Archive for 2014

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[ecrea] Image Not Available: Networked Visuality and Its Limits - American U. of Paris, 9-10 May

Sat May 10 23:39:58 GMT 2014




Image Not Available: Networked Visuality and Its Limits Conference

The American University of Paris
9-10 May 2014


Free and open to the public.

All events held at 6 Rue du Colonel Combes, Paris.

WEBSITE: www.imagenotavailable.wordpress.com


Friday, 9 May
6:00-7:00 pm
Welcome reception


Saturday, 10 May
9:15-9:30 am
Coffee


9:30-9:35
Opening remarks
Stephen MONTEIRO, American University of Paris


9:35-10:30
Keynote address
Nanna VERHOEFF, University of Utrecht
“Cultural Curating: Care and Criticism in Networked Visuality”


10:45-12:30

Panel 1
Piotr M. SZPUNAR, Annenberg School of Communications, University of Pennsylvania “Spies and Suspects: the War on Terror, the Circulation of Digital Images and Citizenship”

Robert PAYNE, American University of Paris
“The ‘Googlization’ of Human Trafficking (or how to ‘troubleshoot one of the world’s greatest problems’)”

Emmanuel ALLOA, University of St. Gallen
“Afterimages: Belated Witnessing in the Photographs of the Armemian Catastrophe”

1:30-2:45

Panel 2
Lukasz MIROCHA, University of Warsaw
“Software & hardware ecosystems and their influence on visual media aesthetics, curation and distribution models. Apple ecosystem case study”

Charles TALCOTT, American University of Paris
“Capital fragmentation of visual public spheres”

3:00-4:15

Panel 3
Adam BALES, Goldsmiths, University of London
“Snapchat: A Case Study in the Expanded Field of Vernacular Photography”

Claudia RODA, American University of Paris
“What’s mine in my images? A tour of the use and misuse of photographic images online”

4:30-5:30

Graduate student presentations
Joe LUKAWSKI, American University of Paris
“Tangier Trajectories: On Visual Research and Networked Experience”

Andre LAVERGNE, American University of Paris
“Disseminating dissent : Image making and the Quebec student movement”


This event is sponsored by the Visual Culture Studies Program (Departments of Art History and Global Communications) at The American University of Paris, and is funded by a grant from the Andrew W. Mellon Foundation.

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