[ecrea] Journal of Italian Cinema and Media Studies Vol. 7:1, 2019 available online

The Editor of JICMS is pleased to inform the community of the recent 
publication of Vol. 7:1, 2019 now available online. This issue includes 
an interview with Piera Detassis, new President of the Accademia del 
Cinema Italiano - Premi David di Donatello and with Anselma Dell'Olio, 
filmmakers Fred Kwuornu and Giovanna Gagliardo

*JICMS Vol. 7:1, 2019*

**

*Articles*

**

*Reframing Japanese animation’s success in the late 1970s: /UFO Robo/ 
/Grendizer /at the origin of the first anime boom in Italy and France*

Marco Pellitteri, Shanghai International Studies University, China

*At the margins of Rome, at the margins of the world: /The Hawks and the 
Sparrows/ and /Sacro GRA /as peripatetic analyses of capitalist society*

Eleonora Sartoni, Rutgers, The State University of New Jersey, USA

*‘I’m blind, not deaf!’: Hegemonic soundscapes and resistant hearing in 
Dario Argento’s /Suspiria /and /Inferno/*

Damien Pollard, University of Cambridge, UK

*/Italiani Made in China/**: Defining Italianness in second generation 
Chinese-Italians*

Chiara Giuliani, University College Cork, Ireland

**

*Interviews*

*An interview with Piera Detassis: The many voices of Italian cinema*

Massimo Mascolo, Okozoko LLC, Accademia del cinema italiano – Premi David di

Donatello, Italy

*An interview with Anselma Dell’Olio: /Marco Ferreri/ /Dangerous But 
Necessary/*

Massimo Mascolo, Okozoko LLC, Accademia del cinema italiano – Premi David di

Donatello, Italy

*From /Blaxploitalian /to Black- /Italiano/: A South African exploration 
of afroitalianess with Fred Kuwornu*

Anita Virga and Brian Zuccala, University of the Witwatersrand, South Africa

*The use of archival footage: ‘Retelling’ twentieth-century Italian 
history: An interview with Giovanna Gagliardo*

Flavia Laviosa, Wellesley College, USA

**

*Artist’s Corner*

Johanne Affricot, culture curator, creative and artistic director, 
founder and creative director of GRIOT, president of LIT, Italy

**

*Reports*

//

*/Stardom and Performance in Postwar Italian Cinema 1945–1954/**, 
University of Turin,//17–18 May 2018//*

Catherine O’Rawe, University of Bristol, UK

*Report on the 2018 edition of the David di Donatello Film Awards*

Massimo Mascolo, Okozoko LLC, Accademia del cinema italiano – Premi David di

Donatello, Italy

**

*Film Reviews*

//

*/Pagine nascoste, /Sabrina Varani (2017)*

Reviewed by Maria Bonaria Urban, University of Amsterdam, Netherlands

//

*/Ghetto PSA, /Rossella Schillaci (2016)*

Reviewed by Roberta Tabanelli, University of Missouri-Columbia, USA

**

**

*Book Reviews*

//

*/Futurist Cinema: Studies on Italian Avant-Garde Film/,//Rossella 
Catanese (ed.) (2018)*

Reviewed by Luca Somigli, University of Toronto, Canada

*/Relazioni brutali: Genere e violenza nella cultura mediale/, Elisa 
Giomi and//Sveva Magaraggia (2017)*

Reviewed by Dana Renga, The Ohio State University, USA

*/Luigi Ghirri and the Photography of Place: Interdisciplinary 
Perspectives, /Marina Spunta//and Jacopo Benci (eds) (2017)*

Reviewed by Sarah Patricia Hill, Victoria University of Wellington, New 
Zealand

*/A Companion to Italian Cinema/, /Cinema/, Frank Burke (ed.)//(2017)*

Reviewed by Matthew Griffith, Harvard University, USA

*/Italy Beyond Gomorrah: Roberto Saviano and Transmedia Disruption, 
/Floriana Bernardi (2017)*

Reviewed by Alberto Brodesco, University of Trento, Italy

*/Media Convergence and Deconvergence, /Global//Transformations in Media 
and//Communication Research,//Sergio Sparviero, Corinna Peil//and 
Gabriele Balbi (eds) (2017)*

Reviewed by Monica Jansen, Utrecht University, Netherlands

*/Spaghetti Westerns at the Crossroads: Studies in Relocation, 
Transition and Appropriation/, Austin Fisher//(ed.) (2016)*

Reviewed by Flavia Brizio-Skov, University of Tennessee, Knoxville, USA

//

*/Orient (to) Express: Film di viaggio, etno-grafie, teoria d’autore/, 
Marco Dalla Gassa//(2016)*

Reviewed by Stefano Bona, Flinders University, Australia

* ‘Reading Practices in Experimental Narratives: A Comparative 
Perspective from Print to Digital Fiction in Modern Languages’, Emanuela 
Patti (ed.) (2016)*

Reviewed by Alessandro Carpin, Brown University, USA







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