[ecrea] New Issue Alert: Music, Sound and the Moving Image 9.2

Music, Sound and the Moving Image Volume: 9, Number: 2
<http://online.liverpooluniversitypress.co.uk/toc/msmi/9/2> is now
available online.

/Music, Sound, and the Moving Image/is the first international scholarly
journal devoted to the study of the interaction between *music and sound
in moving image media* – film, television, music video, advertising,
computer games, mixed-media installation, digital art, live cinema, et
alia. You can keep up to date with the journal by clicking here
<http://online.liverpooluniversitypress.co.uk/action/doUpdateAlertSettings?action=addJournal&journalCode=cfc> 

to sign up to new issue alerts, and can learn more about the title at
its website page here
<http://online.liverpooluniversitypress.co.uk/loi/msmi>.

	


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Contents


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Isolated Tracks and Media Clouds: Surveying Problems and Positions in
Music, Sound, and the Moving Image before and after Digital
‘Convergence’
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.7?ai=s4&ui=1fa3&af=T> 




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Corporate Classicism and the Metaphysical Style: Affects, Effects, and
Contexts of Two Recent Trends in Screen Scoring
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.8?ai=s4&ui=1fa3&af=T> 



    Nicholas Reyland


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The voiceless Acousmêtre: Paranormal Activity’s Digital Surround Sound
Demon
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.9?ai=s4&ui=1fa3&af=T> 



    Nessa Johnston


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Not Another Article on the Author! God and Auteurs in Moving Image
Analysis: Last Call for a Long Overdue Paradigm Shift
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.10?ai=s4&ui=1fa3&af=T> 



    Emily Caston


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Transformation in a New Key: Music in Vids and Vidding
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.11?ai=s4&ui=1fa3&af=T> 



    Tisha Turk


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‘And Introducing Elvis Presley’: Industrial Convergence and Transmedia
Stardom in the Rock ‘n’ Roll Movie
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.12?ai=s4&ui=1fa3&af=T> 



    Landon Palmer


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Worlds of Sound: Indie Games, Proceduralism, and the Aesthetics of
Emergence
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.13?ai=s4&ui=1fa3&af=T> 



    Michael D’Errico


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New Tools, New Value: Producing Music after the Individual
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.14?ai=s4&ui=1fa3&af=T> 



    Benjamin J. Robertson


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Book Reviews
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.15?ai=s4&ui=1fa3&af=T> 



    Holly Rogers, Stephen Graham, Stephen Glynn, Tim McNelis, Emilio
Audissino, Janet K. Halfyard, Lawrence E. MacDonald, and Annette Davison


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Contributors to Issue 9:2
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.16?ai=s4&ui=1fa3&af=T> 




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Index to Volume 9
<http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2015.17?ai=s4&ui=1fa3&af=T> 





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