[ecrea] new issue Philosophy of Photography - The Warburg Haus: Apparatus, Inscription, Data, Speculation

Philosophy of Photography - The Warburg Haus: Apparatus, Inscription, 
Data, Speculation, (special double issue), Volume 8, Numbers 1 & 2, 2017.

Guest editors: Mick Finch and Martin Westwood

This special issue of Philosophy of Photography contains 15 articles 
relating the work and the heritage of Aby Warburg and, in particular, 
the apparatus of his library to the present. The articles collected here 
were first delivered to an international colloquium held on 29-30 June 
2016 at the Kulturwissenschaftliche Bibliothek Warburg in Hamburg. The 
aim of this event was to reconsider Warburg’s celebrated institution as 
a form of machinery that not only orchestrated his research practice but 
that also promises to inform our understanding of the digital, of images 
in general and their modes of temporal inscription.

Mick Finch and Martin Westwood

The Warburg Haus: Apparatus, inscription, data, speculation

Bernard Stiegler

Hades as an accumulation of tertiary retentions

Uwe Fleckner

Dancer in a laboratory of images: Aby Warburg’s performative didactics

Mick Finch

The technical apparatus of the Warburg Haus: Possible returns from oblivion

Thomas Hensel

Warburg’s desk

Anke Hennig

Speculating on the biography of an apparatus

Markus Krajewski

Mobility on slips. Or: How to invest in paper. The Aby Warburg style

Richard Cochrane

The tape readers: Financial trading as a visual practice

Martin Westwood

Juno Moneta Atlas: Warburgian production or performing context-change

Hans Christian Hönes

Speculative science: Aby Warburg and probabilitytheory

Judith Clark

Anna Piaggi, Aby Warburg and the Judgement of Paris, 2011

Caroline Evans

Fashion: From attitudes to poses

Johannes von Müller

Metadata: New perspectives on Aby Warburg’s ‘critical iconology’

Igor Galligo

Toward an iconology for temporal object

Maria L. Felixmüller

Warburg’s cultural psychology as a tool for understanding Internet memes

Delphine Etchepare

Images – uses – imagination: Lignes de Temps in a Warburgian context

Philosophy of Photography is a peer-reviewed journal devoted to the 
scholarly understanding of photography. It is not committed to any one 
notion of photography nor, indeed, to any particular philosophical 
approach. The purpose of the journal is to provide a forum for debate on 
theoretical issues arising from the historical, political, cultural, 
scientific and critical matrix of ideas, practices and techniques that 
may be said to constitute photography as a multifaceted form. In a 
contemporary context remarkable for its diversity and rate of change, 
the conjunction of the terms ‘philosophy’ and ‘photography’ in the 
journal’s title is intended to act as a provocation to serious 
reflection on the ways in which existing and emergent photographic 
discourses might engage with and inform each other.

Philosophy of Photography 9.1 will appear in Spring 2018 and includes 
articles on: Malaysian Airlines Flight MH370 (Matthew Simmons), the 
lyrical in Tacita Dean & Roni Horn (Becca Thornton), touch in atomic 
force imagery (Gustavo Schwartz & Jaume Navarro), vision, revelation and 
violence in the history of photography (Tom Slevin) and theatricality, 
identity and figural writing in the work of Helena Almeida (MiguelDuarte 
and Bruno Marques).

https://www.intellectbooks.co.uk/journals/view-Journal,id=186/

Editors

Andrew Fisher

Goldsmiths College, UK

(a.t.fisher /at/ gold.ac.uk)

Daniel Rubinstein

Central Saint Martins, UK

(d.rubinstein /at/ csm.arts.ac.uk)

Associate Editors

Pat Naldi

Central Saint Martins, UK

(pat /at/ patnaldi.co.uk)

Bernd Behr

Camberwell College of Arts

(b.behr /at/ camberwell.arts.ac.uk)

Reviews Editor

Josefine Wikström, DOCH, Sweden

(josefine.wikstrom /at/ uniarts.se)

Production Editor

Julie Strudwick

(julie /at/ intellectbooks.com)




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