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[ecrea] Who needs Classical Music? - Conference on the Classical Music Industry
Fri Oct 05 15:19:35 GMT 2018
*One-Day Conference on the Classical Music Industry*
On *Tuesday, 16 October 2018*, Middlesex University (London) is hosting
a one-day
conference<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fymlpsend6.net%2F91bd4uwseaaaehuseavahbjaoaus%2Fclick.php&data=02%7C01%7C%7C1a3aa828260b4a93a29708d62ab22003%7C38e37b88a3a148cf9f056537427fed24%7C0%7C0%7C636743341874619674&sdata=iL%2Bhcwx85Rph%2F0A6pmIknNNYDIWUndXpuLLdvD4dIzQ%3D&reserved=0>,
focussing on the central practices and theories that empower the
classical music industry. With speakers and delegates from both industry
and academia, the Classical Music Industry conference is the first of
its kind and aims to foster links between both sectors, allowing for
debates that examine the industry from a range of angles.
*Gillian Moore CBE, Director of Music, Southbank Centre *will give the
keynote address. Entitled /Who Needs Classical Music?/, the talk will
explore the role of classical music in the 21st century. Talks
throughout the day explore a range of topics including /Programming and
Curation/, /the Composer Today/, /Diversity and Education/, /Live
Music/, and the /Record Industry/. The conference will draw to a close
with a reception, including a brief discussion by Dr Chris Dromey and
Julia Haferkorn of the newly published
book<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fymlpsend6.net%2F1d6feuwsmaraehuseagahbjaraus%2Fclick.php&data=02%7C01%7C%7C1a3aa828260b4a93a29708d62ab22003%7C38e37b88a3a148cf9f056537427fed24%7C0%7C0%7C636743341874629682&sdata=7oIJFWxPFUydFbrSKETUQh8ibSRr4DwSVReDmIZ4ofM%3D&reserved=0>on
/The Classical Music Industry/ (Routledge, 2018). *For the full schedule
of the conference please see below*.
http://ymlpsend6.net/imgz/wp7y_ClassicalMusicIndustrybook--4.jpg*To book
your place at the conference *click
here<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fymlpsend6.net%2F91bd4uwseaaaehuseavahbjaoaus%2Fclick.php&data=02%7C01%7C%7C1a3aa828260b4a93a29708d62ab22003%7C38e37b88a3a148cf9f056537427fed24%7C0%7C0%7C636743341874639689&sdata=Xt9Y5%2Fd34ZQHvDeUFoQkOSnAG2Y8d5FccqDDCv4LPgk%3D&reserved=0>*.*Standard
registration is £35, concessionary registration £25. The fee includes
hot lunch and refreshments.
Middlesex University is based in North London (NW4
4BT<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fymlpsend6.net%2F3e9acuwsjakaehuseafahbjalaus%2Fclick.php&data=02%7C01%7C%7C1a3aa828260b4a93a29708d62ab22003%7C38e37b88a3a148cf9f056537427fed24%7C0%7C0%7C636743341874649697&sdata=QHy5W1hVhMQIFm66E%2FKuIQIf92q%2Bo2Gp61AhB1wZC7Q%3D&reserved=0>);
the nearest tube station is Hendon Central on the Northern Line.
For any queries please e-mail Chris Dromey ((c.dromey /at/ mdx.ac.uk)) or
*Julia Haferkorn *((j.haferkorn /at/ mdx.ac.uk)).
We look forward to seeing you there!
------------------------------------------------------------------------
------------------------------------------------------------------------
*9.30*
*Registration*
*10.00*
*Welcome*
*10.15*
Parallel Session 1a
*/Contemporary Challenges/*, chaired by Julia Haferkorn (Middlesex
University)
Dr Annabelle Lee (Royal Holloway), ‘Social Media and the Classical Music
Industry: Catalysts for Change or “Classical Cult?”’
Dr Antony Feeny (independent researcher), ‘Researching Classical Music
Business Data: A Symphony of Silence?’
