Archive for 2017

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[ecrea] New Edited Book: Social Class and Television Drama in Contemporary Britain

Thu Jul 20 17:13:30 GMT 2017



We are delighted to announce the publication of /Social Class and Television Drama in Contemporary Britain/ <http://www.palgrave.com/de/book/9781137555052>//

This edited collection contains 17 chapters by scholars from across the UK exploring the representation of social class in and through television drama in the contemporary period.

_Contents_

Foreword: Helen Wood

*Authorship and Class*
Chapter 1: ‘Introduction', David Forrest and Beth Johnson
Chapter 2: '/This is England/: Authorship, Emotion and Class Telly', Beth Johnson Chapter 3: '/Jimmy McGovern’s The Street/ and the Politics of Everyday Life', David Forrest Chapter 4: 'High-flyers, Hooligans and Helpmates: Images of Social Class in the Television Dramas of Stephen Poliakoff’, Stephen Harper

*Institutions and Structures of Class*
Chapter 5: 'Through Class Darkly: Class in the British TV Noir’, Paul Elliott Chapter 6: 'Military Class: Hearts and Minds on the Domestic Screen', Felicity Colman and David James Chapter 7: 'Creating a Level Playing Field: ‘Honest Endeavour Together!’: Social Mobility, Entrepreneurialism and Class in /Mr Selfridge/',//Gill Jamieson
Chapter 8: 'Social Class and Television Audiences in the 1990s’, James Dalby
Chapter 9: 'Searching for Hugh Gaitskell in a Neoliberal Landscape: Masculinities and Class Mobility in /Goodnight Sweetheart/', HollyGale Millette

*Place and Class*
Chapter 10: 'From Newcastle to Nashville: The Northern Soul of Jimmy Nail’, James Leggott Chapter 11: '‘A Woman Like That Is Not A Woman, Quite. I Have Been Her Kind’: Maxine Peake and the Gothic Excess of Northern Femininity’, Het Phillips Chapter 12: 'Class, Place and History in the Imaginative Landscapes of /Peaky Blinders/’, Paul Long Chapter 13: 'Happy Valley: Compassion, Evil and Exploitation in an Ordinary ‘Trouble Town’', Helen Piper
*
*
*Taste and Class*
Chapter 14: '21st Century British Sitcom and 'the Hidden Injuries of Class’, Phil Wickham Chapter 15: 'Animating Class in Contemporary British Television', Chris Pallant and James Newton Chapter 16: 'Public Property: Celebrity and the Politics of New Labour in /Footballers’ Wives'/, Antony Mullen Chapter 17: '/Grandma’s House /and the Charms of the Petit-Bourgeoisie', Sue Vice



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