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[ecrea] JICMS Vol. 6:2, 2018
Mon Feb 26 07:23:44 GMT 2018
The Editor is pleased to inform that Vol. 6:2, 2018 is now available online
www.intellectbooks.co.uk/journals/view-issue,id=3478/
<http://www.intellectbooks.co.uk/journals/view-issue,id=3478/>
This issue features the following contributions:
*JICMS Vol. 6:2, 2018*
***Articles*
**1. Critical (self-)reflections in the elusive other: the image of the
Austrian in the films of Visconti, Fellini and Cavani
Robert Dassanowsky, University of Colorado, Colorado Springs
2. Counter-memory and representations of otherness: Three documentaries
by Fred Kudjo Kuwornu
Marie Orton, Brigham Young University
3. The demonization of the South and the Southernification of evil in
contemporary Italian cinema:/Belluscone/and/Qualunquemente/
Marcello Messina, Universidade Federal do Acre
4.Masculinity, melodrama, and quality TV: reviewing/La piovra/
Rebecca Bauman,Fashion Institute of Technology, State University of New York
**
*Interview*
Presence as absence, absence as presence. An interview with Italian film
director Claudio Sestieri
Simone Dubrovic, Kenyon College
**
*Reports*
1. ‘Italian Screen Studies: Methods and Priorities’: AAIS/CSIS Joint
Conference, The Ohio State University, 20-22 April 2017. Conference Report
**
Daniel Paul, The Ohio State University and Kevin Regan-Maglione,
University of Oregon
//
2. Italian Cinema in Historical and Intercultural Contexts: A Film
Festival at Wellesley College
Margaret Roberts, Wellesley College
**
*Film reviews*
1./Femminismo!/Paola Columba (2016)//
Reviewed by Stefania Benini, Saint Joseph's University
2./Ninna nanna prigioniera/ Imprisoned Lullaby,/Rossella Schillaci
(2016)////
Reviewed by Laura Di Bianco, Johns Hopkins University
3./Caffè,/Cristiano Bortone (2016)//
Reviewed by Gaoheng Zhang, University of British Columbia
4./I sogni dei musiù/The Sun of the Immigrant: The Image of Simón
Bolívar in Marina di Camerota, Italy,/Enzo D'Ambrosio (1961)//
**
Reviewed by Rafael Arreaza Scrocchi, Vrije Universiteit Brussel
**
*Book reviews*
**
1.**/Breve ma veridica storia del documentario: dal cinema del reale
alla nonfiction/, Adriano Aprà (2017)
Reviewed by Paola Bonifazio, The University of Texas at Austin
2./Early Film Theories in Italy, 1896-1922/, Francesco Casetti with
Silvio Alovisio and Luca Mazzei (ED) (2017)
Reviewed by Giorgio Bertellini, University of Michigan
3./Italian Political Cinema: Public life, Imaginary, and Identity in
Contemporary Italian Film,/Giancarlo Lombardi and Christian Uva (Eds.), 2016
//
Reviewed by Francesco Fiumara, Southeastern Louisiana University
4./Italy’s Other Women. Gender and Prostitution in Italian Cinema,
1940-1965/, Danielle Hipkins (2016)
Reviewed by Claudia Karagoz, Saint Louis University
5./Federico Fellini: Riprese riletture, (re)visioni/, Alberto
Zambenedetti et al (ED.) (2016)
Reviewed by Sam Gaglio, University of Texas at Austin
6./Shooting Star: Sociologia mediatica e filosofia politica di Atlas Ufo
Robot,/Marco Pellitteri & Francesco Giacomantonio (2016)**
Reviewed by Francesco-Alessio Ursini., Sun Yat-Sen University
7./FULGOR/(Flinders University Languages Group Online Review)
Volume 5, Issue 1 (April 2016): Special Issue on Italian Cinema
Guest Editor: Luciana d'Arcangeli
Reviewed by Stefania Benini, Saint Joseph's University
8./Divergenze in celluloide. Colore, migrazione e identità nei film gay
di Ferzan Özpetek/, Ryan Calabretta-Sadjer (2016)
Reviewed by Laura Leonardo, Newcastle University
9./La TV invadente. Il reality del dolore da Vermicino ad Avetrana/,
Anna Bisogno (2015)
Reviewed by Rebecca Bauman, Fashion Institute of Technology, State
University of New York
10./Social Gossip. From Courtyard Chats to Web Rumours,/Antonia Cava and
Francesco Pira (2015)
Reviewed by Anna Bisogno, Roma Tre University
//
11./Il Cinema Italiano: Generi, figure, film del passato e del
presente/, Antonio Costa (2013)
Reviewed by Giacomo Boitani, Independent Scholar
Thank you for your attention and interest in JICMS.
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