Dr Brian Kavanagh (King’s College, London), ‘Reimagining Classical Music
Performing Organisations for the Digital Age’
Parallel Session 1b
*/Diversity and Education/*, chaired by Dr Chris Dromey (Middlesex
University)
Dr Christina Scharff (King’s College, London), 'The Classical Music
Industry: A Sociological Perspective"
Esther Bishop (Zeppelin Universität Friedrichshafen), 'You get what you
want, but not what you need? A Curriculum Analysis of Music Performance
Programmes in Germany.'
Dr Artemis Ignatidou (Ernst Bloch Centre for German Thought, University
of London), ‘Participatory Music Outreach Programmes among Migrant Women
in Athens’
*11.30*
*Tea/coffee*
*11.45*
Parallel Session 2a
*/The Composer Today/*, chaired by Susanna Eastburn MBE (Chief
Executive, Sound and Music)
Dr Neil T. Smith (University of Nottingham) and Dr Rachel
Thwaites (University of Lincoln), ‘Emerging Composers and the
Composition Opportunity’
Composers Cheryl Frances-Hoad, Samantha Fernando and Steven Daverson
join Harriet Wybor (PRS for Music): ‘Making a Living as a Composer:
Current Perspectives'
Parallel Session 2b
*/Programming, Curation and Engagement/*, chaired by Prof. Peter
Fribbins (Middlesex University and London Chamber Music Society)
Dr Ingrid Bols (University of Glasgow), ‘Programming Choices in French
and British Symphony Orchestras: Canonic Practices, National Culture and
Corporate Innovation’
Masa Spaan (music curator and independent researcher), ‘Curating
Classical Music: Towards a Synergetic Concert Dramaturgy’
Prof. Stephanie Pitts, Dr Marta Herrero and Dr Sarah M.
Price (University of Sheffield), ‘The Gift of Music: Re-envisioning
Audience Engagement through Membership Schemes’
*13.00*
*Lunch*
*14.00*
Parallel Session 3a
*/Radio/*
Dr Neil Washbourne (Leeds Beckett University), ‘Locating Classical 105.9
WQXR-FM in New York City: Commercial Radio to NPR, On-Air Supplemented
by On-Line’
Dr Chris Dromey (Middlesex University), ‘Talking about Classical Music:
Radio as Public Musicology’
Chris Marshall (Royal Birmingham Conservatoire), ‘The Royal Albert Hall
as Maori Meeting Hut: Commissioning Music for the 1982 Proms’
Parallel Session 3b
*/Publishing and Copyright/*
Dr Brian Inglis (Middlesex University), ‘Classical Music, Copyright, and
Collecting Societies’
Péter Munkácsi (independent researcher), ‘Modernisation of EU Copyright
Rules and Their Effects on the Classical Music Industry’
Sarah Osborn (Incorporated Society of Musicians), ‘“Growing a Forest”:
The Changing Business of Classical Music Publishing’
*15.15*
*Tea/coffee*
*15.30*
Parallel Session 4a
*/Live Music/*, chaired by Dr Brian Kavanagh (King's College, London)
Dr Sarah M. Price (University of Sheffield), ‘“It sounded exactly like a
CD…”: Articulating the Value of Live Classical Music’
Dr Jutta Toelle (Max Planck Institute for Empirical Aesthetics), ‘The
Pitfalls and Promises of Audience Participation’
Julia Haferkorn (Middlesex University), 'Dancing to Another Tune:
Classical Music in Nightclubs and Other Non-traditional Settings’
Parallel Session 4b
*/The Record Industry/*, chaired by Dr Brian Inglis
Sara Lambrecht (Universiteit Utrecht), ‘The Impact of New Technology on
the Formats of Musical Consumption and the Shifting Role of Classical
Music Recordings’
Evgeniya Kondrashina (Goldsmiths, London), ‘A Phoenix Rising from the
Ashes? The State Label Melodiya in Post-Communist Russia’
Dr Marius Carboni (University of Hertfordshire), ‘Evolving Business
Models in the Classical Record Industry’
*16.45*
*Break*- proceeding to the *Concert Room*, second floor of the nearby
Grove B Building, for the Keynote and Reception
*17.15*
*Keynote /Who Needs Classical Music?/***- Gillian Moore CBE (Director of
Music, Southbank Centre),
Followed by *Reception*, including a brief discussion by Dr Chris Dromey
and Julia Haferkorn of /The Classical Music Industry/ (Routledge, 2018)
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