Archive for 2015

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[ecrea] Women's Cinema, World Cinema: Projecting Contemporary Feminisms

Wed Mar 04 19:56:55 GMT 2015





Women's Cinema, World Cinema

Projecting Contemporary Feminisms

Patricia White



"Women's Cinema, World Cinema is an exciting book for the connections that Patricia White expertly draws and explicates between text and context, auteur and society, national and global. Her knowledge of the particularities of individual directors and national cinemas is remarkable, as is her familiarity with their relevant histories and critical literatures. Women's Cinema, World Cinema is a major work that will transform how these films and filmmakers are viewed and studied."— B. Ruby Rich, author of New Queer Cinema: The Director’s Cut



"Women's Cinema, World Cinema is the first book to offer a truly broad—dare I say global—perspective on the practices of feminist filmmaking as they have developed in the twenty-first century. Its balance of breadth and specificity makes it unique, and one of its strengths is Patricia White's willingness to step out of the narrow confines that have for too long shaped various constituencies in film studies. Women's Cinema, World Cinema provides exactly the context and the theoretical questioning that film studies needs."— Judith Mayne, author of Framed: Lesbians, Feminists, and Media Culture



In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women’s Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.



Patricia White is Professor of Film and Media Studies at Swarthmore College. She is the author of Uninvited: Classical Hollywood Cinema and Lesbian Representability, coauthor of The Film Experience, and coeditor of Critical Visions in Film Theory. She has worked extensively with Women Make Movies and the journal Camera Obscura: Feminism, Culture, and Media Studies.



Duke University Press Books

February 2015 312pp 48 illustrations 9780822358053 Paperback £16.99 now only £12.74 when you quote CSL315WMNS when you order



http://www.combinedacademic.co.uk/womens-cinema-world-cinema







Recycled Stars

Female Film Stardom in the Age of Television and Video

Mary R. Desjardins



"Recycled Stars is one of the fullest examinations of stardom that we have, and it makes a significant contribution to star studies and to broader considerations of film history and the use of primary sources in writing that history. Mary R. Desjardins makes innovative connections between media practices, from the film industry to television, tabloid journalism, and the legal system."— Eric Smoodin, author of Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930-1960



"Deftly synthesizing material ranging from fan magazines to cultural theory, Mary Desjardins's Recycled Stars offers a valuable contribution to star studies, gender studies, and media history alike with its dynamic exploration of female film star images regenerated for the small and its argument about the female star as a privileged commodity within media industries and the social imaginary."— Christine Becker, author of It's the Pictures That Got Small: Hollywood Film Stars on 1950s Television



The popularity of television in postwar suburban America had a devastating effect on the traditional Hollywood studio system. Yet many aging Hollywood stars used television to revive their fading careers. In Recycled Stars, Mary R. Desjardins examines the recirculation, ownership, and control of female film stars and their images in television, print, and new media. Female stardom, she argues, is central to understanding both the anxieties and the pleasures that these figures evoke in their audiences’ psyches through patterns of fame, decline, and return. From Gloria Swanson, Loretta Young, Ida Lupino, and Lucille Ball, who found new careers in early television, to Maureen O’Hara’s high-profile 1957 lawsuit against the scandal magazine Confidential, to the reappropriation of iconic star images by experimental filmmakers, video artists, and fans, this book explores the contours of female stars’ resilience as they struggled to create new contexts for their waning images across emerging media.



Mary R. Desjardins is Associate Professor of Film and Television Studies at Dartmouth College. She is the coeditor of Dietrich Icon, also published by Duke University Press.



Duke University Press Books

March 2015 320pp 48 illustrations 9780822358022 Paperback £18.99 now only £14.24 when you quote CSL315WMNS when you order



http://www.combinedacademic.co.uk/recycled-stars









UK Postage and Packing £2.95, Europe £4.50

(PLEASE QUOTE REF NUMBER: CSL315WMNS for discount)

To order a copy please contact Marston on +44(0)1235 465500 or email (direct.orders /at/ marston.co.uk)

or visit our website:

http://www.combinedacademic.co.uk/

where you can also receive your discount

 *Offer excludes the USA, South America and Australasia.


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