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[ecrea] ToC: Critical Arts 31(5): Cinema at the End of the World, special issue
Tue Apr 17 21:48:45 GMT 2018
*Special Issue: Cinema at the End of the World*
*Guest Editors: Antonio Traverso & Deane Williams*
*Introduction*
Introduction: Cinema at the End of the World
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401104>
Antonio Traverso
<https://www.tandfonline.com/author/Traverso%2C+Antonio> & Deane
Williams <https://www.tandfonline.com/author/Williams%2C+Deane>
Pages: 1-11
*Published online:* 10 Apr 2018
First Page Preview
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401104>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1401104>|
PDF (1865 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401104#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDExMDRAQEAw>
*Articles*
Article
Between Political Film and Militant Video: An Analysis of the
Discussions at the /Rencontres Internationales pour un Nouveau Cinéma/,
Montreal, 1974
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1422169>
Mariano Mestman <https://www.tandfonline.com/author/Mestman%2C+Mariano>
Pages: 12-27
*Published online:* 09 Feb 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1422169>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1422169>|
PDF (817 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1422169#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MjIxNjlAQEAw>
Article
The Return to the Social through the Collective “I”: Disrupting the
Uneventful Face of Neoliberal Precariousness in the Chilean
Documentary/El otro día/
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405054>
Walescka Pino-Ojeda
<https://www.tandfonline.com/author/Pino-Ojeda%2C+Walescka>
Pages: 28-44
*Published online:* 07 Feb 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405054>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1405054>|
PDF (821 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405054#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDUwNTRAQEAw>
Article
Representations of Women’s Agency in African Anti-colonial Struggles:
The Case of /Sambizanga/ (1972) and /Mapantsula/ (1988)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386701>
Norita Mdege <https://www.tandfonline.com/author/Mdege%2C+Norita>
Pages: 45-60
*Published online:* 07 Feb 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386701>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386701>|
PDF (858 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386701#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY3MDFAQEAw>
Article
/After Death/: Public Mourning, Discourse, and Myth in the Afterlife
Representations of a Tanzanian Movie Star
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405055>
Claudia Böhme <https://www.tandfonline.com/author/B%C3%B6hme%2C+Claudia>
Pages: 61-76
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405055>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1405055>|
PDF (747 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405055#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDUwNTVAQEAw>
*Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda,
and New Zealand*
Introduction
Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda,
and New Zealand
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348688>
Antonio Traverso
<https://www.tandfonline.com/author/Traverso%2C+Antonio>, Mick Broderick
<https://www.tandfonline.com/author/Broderick%2C+Mick>, Felicity Collins
<https://www.tandfonline.com/author/Collins%2C+Felicity> & Susannah
Radstone <https://www.tandfonline.com/author/Radstone%2C+Susannah>
Page: 77
*Published online:* 10 Apr 2018
Citation
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348688>|PDF
(588 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348688#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODhAQEAw>
Article
Not Reconciled: /Grey Matter/ (Ruhorahoza 2011) and the Lacunae of
Post-genocide Rwandan Cinema
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348685>
Mick Broderick <https://www.tandfonline.com/author/Broderick%2C+Mick>
Pages: 78-86
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348685>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1348685>|
PDF (821 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348685#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODVAQEAw>
Article
/Top of the Lake’s/ Emotional Landscape: Reparation at the Edge of the
World <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348687>
Susannah Radstone <https://www.tandfonline.com/author/Radstone%2C+Susannah>
Pages: 87-94
*Published online:* 27 Jan 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348687>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1348687>|
PDF (740 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348687#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODdAQEAw>
**
Article
/La Flaca Alejandra/: Post-dictatorship Documentary and (No)
Reconciliation in Chile
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345970>
Antonio Traverso <https://www.tandfonline.com/author/Traverso%2C+Antonio>
Pages: 95-106
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345970>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1345970>|
PDF (1497 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345970#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDU5NzBAQEAw>
Article
Disturbing the Peace: The Ghost in /beDevil/ and /The Darkside/
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348686>
Felicity Collins <https://www.tandfonline.com/author/Collins%2C+Felicity>
Pages: 107-114
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348686>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1348686>|
