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[ecrea] new issue Cinema: Journal of Philosophy and the Moving Image, on "Islam and Images"
Wed Apr 04 18:43:26 GMT 2018
CINEMA: JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE
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Dear Colleagues,
We are pleased to announce that the 9th issue of /Cinema://Journal of
Philosophy and the Moving Image /on *_"Islam and Images"_**__*is now
available online for free download at http://cjpmi.ifilnova.pt/
*CINEMA 9 *
*ISLAM AND IMAGES*
edited by
Patrícia Silveirinha Castello Branco (IFILNOVA)
Saeed Zeydabadi-Nejad (SOAS University of London)
Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20)
ARTICLES
The Role of Images in al-Fārābī’s Political Thought, 10-26
Sarah Virgi (SOAS University of London)
An Unexpected Imagery: The Heart’s Vision and Other
Synesthetic Functions of the Dhikr into the Islamic Tradition, 27-39
Dario Tomasello (University of Messina)
Calligraphic Animation as Visual Music: A Genealogy of Islamic
Synchronization of Sight and Sound, 40-54
M. Javad Khajavi (Volda University College)
Seeing the Unseen: The Invisible Worlds of Jafar Panahi’s Cinema, 55-71
Mani Saravanan (Nanyang Technological University)
The Foil and the Quicksand: The Image of the “Veil” and
the Failure of Abjection in Iranian Diasporic Horror, 72-87
Shrabani Basu (Adamas University)
Post-Cinematic (Mis-)Representation of Islam, 88-106
Taida Kusturica (Academy of Fine Arts Vienna)
INTERVIEWS
Hanan al Cinema: An Interview with Laura U. Marks, 108-114
by Stefanie Baumann (IFILNOVA) and Susana Nascimento Duarte
(School of Arts and Design at Caldas da Rainha/IFILNOVA)
BOOK REVIEWS
Psychoanalytic Film Theory and “The Rules of the Game”, 116-120
Anthony J. Ballas (University of Colorado Denver)
The Philosophy of Documentary Film: Image, Sound, Fiction, Truth, 121-126
Stefanie Baumann (IFILNOVA)
Surviving Images: Cinema, War, and Cultural Memory in the Middle East,
127-132
AnaMary Bilbao (Universidade Nova de Lisboa)
Doing Time: Temporality, Hermeneutics, and Contemporary Cinema, 133-137
Feroz Hassan (University of Michigan)
Hanan al-Cinema: Affections for the Moving Image, 138-141
Susana Mouzinho (IFILNOVA)
The Body and The Screen: Female Subjectivities in Contemporary Women’s
Cinema, 142-148
Zorianna Zurba
Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of
Impossibility, 149-151
Wayne E. Arnold (The University of Kitakyushu)
The Philosophy of Spike Lee, 152-155
Aspen Taylor Johnson (Metropolitan State University of Denver)
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