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[ecrea] Vol 7, No 1 (2017) Pop Life: The Popular Music Biopic

Mon Nov 13 22:10:49 GMT 2017




*Vol 7, No 1 (2017) Pop Life: The Popular Music Biopic*
http://www.iaspmjournal.net/index.php/IASPM_Journal/issue/view/62

I am pleased to announce that a new special issue of I/ASPM Journal/ is now available! Examining biopics of popular music artists, this special issue raises questions regarding the genealogy of the genre, authenticity, remediation, identity, authorship and stardom.

Jonathan Stewart, Benjamin Halligan and Liam Maloy address verisimilitude in the production processes of Joy Division biopic Control (2007), and Telstar: The Joe Meek Story (2008); Maurizio Corbella focuses on the remediation of historic live performances in The Buddy Holly Story (1978), Johnny Cash biopic Walk the Line (2005) and James Brown biopic Get On Up (2014); Ewa Mazierska shows how 1980s Polish filmmakers and the band Maanam reinterpreted the music biopic genre; Bridget Sutherland and Paul Judge interpret iconic films about American music icons Elvis Presley and Jim Morrison in the light of the Anthropocene; and Marcus O’Dair considers how in I’m Not There (2007) Todd Haynes presents Bob Dylan as a brand that author-izes the film rather than as a unified subject.

Thank you to Matthew Bannister for guesting, to Sarah E Raine for putting together the review section, to William Echard, D. Ferrett, Mary Fogarty, tobias C v Veen, Koos Zwaan for editing, and to Raquel Campos for making it a good looking issue.


Hillegonda C Rietveld
Outgoing Editor, IASPM Journal
www.iaspmjournal.net

--------------
*CONTENTS*


        Editorial

Editorial Introduction <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/868>
Hillegonda C Rietveld
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/868/pdf_1>

Pop Life: The Popular Music Biopic – Introduction <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/857>
Matthew Bannister
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/857/pdf>


        Articles – Special Issue

Practices of Verisimilitude in Pop Music Biopics: A Conversation with Todd Eckert and James Anthony Pearson on Control, and Nick Moran on Telstar <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/841>
Jon Stewart, Liam Maloy, Benjamin Halligan
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/841/pdf_1>

Live to Tell: Remediating Historical Performance in the Popular Music Biopic <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/840>
Maurizio Corbella
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/840/pdf_1>

Beyond Authenticity, Beyond Romanticism: Films About Maanam <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/839>
Ewa Mazierska
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/839/pdf_1>

Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and Jim Morrison <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/842>
Bridget Alexandra Sutherland, Paul Judge
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/842/pdf_1>

“Even the ghost was more than one person”: Authorship and Authorisation in I’m Not There <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/838>
Marcus O'Dair
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/838/pdf_1>


        Reviews

REVIEW | Seismographic Sounds: Visions of a New World <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/853>
Matthew Michael Sumera
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/853/pdf_1>

REVIEW | Populäre Musikkulturen im Film. Inter- und transdiziplinäre Perspektiven / Popular Music Cultures in Film. Inter- and transdisciplinary Perspectives <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/849>
Philipp Schmerheim
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/849/pdf_1>

REVIEW | Popular Music and Retro Culture in the Digital Era <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/850>
David Kane
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/850/pdf_1>

REVIEW | Ludomusicology: Approaches to Video Game Music <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/851>
Sam Cleeve
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/851/pdf_1>

REVIEW | Black Popular Music in Britain Since 1945 <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/848>
tobias c. van Veen
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/848/pdf>

REVIEW | Singing the Body Electric: The Human Voice and Sound Technology <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/856>
Katerina Tzedaki
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/856/pdf_1>

Review | Unsichtbare Landschaften: Populäre Musik und Räumlichkeit / Invisible Landscapes: Popular Music and Spatiality <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/837>
Jan Peter Herbst
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/837/pdf_1>

REVIEW | Views from the South: A Latin American Music reader <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/852>
Eduardo Viñuela
	
PDF <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/852/pdf_1>

CONFERENCE REVIEW | Popular Music and Power. Sonic Materiality between Cultural Studies and Music Analysis, June 2016, Berlin <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/855>
Bianca Ludewig, José Miguel Gálvez
	
PD <http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/855/pdf_1>




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