Archive for April 2018

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[ecrea] ToC: Critical Arts 31(5): Cinema at the End of the World, special issue

Tue Apr 17 21:48:45 GMT 2018






*Special Issue: Cinema at the End of the World*

*Guest Editors: Antonio Traverso & Deane Williams*

*Introduction*

Introduction: Cinema at the End of the World <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401104>

Antonio Traverso <https://www.tandfonline.com/author/Traverso%2C+Antonio> & Deane Williams <https://www.tandfonline.com/author/Williams%2C+Deane>

Pages: 1-11

*Published online:* 10 Apr 2018

First Page Preview <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401104>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1401104>|

PDF (1865 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401104#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDExMDRAQEAw>

*Articles*

Article

Between Political Film and Militant Video: An Analysis of the Discussions at the /Rencontres Internationales pour un Nouveau Cinéma/, Montreal, 1974 <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1422169>

Mariano Mestman <https://www.tandfonline.com/author/Mestman%2C+Mariano>

Pages: 12-27

*Published online:* 09 Feb 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1422169>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1422169>|

PDF (817 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1422169#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MjIxNjlAQEAw>

Article

The Return to the Social through the Collective “I”: Disrupting the Uneventful Face of Neoliberal Precariousness in the Chilean Documentary/El otro día/ <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405054>

Walescka Pino-Ojeda <https://www.tandfonline.com/author/Pino-Ojeda%2C+Walescka>

Pages: 28-44

*Published online:* 07 Feb 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405054>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1405054>|

PDF (821 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405054#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDUwNTRAQEAw>

Article

Representations of Women’s Agency in African Anti-colonial Struggles: The Case of /Sambizanga/ (1972) and /Mapantsula/ (1988) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386701>

Norita Mdege <https://www.tandfonline.com/author/Mdege%2C+Norita>

Pages: 45-60

*Published online:* 07 Feb 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386701>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386701>|

PDF (858 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386701#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY3MDFAQEAw>

Article

/After Death/: Public Mourning, Discourse, and Myth in the Afterlife Representations of a Tanzanian Movie Star <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405055>

Claudia Böhme <https://www.tandfonline.com/author/B%C3%B6hme%2C+Claudia>

Pages: 61-76

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405055>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1405055>|

PDF (747 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1405055#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDUwNTVAQEAw>

*Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand*

Introduction

Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348688>

Antonio Traverso <https://www.tandfonline.com/author/Traverso%2C+Antonio>, Mick Broderick <https://www.tandfonline.com/author/Broderick%2C+Mick>, Felicity Collins <https://www.tandfonline.com/author/Collins%2C+Felicity> & Susannah Radstone <https://www.tandfonline.com/author/Radstone%2C+Susannah>

Page: 77

*Published online:* 10 Apr 2018

Citation <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348688>|PDF (588 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348688#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODhAQEAw>

Article

Not Reconciled: /Grey Matter/ (Ruhorahoza 2011) and the Lacunae of Post-genocide Rwandan Cinema <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348685>

Mick Broderick <https://www.tandfonline.com/author/Broderick%2C+Mick>

Pages: 78-86

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348685>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1348685>|

PDF (821 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348685#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODVAQEAw>

Article

/Top of the Lake’s/ Emotional Landscape: Reparation at the Edge of the World <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348687>

Susannah Radstone <https://www.tandfonline.com/author/Radstone%2C+Susannah>

Pages: 87-94

*Published online:* 27 Jan 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348687>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1348687>|

PDF (740 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348687#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODdAQEAw>

**

Article

/La Flaca Alejandra/: Post-dictatorship Documentary and (No) Reconciliation in Chile <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345970>

Antonio Traverso <https://www.tandfonline.com/author/Traverso%2C+Antonio>

Pages: 95-106

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345970>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1345970>|

PDF (1497 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345970#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDU5NzBAQEAw>

Article

Disturbing the Peace: The Ghost in /beDevil/ and /The Darkside/ <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348686>

Felicity Collins <https://www.tandfonline.com/author/Collins%2C+Felicity>

Pages: 107-114

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348686>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1348686>|

PDF (829 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1348686#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDg2ODZAQEAw>

*Articles*

Article

“Be Careful, Cowboy”: The Translation and Mutation of the Western Genre in /Red Hill/ <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386700>

