chantal Akerman’s ‘porous narratives’ 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00007>

Maud jacquin


Disappearance in the films of Chantal Akerman 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00008>

Janet bergstrom


_Features_


Ephemeral, elusive, impossible: Chantal Akerman and the concept of 
‘home’ 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00009>

Sandy flitterman-lewis


On Les Rendez-vous d’Anna and Jeanne Dielmann 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00010>

Dominique païni


Before, between and beyond: Chantal Akerman’s impenetrable landscapes 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00011>

Jacqui usiskin


On marginality as resistance 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00012>

Corinne rondeau


Seeing horizontally: Babette Mangolte interviewed by Bryony Gillard and 
Louis Hartnoll 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00013>

Bryony gillard and Louis hartnoll


 From the Other Side at Documenta 11 (2002) 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00014>

Alison rowley


Akerman the scavenger 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00015>

Adam roberts


_Review Articles_


Memory, Forgetting and the Moving Image, Caterina Albano (2016) 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00016>

Sarah durcan


Alternative Film/Video Festival (13–17 December 2017) and the 
International Short Film Festival Oberhausen (3–8 May 2018): Film 
festivals as memory-work 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00017>

Catherine fowler


Yvonne Rainer: The Choreography of Film 
<https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00018>

Yhilomena epps


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