Archive for November 2014

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[ecrea] Critical Studies in Television 9/3 now available online

Fri Nov 28 18:47:35 GMT 2014




Volume 9, Number 3 / Autumn 2014 of Critical Studies in Television: The International Journal of Television Studies



http://manchester.metapress.com/content/x0lk46j30lt4/.



Special Issue: ‘The Liveliest Medium’ – Television’s Aesthetic Relationships with Other Arts

Editor: Steven Peacock and Jason Jacobs



This issue contains:



Editorial: ‘The Liveliest Medium’: Television's Aesthetic Relationships With Other Arts

Jason Jacobs, Steven Peacock

DOI: 10.7227/CST.9.3.1

http://manchester.metapress.com/content/x584qh37x05l847q/



Television Amongst Friends: Medium, Art, Media

Sarah Cardwell

DOI: 10.7227/CST.9.3.2

http://manchester.metapress.com/content/x862323t05026411/



The Portraiture of Edvard Munch (Peter Watkins, 1973)

Steven Peacock

DOI: 10.7227/CST.9.3.3

http://manchester.metapress.com/content/x7uq646q20612107/



Dancing on My Own: Girls and Television of the Body

Claire Perkins

DOI: 10.7227/CST.9.3.4

http://manchester.metapress.com/content/x04611537wx07608/



The Ending of Mad Men's Fifth Season: Cinema, Serial Television and Moments of Performance

Elliott Logan

DOI: 10.7227/CST.9.3.5

http://manchester.metapress.com/content/x3081u27t3377450/



The Naturalist Theatrical Aesthetic of Bottle Episodes

Ted Nannicelli

DOI: 10.7227/CST.9.3.6

http://manchester.metapress.com/content/x81714530u12302k/



Three Different Cherry Orchards, Three Different Worlds: Chekhov at the BBC, 1962-81

Billy Smart

DOI: 10.7227/CST.9.3.7

http://manchester.metapress.com/content/x2x33487423lhu0u/



Dylan Thomas’ Under Milk Wood, ‘a Play for Voices’ on Radio, Stage and Television

Amanda Wrigley

DOI: 10.7227/CST.9.3.8

http://manchester.metapress.com/content/n2036207377732u7/



Serjeant Musgrave's Dance and the Politics of Possibility in Two Television Adaptations

John Wyver

DOI: 10.7227/CST.9.3.9

http://manchester.metapress.com/content/h012948318t05710/



Valuing Architecture: Taste, Aesthetics and the Cultural Mediation of Architecture Through Television

Naomi Stead, Morgan Richards

DOI: 10.7227/CST.9.3.10

http://manchester.metapress.com/content/9wt0h08m39u274l7/



Book Reviews

Robin Nelson, James Zborowski, Simon Brown, et al.

DOI: 10.7227/CST.9.3.11

http://manchester.metapress.com/content/ax5t176w407g7170/



Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.



For more information on Critical Studies in Television, including submission guidelines and subscription recommendations, please see the journals website: http://www.manchesteruniversitypress.co.uk/journals/cst




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