[ecrea] Philosophy of Photography volume 3, number 1

Philosophy of Photography volume 3, number 1

Philosophy of Photography is an international peer-reviewed journal
published six monthly in the spring and autumn. The journal’s aim is
to provide a forum for theoretical and critical debate of issues
arising from the historical, political, cultural, scientific and
critical matrix of ideas, practices and techniques that constitute
photography as a multifaceted and changing form.

Special section: Beyond Representation: Humans, Computers, Photography

Mika Elo, Notes on haptic realism: digital photography and shifting
conditions of embodiment
David Bate, The social network game
Daniel Palmer, Redundancy in photography
Mark Martinez, Object communication of the photographic assemblage
Mattia Paganelli, The paradoxical economy of crisis: ‘crisis of
experience’ and the ana-economy of else
Mark Guglielmetti, Artificial life, André Bazin and Disney nature
Charlotte Champion, The Instagram: mediating everyday experience as
social and aesthetic
Hannah Lammin, ACT Oedipus: digital theatre and the apocalyptic
structure of re/presentation

Articles

Johnny Golding, Ana-Materialism and the Pineal Eye: Becoming Mouth-Breast
Ben Burbridge, Art Photography at the ‘End of Temporality’
Adam Brown, Time Travel on the Instalment Plan: The Index and Future
Form in Building
Paolo Magagnoli, Moulène, Rancière and 24 Objets de Grève: Productive
ambivalence or reifying opacity?

Photoworks

Morten Torgesrud, A Neutral, Flexible Structure
&  David Cunningham, The Spectres of Abstraction and the Place of Photography
Åsa Johannesson, Belonging
&  Daniel C Blight, Photography and the Fanatical Gaze in Åsa
Johannesson’s Belonging

Encyclopaedia

Sandra Plummer on the Photogram

Reviews

Marina Gerber on Sebastian Egenhofer’s Produktionsästhetik and Sabeth
Buchmann’s Denken Gegen Das Denken. Produktion, Technologie,
Subjektivität bei Sol LeWitt, Yvonne Rainer und Helio Oiticica
Olga Smith on Steve Edwards’, Martha Rosler: The Bowery in Two
Inadequate Descriptive Systems
Pablo Lafuente on Alain Badiou’s, The Rebirth of History: Times of
Riots and Uprisings
Mark Guglielmetti on John Lechte’s Genealogy and Ontology of the
Western Image and its Digital Future
Sandra Plummer on Margaret Olin’s Touching Photographs
Mark Martinez on Ian Bogost’s Alien Phenomenology, or What its like to
Be a Thing

Editors

Andrew Fisher
Goldsmiths College London&  Humboldt-Universität zu Berlin
(a.t.fisher /at/ gold.ac.uk)

Daniel Rubenstein
London South Bank University
(rubinsd /at/ lsbu.ac.uk)

Associate Editor

Sandra Plummer
Sotheby’s Institute of Art, London
(sandraplummer /at/ gmail.com)

http://www.intellectbooks.co.uk/journals/view-Journal,id=186/

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