[ecrea] ToC: Critical Arts 30.6 - Researching Indigeneity, edited by Michael Wessels, Available Online

*Special issue: Researching indigeneity*

Guest Editor: Michael Wessels

**

*Introduction*

Introduction 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1269817>

Michael A. Wessels <http://www.tandfonline.com/author/Wessels%2C+Michael+A>

Pages: 751-753

**

*Research articles*

Political activism before the premiere: indigenous audiovisual 
production, knowledge otherwise and gender complementarity in the Wiwa 
film/Ushui/ 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1263675>

Paula Restrepo & Juan Carlos Valencia

Pages: 754-769

Decolonising ourselves: language learning and Māori media 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1267252>

Joost de Bruin & Jo Mane

Pages: 770-787

Australian indigenous public spheres: from the ground up 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1262884>

Lisa Waller

Pages: 788-803

Research ethics in the Kalahari: issues, contradictions and concerns 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1267253>

Keyan Tomaselli

Pages: 804-822

Crossing the divide: research methods to facilitate representative data 
collection within conflicted communities 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1267248>

Julie Grant

Pages: 823-839

Perpetuating power through autoethnography: my research unawareness and 
memories of paternalism among the indigenous Hai//om in Namibia 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1263217>

Stasja Koot

Pages: 840-854

Marking memories: indigenous north of the !Garib River and contemporary 
in Westville, South Africa 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1263218>

Mary Elizabeth Lange

Pages: 855-876

The root and tip of the ||/kwanna/: introducing /chiasmus/ in |xam 
narratives 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1263219>

Neil Rusch

Pages: 877-897

‘A glimpse into Bushman mythology’: interpretation, power and knowledge 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1269816>

Michael A. Wessels

Pages: 898-914

‘Di ta go; ons het dit gedoen; we did it’: Khoekhoe ethnicity, sexuality 
and temporalities in /Proteus/ 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1262885>

Cheryl Stobie <http://www.tandfonline.com/author/Stobie%2C+Cheryl>

**

*Book review*

Dorothea Bleek: a life of scholarship 
<http://www.tandfonline.com/doi/abs/10.1080/02560046.2016.1263220>

Anne Solomon

Pages: 931-934

**

*Critical Arts: Aims and scope*

 From its inception, Critical Arts  examined the relationship between 
texts and contexts, cultural formations and popular forms of expression, 
mainly in the Third World, but after the 1994 transition in South Africa 
 Critical Arts repositioned itself in the South-North  and  East-West 
nexus focusing on developing transdisciplinary epistemologies. Critical 
Arts ' authors are Africans debating Africa with the rest; and the rest 
debating Africa and the South and with each other.

The journal is rigorously peer reviewed, via ScholarONE Manuscripts, and 
aims to shape theory on the topics it covers.  Cutting edge theorisation 
(supported by empirical evidence) rather than the reporting of formulaic 
case studies are preferred as submissions.  Submissions are sought from 
both established and new researchers, and recent topics have included 
political economy of the media, political communication, intellectual 
property rights, visual anthropology and indigeneity,  the ethnographic 
turn in art, and of course cultural studies. Submissions must, perhaps, 
aim to restore the vision of earlier theorists and historians, for whom 
‘culture’ was a kind of synthesis arising from the contradictions 
between human society and the politics of nations. Under the pressures 
of globalization, this kind of understanding becomes more relevant at 
every turn. Critical Arts seeks to profile those approaches to issues 
that are amenable to a cultural studies-derived intervention, on the 
basis that ‘culture’ is a marker of deeper continuities than the 
immediate conflicts under the fire of which so many must somehow live 
their lives.

Editor-in-Chief: Keyan Tomaselli – (keyant /at/ uj.ac.za) <mailto:(keyant /at/ uj.ac.za)>

Managing Editor: David Nothling – (criticalarts /at/ ukzn.ac.za) 
<mailto:(criticalarts /at/ ukzn.ac.za)>


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