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[ecrea] Participations 12.1
Sat May 30 10:50:48 GMT 2015
http://www.participations.org/
Volume 12, Issue 1
(May 2015)
Contents
Editorial
Barker, Martin (Editor):
'Thinking differently about "censorship"''
Articles
Bergström, Annika:
‘The contexts of internet use: From innovators to late majority’
Knight, Victoria:
‘Television, emotion and prison life: Achieving personal control’
Matikainen, Janne:
‘Motivations for content generation in social media’
Reinhard, CarrieLynn D. & Kevin Miller:
‘Men watching Sex and the City, My Little Pony, and Oklahoma: The
interpretation of gender appropriateness in the reception of
cross-gendered media products’
Wroot, Jonathan:
‘Reviewing distinctive DVD experiences: NEO Magazine and the
critical reception of Asian media distributors’
Chambers, Amy C. & R. Lyle Skains:
‘Scott Pilgrim vs. the multimodal mash-up: Film as participatory
narrative’
Themed Section 1: "Experiencing Live" (Guest editors: Matthew Reason &
Kirsty Sedgman)
Reason, Matthew & Kirsty Sedgman:
‘Editors’ general introduction: Themed Section on theatre audiences’
Sedgman, Kirsty:
Introduction to Part 1: ‘Be reasonable! On institutions,
values, voices’
Wilkinson, Julie:
‘Dissatisfied ghosts: Theatre spectatorship and the
production of cultural value’
Hadley, Bree:
‘Participation, politics and provocations: People with
disabilities as non-conciliatory audiences’
Schuitema, Karian:
‘A provocation: Researching the diverse child audience in
the UK’
Richardson, John M.:
‘Live theatre in the age of digital technology: “Digital
habitus” and the youth live theatre audience’
Pasquier, Dominique:
‘“The Cacophony of Failure”: Being an audience in a
traditional theatre’
Lindelof, Anja Mølle & Louise Ejgod Hansen:
’Talking about theatre: Audience development through dialogue’
Johanson, Katya & Hilary Glow:
‘A virtuous circle: The positive evaluation phenomenon in
arts audience research’
Reason, Matthew:
Introduction to Part 2: ‘Participations on Participation:
Researching the “active” theatre audience’
Gomme, Rachel:
‘Not-so-close encounters: Searching for intimacy in
one-to-one performance’
Biggin, Rose:
‘Reading fan mail: Communicating immersive experience in
Punchdrunk’s Faust and The Masque of the Red Death’
Wozniak, Jan:
‘The value of being together? Audiences in Punchdrunk’s The
Drowned Man’
Wilson, Anna:
‘“Playing the Game”: Authenticity and invitation in
Ontroerend Goed’s Audience’
Gröschel, Uwe:
‘Researching audiences through Walking Fieldwork’
Breel, Astrid:
‘Audience agency in participatory performance: A
methodology for examining aesthetic experience’
Themed Section 2: 'Tweeting the Olympics: International broadcasting
soft power and social media' (Guest editors: Marie Gillespie & Ben
O'Loughlin)
Gillespie, Marie & Ben O’Loughlin:
‘Editorial Introduction: International news, social media and soft
power: The London and Sochi Olympics as global media events’
Burchell, Kenzie & Ben O’Loughlin, Marie Gillespie & Eva Nieto
McAvoy:
‘Soft power and its audiences: Tweeting the Olympics from
London 2012 to Sochi 2014’
Dennis, James, Marie Gillespie & Ben O’Loughlin:
‘Tweeting the Olympics: Towards a methodological framework for
Big Data analysis of audience engagement during global media events’
Procter, Rob, Alex Voss & Ilia Lvov:
‘Audience research and social media data: Opportunities and
challenges’
Willis, Alistair, Ali Fisher & Ilia Lvov:
‘Mapping networks of influence: Tracking Twitter conversations
through time and space’
Shreim, Nour:
‘Tweeting the Olympics: Transcending national, religious and
gender identities on BBC Arabic’
Voss, Alex & Marzieh Asgari-Targhi:
‘The inescapable history and politics of Anglo-Iranian
relations: Audience engagement with BBC Persian on social media during
the London 2012 Olympics’
Aslan, Billur, James Dennis & Ben O’Loughlin:
‘Balding goes trolling? Cross-media amplification of
controversy at the 2012 Olympics’
Aslanyan, Anna & Marie Gillespie:
‘The Russian-language Twittersphere, the BBC World Service and
the London Olympics’
Hutchings, Stephen Marie Gillespie, Ilya Yablokov, Ilia Lvov &
Alexander Voss:
‘Staging the Sochi Winter Olympics 2014 on Russia Today and BBC
World News: From soft power to geopolitical crisis’
Burchell, Kenzie:
‘Infiltrating the space, hijacking the platform: Pussy Riot,
Sochi protests, and media events’
Themed Section 3: 'EIFAC 2014' (Guest editors: Lesley-Ann Dickson)
Dickson, Lesley-Ann:
‘Section Introduction: Edinburgh International Film Audiences
Conference, 2014’
Atesman, Özge Özdüzen:
‘The Politicisation and “Occupy”sation of the Istanbul Film
Festival Audience’
Dickson, Lesley-Ann:
‘“Ah! Other Bodies!”: Embodied spaces, pleasures and practices
at Glasgow Film Festival’
Martinez, Josu, Miriam Frances, Katixa Agirre & Miren Manias-Muñoz:
‘Zinegin Basque film festival: A non-existent audience revealed’
Ralph, Sarah & Martin Barker:
‘What a performance! Exploring audiences’ responses to film
acting’
Saryusz-Wolska, Magdalena:
‘Watching films in the ruins: Cinema-going in early post-war
Berlin’
Reviews
Burland, Karen & Stephanie Pitts (eds.):
Coughing and Clapping: Investigating Audience Experience (reviewed
by Rose Biggin)
Radbourne, Jennifer, Hilary Glow & Katya Johanson (eds.):
The Audience Experience: A Critical Analysis of Audiences in the
Performing Arts (reviewed by Kirsty Sedgman)
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