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[ecrea] Women's Cinema, World Cinema: Projecting Contemporary Feminisms
Wed Mar 04 19:56:55 GMT 2015
Women's Cinema, World Cinema
Projecting Contemporary Feminisms
Patricia White
"Women's Cinema, World Cinema is an exciting book for the
connections that Patricia White expertly draws and explicates between
text and context, auteur and society, national and global. Her knowledge
of the particularities of individual directors and national cinemas is
remarkable, as is her familiarity with their relevant histories and
critical literatures. Women's Cinema, World Cinema is a major work that
will transform how these films and filmmakers are viewed and studied."—
B. Ruby Rich, author of New Queer Cinema: The Director’s Cut
"Women's Cinema, World Cinema is the first book to offer a truly
broad—dare I say global—perspective on the practices of feminist
filmmaking as they have developed in the twenty-first century. Its
balance of breadth and specificity makes it unique, and one of its
strengths is Patricia White's willingness to step out of the narrow
confines that have for too long shaped various constituencies in film
studies. Women's Cinema, World Cinema provides exactly the context and
the theoretical questioning that film studies needs."— Judith Mayne,
author of Framed: Lesbians, Feminists, and Media Culture
In Women’s Cinema, World Cinema, Patricia White explores the
dynamic intersection of feminism and film in the twenty-first century by
highlighting the work of a new generation of women directors from around
the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou,
Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a
globalized network of film festivals has enabled these young directors
to make and circulate films that are changing the aesthetics and
politics of art house cinema and challenging feminist genealogies.
Extending formal analysis to the production and reception contexts of a
variety of feature films, White explores how women filmmakers are both
implicated in and critique gendered concepts of authorship, taste,
genre, national identity, and human rights. Women’s Cinema, World Cinema
revitalizes feminist film studies as it argues for an alternative vision
of global media culture.
Patricia White is Professor of Film and Media Studies at Swarthmore
College. She is the author of Uninvited: Classical Hollywood Cinema and
Lesbian Representability, coauthor of The Film Experience, and coeditor
of Critical Visions in Film Theory. She has worked extensively with
Women Make Movies and the journal Camera Obscura: Feminism, Culture, and
Media Studies.
Duke University Press Books
February 2015 312pp 48 illustrations 9780822358053 Paperback £16.99 now
only £12.74 when you quote CSL315WMNS when you order
http://www.combinedacademic.co.uk/womens-cinema-world-cinema
Recycled Stars
Female Film Stardom in the Age of Television and Video
Mary R. Desjardins
"Recycled Stars is one of the fullest examinations of stardom that
we have, and it makes a significant contribution to star studies and to
broader considerations of film history and the use of primary sources in
writing that history. Mary R. Desjardins makes innovative connections
between media practices, from the film industry to television, tabloid
journalism, and the legal system."— Eric Smoodin, author of Regarding
Frank Capra: Audience, Celebrity, and American Film Studies, 1930-1960
"Deftly synthesizing material ranging from fan magazines to cultural
theory, Mary Desjardins's Recycled Stars offers a valuable contribution
to star studies, gender studies, and media history alike with its
dynamic exploration of female film star images regenerated for the small
and its argument about the female star as a privileged commodity within
media industries and the social imaginary."— Christine Becker, author of
It's the Pictures That Got Small: Hollywood Film Stars on 1950s Television
The popularity of television in postwar suburban America had a
devastating effect on the traditional Hollywood studio system. Yet many
aging Hollywood stars used television to revive their fading careers. In
Recycled Stars, Mary R. Desjardins examines the recirculation,
ownership, and control of female film stars and their images in
television, print, and new media. Female stardom, she argues, is central
to understanding both the anxieties and the pleasures that these figures
evoke in their audiences’ psyches through patterns of fame, decline, and
return. From Gloria Swanson, Loretta Young, Ida Lupino, and Lucille
Ball, who found new careers in early television, to Maureen O’Hara’s
high-profile 1957 lawsuit against the scandal magazine Confidential, to
the reappropriation of iconic star images by experimental filmmakers,
video artists, and fans, this book explores the contours of female
stars’ resilience as they struggled to create new contexts for their
waning images across emerging media.
Mary R. Desjardins is Associate Professor of Film and Television Studies
at Dartmouth College. She is the coeditor of Dietrich Icon, also
published by Duke University Press.
Duke University Press Books
March 2015 320pp 48 illustrations 9780822358022 Paperback £18.99 now
only £14.24 when you quote CSL315WMNS when you order
http://www.combinedacademic.co.uk/recycled-stars
UK Postage and Packing £2.95, Europe £4.50
(PLEASE QUOTE REF NUMBER: CSL315WMNS for discount)
To order a copy please contact Marston on +44(0)1235 465500 or email
(direct.orders /at/ marston.co.uk)
or visit our website:
http://www.combinedacademic.co.uk/
where you can also receive your discount
*Offer excludes the USA, South America and Australasia.
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