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[ecrea] Cinema&Cie International Film Studies Journal. "Beyond Cinema" Permanent Call for Essays
Fri Feb 16 15:01:11 GMT 2018
/Cinema&Cie International Film Studies Journal/
Permanent Call for Essay "Beyond Cinema"
/
Following the so-called “digital revolution”, dramatic transformations 
have affected the ways in which cinema is produced, consumed and 
perceived, to the extent that it seems to have gone “beyond” itself: 
beyond its very language and discourse; its traditional consumption 
practices and spaces; its position and function within the social (as 
well as the medial) sphere. As a consequence, during the last two 
decades, research in film studies has significantly widened its scope: 
the study of cinema has been re-articulated in several fields of inquiry 
and through a variety of methodological approaches and 
(inter)disciplinary perspectives, in an attempt to keep up with these 
most recent developments.
This section of/Cinéma&Cie /aims therefore to function as a permanent 
observatory of this “beyondness”. Specifically, it provides a space to 
re-discuss the thresholds of the cinematic medium, as well as the 
boundaries of traditional film studies, by addressing a variety of 
under-investigated contexts and objects through innovative and 
unconventional approaches and references.
/Beyond Cinema/encourages proposals related to the following main 
frameworks:
/
    /
    *Cinema Beyond the Film Text.*Cinema in a transtextual perspective:
    intertextual, metatextual and hypertextual relations among films,
    and/or between films and other cultural products; practices of
    appropriation of pre-existing images (found-footage, archival
    footage, collage films, and so on).
    /
    /
    *Cinema Beyond the Cinematic Medium*. Cinema in a transmedia
    perspective: remediations and intermedial practices; processes of
    translation, differentiation, assimilation, hybridization and mutual
    exchange with other media formations, on both the aesthetic and
    material level.
    /
    /
    /
    /
    *Cinema Beyond the Movie Theatre*. Cinema in a translocational
    perspective: the relocation of cinema and new forms of circulation
    and consumption (from mobile phones to urban screens); musealization
    and exposition of cinema and films; non-institutional forms of
    filmmaking (amateur cinema and non-theatrical genres, such as the
    medical, industrial, touristic film, etc.).
    /
    /
    /
    /
    *Cinema Beyond Film Studies*. Cinema in a transdisciplinary
    perspective: intersections between film studies and other
    disciplines, from both the humanities and hard sciences (cinema and
    philosophy, cinema and neuroscience, cinema and cultural studies,
    etc.); the role of cinema as a didactic tool and as an instrument of
    scientific inquiry.
    /
/
We invite the submission of articles in English or French (max 4000 
words), edited according to the journal’s style guidelines. Contributors 
are also asked to provide an abstract (300-500 words), 5 keywords, and a 
short biographical note (150 words).
Submissions should be sent to:(beyondcinema /at/ cinemaetcie.net) 
<mailto:(beyondcinema /at/ cinemaetcie.net)>. Authors will be notified of 
acceptance or non-acceptance within one month of submission. Once their 
article has been assessed for suitability by the section’s editors, it 
will then be peer-reviewed by anonymous, expert referees.
As a permanent call for essays of a biannual journal, /Beyond 
Cinema/ presents two fixed deadlines for submission every year, as follows:
  * Articles submitted by *March 30th *will be considered for
    publication in the Spring issue
  * Articles submitted by *October 30th* will be considered for
    publication in the Fall issue
/
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