[Commlist] April 1! CfP - Archiving Dissent - September 6 & 7, 2019 - Beirut!

*Extended Abstract Deadline April 1, 2019*



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*Call for Proposals*

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*ArchivingDissent: Post-2011 Arab Imagery, Memory and Vernacular 
Representations of Conflict*

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*The American University of Beirut, Lebanon*

*September 6 & 7, 2019*

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*Organisers:*Prof Kari Anden-Papadopoulos (Stockholm University) and Dr 
Dima Saber (Birmingham City University) in collaboration with Dr May 
Farah (The American University of Beirut)


This two-day conference entitled ‘ArchivingDissent: Post-2011 Arab 
imagery, memory and vernacular representations of conflict’ aims at 
exploring the mounting challenges but also opportunities posed by the 
ever-expanding collections of crowdsourced digital content documenting 
eight years of revolution and struggles in the Arab region. It brings 
together academics, activists, lawyers, archivists and artists from the 
MENA and beyond,to map out existing documentation of the 2011 revolts in 
both online and offline forms, and to think critically and strategically 
about issues such as preservation, use, value, access, ownershipand control.

Withthe democratisation of image production and dissemination,the lack 
of documentation of pivotal events, including human rights violations 
and war crimes, is nolongera primary issue. Rather, main challenges are 
capturing and preserving the overwhelming proliferation of digital 
imagery coming out of the Arab uprisings, along with ensuring the 
integrity, reliability and accessibility of such records. Ina context of 
increasingly contested narratives, when the revolutionary moment has 
slipped into civil wars, violenceandthe return to emboldened oppression, 
thesevernaculararchives become ever-more valuable as grounds for efforts 
to bring about‘truth’and‘justice’. As such, eyewitness recordings play a 
critical role not only indocumentingadvocacy efforts, but increasingly 
also in ensuring the preservation of a crowd-sourced historical 
knowledge and memory of war and revolution, the protection ofrights, 
andthe potentialprosecutionof atrocity and war crimes.

Another urgent issue is also the over-reliance of grassroot image 
producers on Facebook, YouTube and other corporate tech platforms to 
distribute and archive their footage. It is critical to observe that 
these hyper-commercial platforms are not designed to facilitate 
activism, and that preservation is neither a purpose nor a practice of 
theirs. Indeed, tech platforms have increasingly taken on the 
responsibility of policing their user content and activity, through, for 
example, systematically removing content and channels deemed 
‘offensive’. Alarming figures now reveal that YouTube has removed more 
than 400 000 Syria-related videos since August 2017, when it started 
using machine-learning to flag and mass delete so-called ‘extremist’ 
content, with a total lack of transparency regarding its newly developed 
content moderation algorithm.

These disputable takedowns, which put at risk the entire audiovisual 
history of the Syrian war, reinforce existing rising concerns about the 
precariousness of the digital and the costs of the activists and 
archivists’ over-reliance on platforms they have little to no agency 
over. In addition, there are also increasing challenges posed by the 
corrupt melding of state and commercial forms of surveillance and data 
exploitation on these platforms, in contexts such as Egypt, Palestine 
and Turkey more regionally, bringing issues of user privacy and security 
to the fore.

This conference provides a forum in which scholars and practitioners 
collaborate to address the challenges - representational, political, 
ethical, technical, organizational and financial - that preserving the 
post-2011 Arab image archives present for both present and future 
representations of conflict and revolt in the region.

Participants are invited to address topics including, but not limited to:

  * (Innovative) strategiesand open-access toolsand infrastructures
    forarchiving, processing, preserving and disseminatingpost-2011 Arab
    image records
  * Historical precedents for both documentation andarchivingpractices
    in the MENA region

  * Key challenges and opportunities that crowd-sourced content offer
    for a constitution of a digital memory of post-2011 wars and
    revolutions in the MENA region (we particularly welcome here
    contributions from historians, memory studies and archival studies
    scholars and practitioners)
  * Learnings from regional and international/global protest movements
    such as Gezi Park, #metoo and #Blacklivesmatter campaigns, that
    could benefit activists and archivists in the MENA
  * Ethical considerations regarding theroles and rights of image
    creators themselves, notably in terms of considering issues of
    ownership, consent, harm, vulnerability, subjectivity and
    objectification, security, agency and responsibility.

  * Key challenges in terms of funding, selection, metadata, policy,
    quality, access, and strategic uses entailed in sucharchivingefforts
  * Strategies for mapping and securing non-governmental and
    regionally-based efforts to build infrastructures that allow for the
    collection,preservation and distribution ofthese materials

  * How to protect image records from being destroyedand insure the
    sustainability of the archiveseven when they are available inboth
    online and offline forms

  * Issues of power, ownership and control


    *The organisers welcome proposals for 20 minute academic papers and
    panels, and/or project-based presentations . Please send 250-words
    abstracts, with a 50-word biography
    (to_resistancebyrecording /at/ gmail.com)
    <mailto:(resistancebyrecording /at/ gmail.com)>_by April 1, 2019.
    *




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