Archive for April 2018

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[ecrea] new issue Cinema: Journal of Philosophy and the Moving Image, on "Islam and Images"

Wed Apr 04 18:43:26 GMT 2018




CINEMA: JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE

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Dear Colleagues,
We are pleased to announce that the 9th issue of /Cinema://Journal of Philosophy and the Moving Image /on *_"Islam and Images"_**__*is now available online for free download at http://cjpmi.ifilnova.pt/

*CINEMA 9 *

*ISLAM AND IMAGES*
edited by
     Patrícia Silveirinha Castello Branco (IFILNOVA)
     Saeed Zeydabadi-Nejad (SOAS University of London)
     Sérgio Dias Branco (University of Coimbra/IFILNOVA/CEIS20)


ARTICLES

The Role of Images in al-Fārābī’s Political Thought, 10-26
     Sarah Virgi (SOAS University of London)

An Unexpected Imagery: The Heart’s Vision and Other
Synesthetic Functions of the Dhikr into the Islamic Tradition, 27-39
     Dario Tomasello (University of Messina)

Calligraphic Animation as Visual Music: A Genealogy of Islamic Synchronization of Sight and Sound, 40-54
     M. Javad Khajavi (Volda University College)

Seeing the Unseen: The Invisible Worlds of Jafar Panahi’s Cinema, 55-71
     Mani Saravanan (Nanyang Technological University)

The Foil and the Quicksand: The Image of the “Veil” and
the Failure of Abjection in Iranian Diasporic Horror, 72-87
     Shrabani Basu (Adamas University)

Post-Cinematic (Mis-)Representation of Islam, 88-106
     Taida Kusturica (Academy of Fine Arts Vienna)


INTERVIEWS

Hanan al Cinema: An Interview with Laura U. Marks, 108-114
    by Stefanie Baumann (IFILNOVA) and Susana Nascimento Duarte (School of Arts and Design at Caldas da Rainha/IFILNOVA)

BOOK REVIEWS
Psychoanalytic Film Theory and “The Rules of the Game”, 116-120
     Anthony J. Ballas (University of Colorado Denver)

The Philosophy of Documentary Film: Image, Sound, Fiction, Truth, 121-126
     Stefanie Baumann (IFILNOVA)

Surviving Images: Cinema, War, and Cultural Memory in the Middle East, 127-132
     AnaMary Bilbao (Universidade Nova de Lisboa)

Doing Time: Temporality, Hermeneutics, and Contemporary Cinema, 133-137
     Feroz Hassan (University of Michigan)

Hanan al-Cinema: Affections for the Moving Image, 138-141
     Susana Mouzinho (IFILNOVA)

The Body and The Screen: Female Subjectivities in Contemporary Women’s Cinema, 142-148
     Zorianna Zurba

Deleuze, Japanese Cinema, and the Atom Bomb: The Spectre of Impossibility, 149-151
     Wayne E. Arnold (The University of Kitakyushu)

The Philosophy of Spike Lee, 152-155
     Aspen Taylor Johnson (Metropolitan State University of Denver)
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