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[ecrea] Cinema 5 (2014): Portuguese Cinema and Philosophy is now online
Tue Jul 29 18:11:10 GMT 2014
We are pleased to announce that the fifth issue of Cinema: Journal of
Philosophy and the Moving Image is now available online for free
download at http://cjpmi.ifl.pt:
Issue 5 (July 2014)
Editorial: Portuguese Cinema and Philosophy [ENG.]/Editorial: Cinema
Português e Filosofia [PORT.], by/por Patrícia Castello Branco/Susana Viegas
Abstracts
ARTICLES
The End of History Through the Disclosure of Fiction: Indisciplinarity
in Miguel Gomes’s Tabu (2012), by/por Carolin Overhoff Ferreira
Thinking the Revolution in Alberto Seixas Santos’s Mild Manners and
Gestures and Fragments, by/por Luís Trindade
Between Narcissism and Repression: The Castration of Female Desire in
Portuguese Film – Julia Kristeva and Abjection, the 1974 Revolution, The
Siege and Dina and Django, by/por Érica Faleiro Rodrigues
Apprendre chaque jour de nouveaux mots, de beaux mots: le cinéma de
Pedro Costa comme scène politique d’une démonstration égalitaire, by/por
Maria del Pilar Gavilanes
Ne Change Rien (2009): Time is Political, by/por Patricia Brás
Tabu: Time Out of Joint in Contemporary Portuguese Cinema, by/por John
M. Carvalho
Coexistências nas Margens: Reflexões sobre Douro, Faina Fluvial a partir
de Deleuze e Guattari, by/por Talitha Ferraz
Narrative Pedagogy on a Train, by/por Cam Cobb
Paulo Rocha no Cinema Português, by/por Carlos Melo Ferreira
Imagen y pensamiento en el videoarte portugués actual, by/por Luis
Deltell/Jordi Massó Castilla
O Lugar da Voz na Construção do Espaço Documental Português: Morais,
Mozos e Tocha, by/por Filipa Rosário
INTERVIEW
“Cada filme, mesmo que o realizador não o tenha consciencializado,
veicula uma determinada ideia de história”: Entrevista a Susana de Sousa
Dias, by/por Nuno Lisboa/Susana Nascimento Duarte
BOOK REVIEWS
Cinema no Estado Novo: A Encenação do Regime, by/por Sofia Sampaio
O Contra-Plano da Morte: Espectres del Cinema Portuguès Contemporani.
Història i Fantasma en les Imatges, by/por Nuno Crespo
The Editors,
Patricia Castello Branco and Susana Viegas
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