[ecrea] Critical Studies in Television 9/3 now available online

Volume 9, Number 3 / Autumn 2014 of Critical Studies in Television: The 
International Journal of Television Studies



http://manchester.metapress.com/content/x0lk46j30lt4/.



Special Issue: ‘The Liveliest Medium’ – Television’s Aesthetic 
Relationships with Other Arts

Editor: Steven Peacock and Jason Jacobs



This issue contains:



Editorial: ‘The Liveliest Medium’: Television's Aesthetic Relationships 
With Other Arts

Jason Jacobs, Steven Peacock

DOI: 10.7227/CST.9.3.1

http://manchester.metapress.com/content/x584qh37x05l847q/



Television Amongst Friends: Medium, Art, Media

Sarah Cardwell

DOI: 10.7227/CST.9.3.2

http://manchester.metapress.com/content/x862323t05026411/



The Portraiture of Edvard Munch (Peter Watkins, 1973)

Steven Peacock

DOI: 10.7227/CST.9.3.3

http://manchester.metapress.com/content/x7uq646q20612107/



Dancing on My Own: Girls and Television of the Body

Claire Perkins

DOI: 10.7227/CST.9.3.4

http://manchester.metapress.com/content/x04611537wx07608/



The Ending of Mad Men's Fifth Season: Cinema, Serial Television and 
Moments of Performance

Elliott Logan

DOI: 10.7227/CST.9.3.5

http://manchester.metapress.com/content/x3081u27t3377450/



The Naturalist Theatrical Aesthetic of Bottle Episodes

Ted Nannicelli

DOI: 10.7227/CST.9.3.6

http://manchester.metapress.com/content/x81714530u12302k/



Three Different Cherry Orchards, Three Different Worlds: Chekhov at the 
BBC, 1962-81

Billy Smart

DOI: 10.7227/CST.9.3.7

http://manchester.metapress.com/content/x2x33487423lhu0u/



Dylan Thomas’ Under Milk Wood, ‘a Play for Voices’ on Radio, Stage and 
Television

Amanda Wrigley

DOI: 10.7227/CST.9.3.8

http://manchester.metapress.com/content/n2036207377732u7/



Serjeant Musgrave's Dance and the Politics of Possibility in Two 
Television Adaptations

John Wyver

DOI: 10.7227/CST.9.3.9

http://manchester.metapress.com/content/h012948318t05710/



Valuing Architecture: Taste, Aesthetics and the Cultural Mediation of 
Architecture Through Television

Naomi Stead, Morgan Richards

DOI: 10.7227/CST.9.3.10

http://manchester.metapress.com/content/9wt0h08m39u274l7/



Book Reviews

Robin Nelson, James Zborowski, Simon Brown, et al.

DOI: 10.7227/CST.9.3.11

http://manchester.metapress.com/content/ax5t176w407g7170/



Critical Studies in Television publishes articles that draw together 
divergent disciplines and different ways of thinking, to promote and 
advance television as a distinct academic discipline. It welcomes 
contributions on any aspect of television—production studies and 
institutional histories, audience and reception studies, theoretical 
approaches, conceptual paradigms and pedagogical questions. It continues 
to invite analyses of the compositional principles and aesthetics of 
texts, as well as contextual matters relating to both contemporary and 
past productions. CST also features book reviews, dossiers and debates. 
The journal is scholarly but accessible, dedicated to generating new 
knowledge and fostering a dynamic intellectual platform for television 
studies.



For more information on Critical Studies in Television, including 
submission guidelines and subscription recommendations, please see the 
journals website: http://www.manchesteruniversitypress.co.uk/journals/cst




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