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[ecrea] Routledge Companion to Fashion Studies - Call for Papers

Sat Dec 09 09:09:37 GMT 2017





The Routledge Companion to Fashion Studies
1st Call for Expressions of Interest for Book Chapters



We warmly invite you to submit your book chapter abstract for consideration for our book proposal for the Routledge Companion to book series. The aim of the “Routledge Companion to” book series is to define the current state of theory and research in a specialized field, in this case Fashion Studies, and create a foundation for future scholarship and study.  Thus, this companion will provide a comprehensive, much needed survey of the fashion studies field, and also map out the emerging critical terrain.

Submission of expressions of interest: February 28, 2018

Editors:

Dr. Eugenia Paulicelli, Queens College and The Graduate Center, CUNY

Dr. Alyssa Dana Adomaitis, City Tech, CUNY

Dr. Elizabeth Wissinger, BMCC and The Graduate Center, CUNY

Dr. Veronica Manlow, Brooklyn College, CUNY

Fashion is at once a global industry with important financial ramifications, and an art with aesthetic dimensions. Considering these two poles, which might be seen as mutually exclusive, one quickly finds aspects of one in the other: art whether in cinema, galleries or museums always involves business and the business of manufacturing, retail and marketing relies on aesthetics. In today’s digital, media and consumerist society, fashion occupies an ever-growing importance that is not likely to decrease.

Due to the important place that fashion occupies historically, institutionally and in everyday life, fashion is a phenomenon with a multidisciplinary presence. Research has been carried out in most traditional disciplines: literature, art, history, economics, sociology, psychology, anthropology, political science, education, chemistry, fashion design, film, theater, business, journalism, law and in a variety of sub-disciplines, new disciplines and interdisciplinary fields. The data that may be considered can be material or immaterial.

The field of Fashion Studies has seen an uptake in popular and academic interest during the last two decades. While ancient thinkers and contemporary theorists wrote about one or another aspect of how clothing, adornment and later fashion intersected with questions of morality, politics, nation building, gender and identity, what is relatively new is a widespread recognition that fashion is implicated in all these areas in complex ways and that one cannot consider it in isolation -- merely as a text or a performance, for example, without being at least aware of its multidimensionality and the impact it has on the economy, on those who work to produce fashion goods, and geopolitical issues such as pollution, waste and climate change.  In this vein, new works on methodology, theory, and continuing forms of practice have proliferated alongside new academic journals devoted solely to the topic, ranging from graduate student journals to highly specialized volumes devoted to a specific aspect of the fashion field such as luxury.



While there has been a growing interest in the consolidation and institutionalization of Fashion Studies as a field, efforts to do so range across disciplinary divides between the textiles/dress/practice approach versus the cultural studies, sociopolitical and theoretical angle on the topic. As a result of this disciplinary distance, attempts to establish the field’s overall contours are often published in different forums. The Routledge Companion to Fashion Studies consequentially aims at providing a comprehensive state of the art concerning fashion studies research from a multidisciplinary approach while also aiming to show the interconnectedness of disciplines and domains that cannot be considered in isolation and separated from each other. The aim is to have 30-35 authors from around the globe and with a range of disciplines and various stages of academic career contributing to this companion. Any such original contributions will need to survey a specific topic and critically discuss the leading views in the area. This includes discursive and reflective pieces and also discussions of original empirical work (cases).



*Contributions are welcomed that address (but are not limited to) the following broad areas:*

**

*I.  Humanities:*

1. Fashion in Art

2. Fashion in Literature

3. History of the Fashion Industry

4. Fashion and Feminism and Women’s History

*II.  Social and Behavioral Sciences:*

5. Fashion in Sociology: Fashion, Appearance and Dress

6. Anthropology of Fashion [dress and costume]

7. Psychology: Fashion, Appearance and Dress

8. Fashion Gender, Sexuality, and Power

9. The Economics of Fashion

10. Fashion and the Law

11. Fashion and Politics

*III.   Media: *

12. Fashion in Film [and screen studies]

13. Fashion Journalism, the Magazine Industry, Blogging, and Social Media

14. Digital Humanities and Fashion:  Mapping Fashion

*IV.   Business: *

15. Fashion and Business: Marketing and Branding

16. Fashion Industry: Sourcing, Merchandising, Production

*V.   Education:*

17. Fashion Pedagogy and Research Methods

18. Fashion Activism

*VI.  Fashion in Practice:*

19. The Material Culture(s) of Fashion, Textiles

20. Fashion and Popular Culture

21. Fashion Curation

22. Fashion Design

23. Geography of Fashion

24. Global Case Studies: e.g. Made in Italy, Korea, Turkey etc.

25. Fashion and Technology

Submission information

Abstracts of 300 – 400 words in the form of a Word file should be sent to

(Routledgefashioncompanion /at/ gmail.com) <mailto:(Routledgefashioncompanion /at/ gmail.com)>

by February 28th, 2018. Please include the details below with the abstract.


·       Proposed chapter title

·       Author(s) and affiliation details

·       Type of contribution (e.g., philosophical, conceptual, methodological, case study, etc.)

·       Keywords (maximum of 5)

The approximate timeline, depending on the success of the proposal, is as follows:

Final submission deadline of abstract: February 28, 2018
Notification of contribution: March 30, 2018
Final submission deadline of full text (5000 words): September 2018
Target publication date: 2019

If you have any questions regarding this call for proposal don’t hesitate to get in touch.


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