[ecrea] 'Screening Sound': 3rd Film & Screen Studies Annual Symposium

*University of Brighton*

*School of Media*

*3^rd Film & Screen Studies Annual Symposium*

*
*

*Screening Sound*

**

*Friday 27 April 2018, 0930-1630*

*Room G4, Grand Parade building*

0930-1000

Refreshments

1000-1030

Jean Martin, ‘There is no Soundtrack: Towards an Audio-Visual Aesthetic 
of Film’

1030-1130

Panel 1: Digital Sound

Dario Llinares, ‘Podcasting as Liminal Praxis: Digital Audio and the 
Reimagining of Communication Dialectics’

Ewan Kirkland, ‘Narrative, Characterisation and Popular Music in Videogames’

1130-1145 - Break

1145-1245

Panel 2: Sound in Fantasy Culture

Alex Fitch, ‘Breaking Borders in /The House That Groaned’/

Douglas McNaugton, ‘The Soundscape of Dread: Nostalgia and the Phonotope 
in /Doctor Who/ Audio Dramas’

1245-1345: Lunch

1345-1445

Panel 3: Sound and Music in /Twin Peaks/

Martin Fradley, ‘Roadhouse Blues: Music and Melancholia in /Twin Peaks: 
The Return/

Aris Mousoutzanis, ‘Noise, the Voice and the Scream in /Twin Peaks: The 
Return/’

1445-1500: Break

1500-1630

Panel 4: Musicals, Music and Resistance

Shannon Magness, ‘The Animated, Musical Multi-Media ‘Jingle-doc’ as 
Coded Communication and Performative Social Science: On the Subject of 
Intergenerational Intimate Partner Violence’

Louise Fitzgerald, ‘/Solomon's Song/: Race, Music, Ritual and Resistance’

Deborah Philips, ‘The Little Show Drowned in Gallons of ‘Concept’ . . . 
Ken Russell and the Filming of /The Boyfriend/’

No registration needed. All welcome!


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