PDF (829 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348686#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODZAQEAw>
*Articles*
Article
“Be Careful, Cowboy”: The Translation and Mutation of the Western Genre
in /Red Hill/
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386700>
Nicholas Moll <https://www.tandfonline.com/author/Moll%2C+Nicholas>
Pages: 115-127
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386700>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386700>|
PDF (768 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386700#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY3MDBAQEAw>
Article
Transnational Telenovela Remakes: Challenging Dominant Models and
Old-Fashioned Heroines
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401103>
Sofia Rios <https://www.tandfonline.com/author/Rios%2C+Sofia>
Pages: 128-141
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401103>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1401103>|
PDF (830 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401103#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDExMDNAQEAw>
Article
Different but the Same: Landscape and the Gothic as Transnational Story
Space in Jane Campion’s /Sweetie/ (1989) and Lucrecia Martel’s /La
Ciénaga/(2001)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401102>
Margaret McVeigh <https://www.tandfonline.com/author/McVeigh%2C+Margaret>
Pages: 142-155
*Published online:* 05 Feb 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401102>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1401102>|
PDF (764 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401102#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDExMDJAQEAw>
Article
Mapping the Landscape with Sound: Tracking the Soundscape from
Australian Colonial Gothic Literature to Australian Cinema and
Australian Transcultural Cinema
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386702>
Anne Barnes <https://www.tandfonline.com/author/Barnes%2C+Anne>
Pages: 156-170
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386702>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386702>|
PDF (782 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386702#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY3MDJAQEAw>
Article
/Kangaroo/: The Australian Story
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1387163>
Constantine Verevis
<https://www.tandfonline.com/author/Verevis%2C+Constantine>
Pages: 171-185
*Published online:* 09 Feb 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1387163>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1387163>|
PDF (1208 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1387163#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODcxNjNAQEAw>
Article
Beyond Poetics: Raúl Ruiz’s Rethinking of Narrative
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386699>
Julia Vassilieva <https://www.tandfonline.com/author/Vassilieva%2C+Julia>
Pages: 186-201
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386699>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386699>|
PDF (777 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386699#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY2OTlAQEAw>
Article
The Maslyn Williams Network
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345971>
Ross Gibson <https://www.tandfonline.com/author/Gibson%2C+Ross> & Deane
Williams <https://www.tandfonline.com/author/Williams%2C+Deane>
Pages: 202-217
*Published online:* 10 Apr 2018
Abstract
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345971>|References
<https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1345971>|
PDF (818 KB)
<https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345971#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDU5NzFAQEAw>
*Critical Arts: Aims and scope*
From its inception, Critical Arts examined the relationship between
texts and contexts, cultural formations and popular forms of expression,
mainly in the Third World, but after the 1994 transition in South
Africa Critical Arts repositioned itself in the South-North and
East-West nexus focusing on developing transdisciplinary epistemologies.
Critical Arts ' authors are Africans debating Africa with the rest; and
the rest debating Africa and the South and with each other.
The journal is rigorously peer reviewed, via ScholarONE Manuscripts, and
aims to shape theory on the topics it covers. Cutting edge theorisation
(supported by empirical evidence) rather than the reporting of formulaic
case studies are preferred as submissions. Submissions are sought from
both established and new researchers, and recent topics have included
political economy of the media, political communication, intellectual
property rights, visual anthropology and indigeneity, the ethnographic
turn in art, and of course cultural studies. Submissions must, perhaps,
aim to restore the vision of earlier theorists and historians, for whom
‘culture’ was a kind of synthesis arising from the contradictions
between human society and the politics of nations. Under the pressures
of globalization, this kind of understanding becomes more relevant at
every turn. Critical Arts seeks to profile those approaches to issues
that are amenable to a cultural studies-derived intervention, on the
basis that ‘culture’ is a marker of deeper continuities than the
immediate conflicts under the fire of which so many must somehow live
their lives.
Editor-in-Chief: Keyan Tomaselli – (keyant /at/ uj.ac.za) <mailto:(keyant /at/ uj.ac.za)>
Managing Editor: David Nothling – (criticalarts /at/ ukzn.ac.za)
<mailto:(criticalarts /at/ ukzn.ac.za)>
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