Nicholas Moll <https://www.tandfonline.com/author/Moll%2C+Nicholas>

Pages: 115-127

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386700>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386700>|

PDF (768 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386700#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY3MDBAQEAw>

Article

Transnational Telenovela Remakes: Challenging Dominant Models and Old-Fashioned Heroines <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401103>

Sofia Rios <https://www.tandfonline.com/author/Rios%2C+Sofia>

Pages: 128-141

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401103>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1401103>|

PDF (830 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401103#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDExMDNAQEAw>

Article

Different but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion’s /Sweetie/ (1989) and Lucrecia Martel’s /La Ciénaga/(2001) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401102>

Margaret McVeigh <https://www.tandfonline.com/author/McVeigh%2C+Margaret>

Pages: 142-155

*Published online:* 05 Feb 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401102>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1401102>|

PDF (764 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1401102#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjE0MDExMDJAQEAw>

Article

Mapping the Landscape with Sound: Tracking the Soundscape from Australian Colonial Gothic Literature to Australian Cinema and Australian Transcultural Cinema <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386702>

Anne Barnes <https://www.tandfonline.com/author/Barnes%2C+Anne>

Pages: 156-170

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386702>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386702>|

PDF (782 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386702#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY3MDJAQEAw>

Article

/Kangaroo/: The Australian Story <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1387163>

Constantine Verevis <https://www.tandfonline.com/author/Verevis%2C+Constantine>

Pages: 171-185

*Published online:* 09 Feb 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1387163>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1387163>|

PDF (1208 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1387163#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODcxNjNAQEAw>

Article

Beyond Poetics: Raúl Ruiz’s Rethinking of Narrative <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386699>

Julia Vassilieva <https://www.tandfonline.com/author/Vassilieva%2C+Julia>

Pages: 186-201

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386699>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1386699>|

PDF (777 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1386699#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzODY2OTlAQEAw>

Article

The Maslyn Williams Network <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345971>

Ross Gibson <https://www.tandfonline.com/author/Gibson%2C+Ross> & Deane Williams <https://www.tandfonline.com/author/Williams%2C+Deane>

Pages: 202-217

*Published online:* 10 Apr 2018

Abstract <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345971>|References <https://www.tandfonline.com/doi/ref/10.1080/02560046.2017.1345971>|

PDF (818 KB) <https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345971#aHR0cHM6Ly93d3cudGFuZGZvbmxpbmUuY29tL2RvaS9wZGYvMTAuMTA4MC8wMjU2MDA0Ni4yMDE3LjEzNDU5NzFAQEAw>

*Critical Arts: Aims and scope*

From its inception, Critical Arts  examined the relationship between texts and contexts, cultural formations and popular forms of expression, mainly in the Third World, but after the 1994 transition in South Africa  Critical Arts repositioned itself in the South-North  and  East-West nexus focusing on developing transdisciplinary epistemologies. Critical Arts ' authors are Africans debating Africa with the rest; and the rest debating Africa and the South and with each other.

The journal is rigorously peer reviewed, via ScholarONE Manuscripts, and aims to shape theory on the topics it covers.  Cutting edge theorisation (supported by empirical evidence) rather than the reporting of formulaic case studies are preferred as submissions.  Submissions are sought from both established and new researchers, and recent topics have included political economy of the media, political communication, intellectual property rights, visual anthropology and indigeneity,  the ethnographic turn in art, and of course cultural studies. Submissions must, perhaps, aim to restore the vision of earlier theorists and historians, for whom ‘culture’ was a kind of synthesis arising from the contradictions between human society and the politics of nations. Under the pressures of globalization, this kind of understanding becomes more relevant at every turn. Critical Arts seeks to profile those approaches to issues that are amenable to a cultural studies-derived intervention, on the basis that ‘culture’ is a marker of deeper continuities than the immediate conflicts under the fire of which so many must somehow live their lives.

Editor-in-Chief: Keyan Tomaselli – (keyant /at/ uj.ac.za) <mailto:(keyant /at/ uj.ac.za)>

Managing Editor: David Nothling – (criticalarts /at/ ukzn.ac.za) <mailto:(criticalarts /at/ ukzn.ac.za)>

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