Archive for March 2017

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[ecrea] SACOMM ToC: Journal of African Cinemas 8.3

Tue Mar 07 19:38:06 GMT 2017





*Journal of African Cinemas – Volume 8, Number 3, 1 December 2016 – Available Online*

*
*

***Articles*

*Women in ‘African cinema’ and ‘Nollywood films’: A shift in cinematic regimes <http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00001;jsessionid=3k2rbv7wihmw7.x-ic-live-02> *
pp. 233-248(16)
*Author:* /Harrow, Kenneth W./

*Haile Gerima’s Sankofa experience: Man, mission, movie, movement <http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00002;jsessionid=3k2rbv7wihmw7.x-ic-live-02> *
pp. 249-266(18)
*Author:* /Hamilton-Wray, Tama Lynne/

*Experimental cartographies in Tariq Teguia’s Inland <http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00003;jsessionid=3k2rbv7wihmw7.x-ic-live-02> *
pp. 267-281(15)
*Author:* /Victor, Anna/

*Empire Cinema: Propaganda and censorship in colonial films during the Portuguese Estado Novo <http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00004;jsessionid=3k2rbv7wihmw7.x-ic-live-02> *
pp. 283-297(15)
*Author:* /Piçarra, Maria do Carmo/

*Perspectives on new popular African cinema, history and creative destruction in Viva Riva! (2011) <http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00005;jsessionid=3k2rbv7wihmw7.x-ic-live-02> *
pp. 299-312(14)
*Author:* /Tchouaffe, Olivier J./

*Film Review*

*Film Review <http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00006;jsessionid=3k2rbv7wihmw7.x-ic-live-02> *
pp. 313-317(5)
*Author:* /Petty, Sheila/

*Book Reviews*

*Book Reviews <http://www.ingentaconnect.com/contentone/intellect/jac/2016/00000008/00000003/art00007;jsessionid=3k2rbv7wihmw7.x-ic-live-02> *
pp. 319-324(6)
*Authors:* /Mistry, Jyoti; Shoroye, Lillian Omolara/

The /Journal of African Cinemas/ explores the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film.


Publisher: Intellect <http://www.ingentaconnect.com/content/intellect;jsessionid=3k2rbv7wihmw7.x-ic-live-02>

Editors:  Keyan G Tomaselli and Martin Mhando

Managing editor, David Nothling


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