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[eccr] Canadian Association of Journalists' National Conference - Vancouver. May 7-9, 2004
Thu Feb 26 09:20:00 GMT 2004
>RAKE MUCK 2004
>
>May 7-9, 2004
>Hyatt Regency Hotel
>Vancouver, BC
>
>Featuring....
>
>Walt Harrington, University of Chicago
>Heather Mallick, The Globe & Mail
>Elizabeth Leonard, deputy bureau chief for PEOPLE Magazine's Los
>Angeles bureau.
>Anthony Feinstein, author of Dangerous Lives: War and the Men and Women
>Who Report It
>Stephen Buckley, St. Petersberg Times' world editor
>Lynden MacIntyre, the fifth estate
>Juliet O'Neill, The Ottawa Citizen
>Sheldon Rampton, co-author of co-author of Toxic Sludge Is Good For You:
>Lies, Damn Lies and the Public Relations Industry and Trust Us, We're
>Experts: How Industry Manipulates Science and Gambles With Your Future.
>Videographer Jane Kokan
>Interviewing specialist John Sawatsky
>Mark Achbar, documentary filmmaker and co-producer of The Corporation
>Dan Savage, syndicated columnist, and...
>
>Julian Sher, Kirk LaPointe, Stevie Cameron, Kim Bolan, David
>Sutherland, Justice Wallace Oppal, Stewart Bell, Lynne van Luven,
>Vivian Smith, Ann Rees, Cecil Rosner, Les Zaitz, Charlie Smith, David
>Akin, Anna Gebauer, Jane Kokan, Fred Vallance-Jones, Rob Washburn,
>Janis McKenzie, Andrew McIntosh, Douglas Todd, Brent Mudry, Mark
>Schneider, Alicia Priest.
>
>
>Check for updates at:
>www.caj.ca
>
>(There are still more workshops and panels to be added. This is just a
>first notice)
>
>WORKSHOPS
>
>THE JOURNALISTS HAIKU Narrative journalism has swept through
>newsrooms in the last decade and generated many fine articles. Yet the
>narrative approach has come to be synonymous with stories that take
>weeks or months to report and write. Lets distill out the techniques
>that work so well in these longer narratives and start applying them to
>quick and short stories stories that can rightly be called tone
>poems. Walt Harrington, University of Chicago.
>
>INTRODUCTION TO COMPUTER-ASSISTED REPORTING Youve heard about the big
>investigations exposing police racial profiling, dirty restaurants
>dangerous drugs and deteriorating downtowns. What they have in common
>is computer-assisted reporting. Learn more about this cutting-edge
>skill and how reporters are using CAR to raise the bar in Canadian
>journalism. Find out how the reporters do it and about the skills
>youll need. Includes an original audiovisual presentation
>highlighting some of the best CAR stories of the new century. Led by
>Fred Vallance-Jones of The Hamilton Spectator, a fast-paced and
>informative three hours.
>
>THE CORPORATION: Anatomy of a long form documentary Join the filmmakers
>who created The Corporation for a workshop on the methods and madness
>of making a long form documentary. Winner of the Audience Award at the
>Sundance Film Festival, The Corporation is part of a new wave of
>nonfiction films reaching a wide audience. Find out how they did it.
>Subjects to be explored: getting access, aesthetics, money, stock shot
>use and legal considerations, stories and structure, who was
>interviewed, and the cutting room floor. This three-hour workshop will
>include film clips and a question period.
>
>INTIMATE JOURNALISM: The art and craft of reporting everyday life
>In-depth reporting about how ordinary people live and what they value
>should be at the heart of every fine newspaper. Too often it is not.
>This is a failure of vision and skill. At a time when newspapers are
>desperately trying to reach people and keep them reading, we too often
>think of our human interest coverage as light feature pieces rather
>than as a kind of popular ethnographic chronicle of the everyday lives
>of the people in our communities. Walt Harrington, University of
>Chicago.
>
>ALONE IN THE FIELD BBC-trained videographer Jane Kokans work has taken
>her around the globe and without the support of a crew. As camerman,
>soundman and reporter, Kokan will take a look at what the
>videographers job entails and teach TV reporters, or anyone else whos
>interested, what it takes for a one-man band to create a symphony of
>sights, sounds and story.
>
>THE BEST BEAT IN JOURNALISM Award winning Vancouver Sun writer Douglas
>Todd will explain how to navigate the contentious terrain of the
>religion and ethics beat source of some of the hottest stories of the
>past decade, from terrorism to gay rights, cult scandals to politics.
>Todd will show where to go for crucial background, how to scratch up
>the best quotes and who to trust. The beat also gives journalists
>fabulous opportunities to stretch their story-telling muscles on
>features, trend stories, think pieces, investigations and analyses.
>Presented by the Centre for Faith and the Media.
>
>THE PERIOD IS YOUR FRIEND Simple sentences and plain English may work
>best most of the time for broadcast, but rules are made to be broken.
