Archive for 2018

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[ecrea] JICMS Vol. 6:2, 2018

Mon Feb 26 07:23:44 GMT 2018




The Editor is pleased to inform that Vol. 6:2, 2018 is now available online

www.intellectbooks.co.uk/journals/view-issue,id=3478/ <http://www.intellectbooks.co.uk/journals/view-issue,id=3478/>

This issue features the following contributions:

*JICMS Vol. 6:2, 2018*

***Articles*

**1. Critical (self-)reflections in the elusive other: the image of the Austrian in the films of Visconti, Fellini and Cavani

Robert Dassanowsky, University of Colorado, Colorado Springs

2. Counter-memory and representations of otherness: Three documentaries by Fred Kudjo Kuwornu

Marie Orton, Brigham Young University

3. The demonization of the South and the Southernification of evil in contemporary Italian cinema:/Belluscone/and/Qualunquemente/

Marcello Messina, Universidade Federal do Acre

4.Masculinity, melodrama, and quality TV: reviewing/La piovra/

Rebecca Bauman,Fashion Institute of Technology, State University of New York

**

*Interview*

Presence as absence, absence as presence. An interview with Italian film director Claudio Sestieri

Simone Dubrovic, Kenyon College

**

*Reports*

1. ‘Italian Screen Studies: Methods and Priorities’: AAIS/CSIS Joint Conference, The Ohio State University, 20-22 April 2017. Conference Report

**

Daniel Paul, The Ohio State University and Kevin Regan-Maglione, University of Oregon

//

2. Italian Cinema in Historical and Intercultural Contexts: A Film Festival at Wellesley College

Margaret Roberts, Wellesley College

**

*Film reviews*

1./Femminismo!/Paola Columba (2016)//

Reviewed by Stefania Benini, Saint Joseph's University

2./Ninna nanna prigioniera/ Imprisoned Lullaby,/Rossella Schillaci (2016)////

Reviewed by Laura Di Bianco, Johns Hopkins University

3./Caffè,/Cristiano Bortone (2016)//

Reviewed by Gaoheng Zhang, University of British Columbia

4./I sogni dei musiù/The Sun of the Immigrant: The Image of Simón Bolívar in Marina di Camerota, Italy,/Enzo D'Ambrosio (1961)//

**

Reviewed by Rafael Arreaza Scrocchi, Vrije Universiteit Brussel

**

*Book reviews*

**

1.**/Breve ma veridica storia del documentario: dal cinema del reale alla nonfiction/, Adriano Aprà (2017)

Reviewed by Paola Bonifazio, The University of Texas at Austin

2./Early Film Theories in Italy, 1896-1922/, Francesco Casetti with Silvio Alovisio and Luca Mazzei (ED) (2017)

Reviewed by Giorgio Bertellini, University of Michigan

3./Italian Political Cinema: Public life, Imaginary, and Identity in Contemporary Italian Film,/Giancarlo Lombardi and Christian Uva (Eds.), 2016

//

Reviewed by Francesco Fiumara, Southeastern Louisiana University

4./Italy’s Other Women. Gender and Prostitution in Italian Cinema, 1940-1965/, Danielle Hipkins (2016)

Reviewed by Claudia Karagoz, Saint Louis University

5./Federico Fellini: Riprese riletture, (re)visioni/, Alberto Zambenedetti et al (ED.) (2016)

Reviewed by Sam Gaglio, University of Texas at Austin

6./Shooting Star: Sociologia mediatica e filosofia politica di Atlas Ufo Robot,/Marco Pellitteri & Francesco Giacomantonio (2016)**

Reviewed by Francesco-Alessio Ursini., Sun Yat-Sen University

7./FULGOR/(Flinders University Languages Group Online Review)

Volume 5, Issue 1 (April 2016): Special Issue on Italian Cinema

Guest Editor: Luciana d'Arcangeli

Reviewed by Stefania Benini, Saint Joseph's University

8./Divergenze in celluloide. Colore, migrazione e identità nei film gay di Ferzan Özpetek/, Ryan Calabretta-Sadjer (2016)

Reviewed by Laura Leonardo, Newcastle University

9./La TV invadente. Il reality del dolore da Vermicino ad Avetrana/, Anna Bisogno (2015)

Reviewed by Rebecca Bauman, Fashion Institute of Technology, State University of New York

10./Social Gossip. From Courtyard Chats to Web Rumours,/Antonia Cava and Francesco Pira (2015)

Reviewed by Anna Bisogno, Roma Tre University

//

11./Il Cinema Italiano: Generi, figure, film del passato e del presente/, Antonio Costa (2013)

Reviewed by Giacomo Boitani, Independent Scholar


Thank you for your attention and interest in JICMS.


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