Archive for 2016

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[ecrea] The Soundtrack/IDeoGRAMS Transmedia MusicS

Mon Oct 31 21:05:43 GMT 2016




/Transmedia Musics: Music Across Media/

The University of Leicester, IDeoGRAMS and /The Soundtrack/ invite all interested to attend this one-day conference examining the use and implications of music across media and the interrelationships between transmediality and musical adaptive processes. The day includes diverse talks from:

·John Harvey (Aberystwyth University) ‘Image and Inscription’: Sonification as an Interpretive Methodology in Biblical Textual and Visual Study’

·Richard Farmer (UEA) ‘Snap, Crackle and Rock? Pop Music and Television Advertising in the 1960s’

·Andrew Melrose (University of Winchester) ‘Product, Protest and Adscititious Placement: Writing Lyrical Protest Songs for film and TV’

·Armelle Blin-Rolland (Bangor University) ‘Synchronising Possibilities and Potentialities between Image and Music in Sound Comics’

·Paola Brembilla (Università di Bologna) ‘More Than a Soundtrack. The Role of Music in the /Nashville /World-Building’

·Marie-Claude Codsi (University of Edinburgh) ‘/The Hunger Games/ and transmedia promotion: how branding helped strengthen the music’s meaning’

·Rosemary Deller (LSE) ‘Straining to Hear: The Ethics of the Unavailable in Matthew Herbert’s One Pig’

·Teresa Forde (University of Derby) ‘From ‘Kirby Dreamland’ to ‘Maquisard’: Aural Attraction, Videogame Aesthetics and a Mittel-European Soundtrack in The Grand Budapest Hotel’

There is a small attendance fee for those attending but not presenting (simply to cover refreshments costs at breaks) of £5 payable on the door. Lunch will be attendees own responsibility but we will make reservations is needed at one or more eateries (this will be clear on the booking form as a series of ‘free ticket’ options).

The conference will start with Registration at 9.30 and end at 17.30.

Please go here to make your bookings:

https://www.eventbrite.com/e/transmedia-musics-music-across-media-tickets-29018133017

09.30 Registration

09.45 Welcome

10.00 Setting the Critical Context: Theorising Transmedia Music

·Led by Anna Claydon (University of Leicester) we begin the day by discussing what it is we mean by transmedia music(s) and how analysing music within the frame of transmedia theories helps develop and articulate new ways of thinking about how music functions across texts, genres and media.

11.00 Coffee/Tea

11.15 Panel 1

·Richard Farmer (UEA) ‘Snap, Crackle and Rock? Pop Music and Television Advertising in the 1960s’

·Andrew Melrose (Winchester) ‘Product, Protest and Adscititious Placement: Writing Lyrical Protest Songs for film and TV’

12.15 Panel 2

·Teresa Forde (University of Derby) ‘From ‘Kirby Dreamland’ to ‘Maquisard’: Aural Attraction, Videogame Aesthetics and a Mittel-European Soundtrack in The Grand Budapest Hotel’

·Armelle Blin-Rolland (Bangor University) ‘Synchronising Possibilities and Potentialities between Image and Music in Sound Comics’

13.15 LUNCH

14.30 Plenary Talk

·John Harvey (Aberystwyth) ‘Image and Inscription’: Sonification as an Interpretive Methodology in Biblical Textual and Visual Study

15.30 Tea/Coffee

15.45 Panel 4

·Paola Brembilla (Università di Bologna) ‘More Than a Soundtrack. The Role of Music in the /Nashville /World-Building’

·Marie-Claude Codsi (University of Edinburgh) /The Hunger Games/ and transmedia promotion: how branding helped strengthen the music’s meaning

16.45 Panel 5 Difficult Listening: Constructing the Voice of the Other

·Rosemary Deller (LSE) ‘Straining to Hear: The Ethics of the Unavailable in Matthew Herbert’s One Pig’ – on the animal voice

·Respondent - Anna Claydon

17.30 Conclusion and End.

We do hope that you decide to come and join us for what I think will be a really stimulating day.

All best wishes

Anna

*Dr. E. Anna Claydon SFHEA
College of Social Sciences, Arts and Humanities PGT Manager, *

*Director of IDeoGRAMS,*


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