[ecrea] University of Warwick Film and Television Studies Research Day - all welcome

University of Warwick, Department of Film and Television Studies
 DEPARTMENT RESEARCH DAY   All welcome - please contact 
(T.A.McVey /at/ warwick.ac.uk) to secure a place

Wednesday 17 May 2017, MS.O5, Ground Floor Zeeman Building
 9.30-9.35 Opening Remarks: Alastair Phillips
 9:35 – 10:30 Keynote (Chair: Stephen Gundle)
Michele Aaron (University of Birmingham), ‘Love’s Revival: Film Practice 
and the Act of Dying’
 10:30 – 11:45 Session 1: Music, Memory and Gender (Chair: Rachel Moseley)
• Leanne Weston, ‘Memory and Materiality in Music Television’
• Julie Lobalzo-Wright, ‘Easy Come, Easy Go: Elvis Presley’s Musical Films’
• Georgia Mulligan, ‘“Why Will All Women Cry at The Umbrellas of 
Cherbourg?”: Genre, Cultural Value and the Gendered Audience in the 
Contemporary Reception of Jacques Demy’s The Umbrellas of Cherbourg’
 11.45 - 11.55 BREAK
 11:55 – 1:10 Session 2: Media Images of Cinema and Television (Chair: 
Alastair Phillips)
• Claire Jesson, ‘Experiencing the Difference: Film Exhibition as 
Represented in Cinemas' Promotional Trailers’
• Josette Wolthuis, ‘Serial Costuming: Character, Narrative and 
Professional Dress in Television’
• Silvia Magistrali, ‘Cinema and the Illustrated Press in Postwar Italy’
 1:10 – 2:00 LUNCH - own arrangements
 2:00 – 3:15 Session 3: Emotion, Empathy, and Dreaming in Cinema 
(Chair: Julie Lobalzo-Wright)
• Stuart Mitchell, ‘The Devil is in the Moral Emotional Detail’
• Zoë Shacklock, ‘“You Are No Longer Just You”: The Promise of 
Kinaesthetic Empathy in Sense8 and Hannibal’
• Helen Palmer, ‘Exploring the Lead Character's Transition from a Waking 
State into a Dream State within Oklahoma!'s Dream Ballet’
  3:15– 4:30 Session 4: Screen Worlds / World Screens (Chair: Karl 
Schoonover)
• Esther Douglas, ‘The African-American body in the cinematic city of 
Los Angeles’
• Jamie Zhao, ‘Globally Formatted Queer TV with Chinese Characteristics 
in the New Millennium’
• Tiago de Luca, ‘Envisioning the World: Film, Media Culture, and the Earth’

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