Archive for 2014

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[ecrea] CFP - Documenting Africa: Creating Fact or Fiction through the Lens

Wed Aug 27 14:59:07 GMT 2014







CALL FOR PAPERS – EXTENDED DEADLINE

Documenting Africa:
Creating Fact or
Fiction through the Lens

Conference
organised by the
Africa
Media Centre, University of Westminster

Date:
Saturday 8 and Sunday 9 November 2014
Venue: University of Westminster, 35 Marylebone Road, London

KEYNOTE SPEAKER: Pedro Pimenta
Pedro has become one of the major players in film
co-production in Southern Africa. He started his film career with the National
Film Institute of Mozambique in 1977, and co-founded EBANO Multimedia, the
first independent production company in Mozambique, which established itself as
a significant entity in audio-visual production in the region.

Since then, he has produced, co-produced and line
produced numerous short fiction, documentaries and feature films in Mozambique
as well as in Angola, Zimbabwe, Ethiopia and South Africa. Amongst them are
“Marracuene, two banks of a river”, “The tree of our forefathers”, “Fools”,
Africa Dreaming”, “A Tempestade da Terra”, “Zulu Love Letter”, “Teza”,
“Memories of Dreams”, “Island of the Spirits” and “Virgin Margarida” . Between
1997 and 2003, Pedro was the Chief Technical Adviser of the UNESCO- Zimbabwe
Film & Video Training Project for Southern Africa in Harare, where he conceived
and managed various training programs in countries of the sub-region.

Pedro Pimenta consulted with FIAF on the program dealing with African
Film Archives and served as a jury member on various international film
festivals.He is the founder and director of Dockanema, a documentary film
festival in Mozambique .

This is the first call for papers for a two day
conference on‘Documenting
Africa’  The 6th African Film Conference
organised by the Africa Media Centre provides opportunities to bring together
academic scholars and practitioners from around the world to discuss
contemporary issues around how African’s portray themselves and how they are
portrayed by others. Topics may include present day production, distribution,
audiences, contested African histories, or post-colonial archives. With an
explosion of new media and a further diversification of television landscapes over the last ten years, alongside a revival of documentaries for cinemas and radio documentary productions, this conference will critically engage with the realities of documentary in and about Africa. How has a form that is often criticized as a ‘Western version’ of re-creating reality evolved across the African continent? What are the problems and concerns of
practitioners? Is the documentary form a useful and adequate format for
educating the public?  What are the
specific themes and subject matters of African documentary? What roles have the digitisation of film and television archives played in the self-understanding of the African countries whose memories and visual histories have been frequently stored abroad? How does an up and coming generation deal
with new possibilities in film and video making?
Papers
may focus on, among other topics, the following::
·       Documentary,
docu-drama and narratives based on fact. Which is more honest?
·       The
role of funders in telling the story ie NGOs, Governments or Religious
organisations.
·       Community
group ‘ground up’ Documentary making.
·       Experimental/Art
documentaries from Africa
·       Heritage
and the Arts in documentaries (Music, Art and Performance)
·       The
role of memory and personal  histories in
Documentary
·       Aestheticising
or manipulating suffering. Can the Filmmaker ever be a neutral presence when
filming images of violence and suffering
·       Censorship
and restrictions.
·       Exhibition
and Distribution. Film Festivals, the Internet, Education, Television and DVD
·       Audiences
·       Transnational
productions and global media corporations.
·       Ethnographic
films and Colonial legacies
·       Film
and television archives


DEADLINE FOR
ABSTRACTS

The deadline for submission of abstracts is Friday 12 September, 2014. Successful applicants will be notified by Friday 20 September, 2014. Abstracts should not be more than 300 words long. They must include the title of the conference, presenter's name, affiliation, email and postal address, together with the title of the paper. Please ensure when saving your abstract that your name is part of the file name and it is a word document. Please email your abstract to Helen Cohen, Events Administrator
at: ((journalism /at/ westminster.ac.uk))



PROGRAMME AND
REGISTRATION

This two day conference will take place on Saturday 8 and
Sunday 9 November, 2014. The fee for registration (which applies to all participants, including presenters) will be £150, with a concessionary rate of £75 for students, to cover all conference documentation,
refreshments lunches and administration costs. Registration will open in
September 2014.




Dr. Winston Mano
Communication and Media Research Institute (CAMRI)
Department of Journalism and Mass Communication
School of Media, Arts and Design
University of Westminster
Harrow Campus
Watford Road
Harrow, Middlesex, HA1 3TP, UK
Tel: +44(0)2079115000 ext 4427
E-mail: (manow /at/ wmin.ac.uk)


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