[ecrea] CFP Visualising Spatial Injustice and Exploitation, University of Kent

KEYNOTE SPEAKERS // MIRANDA PENNELL // ALBERTO TOSCANO____

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https://visualisingspatialinjustice.weebly.com/ 
<https://visualisingspatialinjustice.weebly.com/>____

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As the noted political geographer and urban theorist Edward Soja has 
suggested, under current socio-political conditions, “relations of power 
and discipline are inscribed into the apparently innocent spatiality of 
social life… human geographies become filled with politics and 
ideology.” Within an epoch structured around the machinations of 
transnational global capital, authoritarian state (and supra-state) 
governance, the birth of an obfuscated neo-colonialism and neoliberalist 
political hegemony, how can contemporary moving image practices 
capture—and, concomitantly, offer modes of resistance to—the spatial 
machinations of contemporary power relations?____

____

Several contemporary theorists—from Frederic Jameson and his notion of 
“cognitive mapping” to Alberto Toscano and his formulation of mapping 
the “social totality”—have tried to understand how aesthetic practices 
can be employed to expose the semi-discreet, yet interrelated, inner 
workings of: late-capitalism, authoritarian state governance, 
neo-colonialism, illegal occupation and internment, natural resource 
extraction, indigenous displacement and gentrification/urban 
re-structuring. These spatial exploitations have devastating effects on 
peoples and communities.____

____

Moving image practice presents tools for exploring these processes of 
exploitation and injustice in new and novel ways. These tools are 
resources for bearing witness, and bringing into view, the voices of 
peoples and communities affected. These media forms may offer 
significant powers of spatial visualisation, hitherto neglected in the 
foregrounding of their temporal properties. The work of Allan Sekula, 
James Benning, Ursula Biemann, Patrick Keiller, Susan Schuppli, Jonathan 
Perel, (amongst others), testifies to the fecundity of this focus of the 
moving image.____

____

The aim of this symposium is to further examine how moving image can 
play a key role in exposing such spatial injustices and exploitations. 
Indeed, we contend that such practices have a crucial role to play in 
undermining the apparently “seamless” functioning of such spatialised 
power relations; helping to throw into sharp relief their fissures, 
cracks and contradictions. What strategies of intervention and 
visualisation have been developed? Which remain underexplored or 
underdeveloped? This symposium seeks to bring together an 
interdisciplinary range of scholars and media-makers to explore these 
questions.____

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This symposium welcomes both traditional paper proposals and media 
research-creation projects.____

​____

Possible areas of inquiry include but are not limited to:____

____

Visualising late capitalism____

Anthropocene/capitalocene debates____

Place and affect____

Carceral geographies____

Media logistics and infrastructure____

Migration and bordering____

Indigenous displacement____

Gentrification____

Spaces of riot and protest____

Uneven development____

Spatial fixing____

Marxist geography____

Natural resource extraction____

Illegal occupation and internment____

____

Paper proposals should be no more that 500 words and should include a 
brief biography.____

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Research-creation proposals should be no more than 400 words and should 
include some footage/visuals from the project.____

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Post-conference, we hope to collect extended essays from participants 
into a book, possibly with an additional online component to showcase 
research-creation projects.____

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Please send proposals to:____

Stephen Connolly ((Stephen.connolly /at/ uca.ac.uk) 
<mailto:(Stephen.connolly /at/ uca.ac.uk)>) Matthew Gibson Matthew Gibson 
((mceg2 /at/ kent.ac.uk) <mailto:(mceg2 /at/ kent.ac.uk)>) and Patrick Brian Smith 
((patrickbriansmith /at/ gmail.com) 
<mailto:(patrickbriansmith /at/ gmail.com)>)byMarch 1st 2018.


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