[ecrea] SACOMM ToC: Journal of African Cinemas 8.3

*Journal of African Cinemas – Volume 8, Number 3, 1 December 2016 – 
Available Online*

*
*

***Articles*

*Women in ‘African cinema’ and ‘Nollywood films’: A shift in cinematic 
regimes 
<http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00001;jsessionid=3k2rbv7wihmw7.x-ic-live-02> 
*
pp. 233-248(16)
*Author:* /Harrow, Kenneth W./

*Haile Gerima’s Sankofa experience: Man, mission, movie, movement 
<http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00002;jsessionid=3k2rbv7wihmw7.x-ic-live-02> 
*
pp. 249-266(18)
*Author:* /Hamilton-Wray, Tama Lynne/

*Experimental cartographies in Tariq Teguia’s Inland 
<http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00003;jsessionid=3k2rbv7wihmw7.x-ic-live-02> 
*
pp. 267-281(15)
*Author:* /Victor, Anna/

*Empire Cinema: Propaganda and censorship in colonial films during the 
Portuguese Estado Novo 
<http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00004;jsessionid=3k2rbv7wihmw7.x-ic-live-02> 
*
pp. 283-297(15)
*Author:* /Piçarra, Maria do Carmo/

*Perspectives on new popular African cinema, history and creative 
destruction in Viva Riva! (2011) 
<http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00005;jsessionid=3k2rbv7wihmw7.x-ic-live-02> 
*
pp. 299-312(14)
*Author:* /Tchouaffe, Olivier J./

*Film Review*

*Film Review 
<http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00006;jsessionid=3k2rbv7wihmw7.x-ic-live-02> 
*
pp. 313-317(5)
*Author:* /Petty, Sheila/

*Book Reviews*

*Book Reviews 
<http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00007;jsessionid=3k2rbv7wihmw7.x-ic-live-02> 
*
pp. 319-324(6)
*Authors:* /Mistry, Jyoti; Shoroye, Lillian Omolara/

The /Journal of African Cinemas/ explores the interactions of visual and 
verbal narratives in African film. It recognizes the shifting paradigms 
that have defined and continue to define African cinemas. Identity and 
perception are interrogated in relation to their positions within 
diverse African film languages. The editors are seeking papers that 
expound on the identity or identities of Africa and its peoples 
represented in film.


Publisher: Intellect 
<http://www.ingentaconnect.com/content/intellect;jsessionid=3k2rbv7wihmw7.x-ic-live-02>

Editors:  Keyan G Tomaselli and Martin Mhando

Managing editor, David Nothling


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