>Nobody breaks them more often with more success than the CBCs Lynden
>MacIntyre. McIntyre will teach you how to make your scripts sing
>while, at the same time, make listening a pleasure for your viewers.
>
>ART OF THE INTERVIEW Why can one reporter work on a story, and get
>nowhere, while another reporter working on exactly the same story
>manages to get all the answers? Some people just have the magic touch -
>right? Wrong. Uncovering stories has nothing to do with magic and
>everything to do with good methodology. Everything starts with the
>questions we ask. Author and investigative journalist John Sawatsky
>will give a half-day version of his globally acclaimed interviewing
>methodology in use at newspapers and TV stations around the globe. Have
>you been "Sawatskyed" yet?
>
>ARTFUL REPORTING WITHOUT LYING Narrative non-fiction wins Pulitzer
>prizes, but it can also land newspapers in hot water. University of
>Victoria writing professor Lynne van Luven and instructor Vivian Smith
>will dissect some models of this kind of reportage and discuss how to
>keep the truth in true stories. Well also look at the ethical and
>editorial ramifications when reporters try their hands at such work.
>
>THE STACKS AND BEYOND Before Google, there was the library. Vancouver
>Public Library research specialist Janis McKenzie will take you back to
>your researching roots in this session. In addition to the printed
>work, shell also delve into whats available free and on-line in most
>libraries across the country as well as discuss the availability of
>other informative sources& all in the stacks.
>
>WARM MILK AND A COLUMN AT BEDTIME: Why Canadian column-writing needs a
>shake-up The Globe and Mails Heather Mallick believes writing columns
>is the second-hardest job in newspapers, after investigative
>reporting. Oddly though, column writing is regarded as a cushy job for
>the easily categorized. A good column must be interesting and
>unpredictable. Dull columns are a waste of the readers time.
>Columnists must fight the tendency to favour a tidy package of beliefs
>and should sometimes risk upsetting loyal readers by saying the
>unexpected.
>
>BLOGGING 101 Theyve played key roles in the combative U.S.
>presidential campaign. Academics say theyll revolutionize mainstream
>journalism. But what do blogs have to do with the daily lives of
>journalists in Canada? What do journalists need to know about this new
>source of views and information? David Akin, who is National Business
>and Technology Correspondent for CTV News, a contributing writer for
>The Globe and Mail, and a blogger himself leads a workshop for
>journalists who may one day want to start their own blog and for all
>those who wish to learn how blogs fit into daily news gathering. Blogs
>short for Web logs - are a new kind of online publication that are
>quickly becoming as important to journalists as e-mail and the World
>Wide Web. Akin will run through some of the popular blog publishing
>tools; take participants on a brief tour of the blogosphere; and lead a
>discussion of the relationship of blogs to mainstream working
>journalists. Designed for those with little or no knowledge of blogs or
>blogging, this workshop will focus primarily on giving working
>journalists real-world skills they can put to use right away in their
>newsroom.
>
>KEEPING THE NON IN NON-FICTION The Jayson Blair fiasco has once again
>raised the issue of truth in journalism. Such blatant lying, though, is
>only one of the challenges facing the journalistic belief that truth is
>knowable. From reality TV shows to fictionalized nonfiction, the
>culture is imbuing people with the idea that fact and fiction can't be
>separated. News people, who take so much heat for inaccuracies, must be
>a powerful voice reminding the culture that "facts" still matter - and
>that graceful writing can be beautiful and accurate at once. Walt
>Harrington, University of Chicago.
>
>WHY REPORTING FROM THE "BURBS IS LIKE BEING A FOREIGN CORRESPONDENT
>We've all heard it, and maybe we've even said it ourselves: Covering
>the suburbs is boring. Well, maybe not. In fact, covering the suburbs
>with distinction takes guts, creativity, vision, perseverance and a
>sense of humor - all the same elements you need to be a great foreign
>correspondent. Stephen Buckley, assistant managing editor/world at the
>St. Petersburg Times, will look at how to use all those traits to write
>the kinds of stories that'll fascinate, entertain and enlighten your
>readers.
>
>PIERCING PROFILES Elizabeth Leonard, deputy bureau chief for PEOPLE
>Magazine's Los Angeles bureau, will guide journalists through PEOPLE
>Magazine's popular formula for profile writing, from the first gleam of
>an idea and the research to the writing, the editing, even the
>photography leading to the finished product on the newsstands. Leonard
>will also look at the magazine's style book and how it's used to write
>short, informative and, ultimately, readable stories about people
>celebrities and non-celebrities alike.
>
>A MODEST PROPOSAL: A "HIPPOCRATIC" OATH FOR JOURNALISTS - Given the
>advances of information technology, journalism has become the de facto
>neurological network of our civilization. Are we up to the challenge?
>How can we be sure the media industry is fit for such a large
>responsibility? In his proposal, Mark Schneider, former CTV National
>News Bureau Chief and religion reporter, proposes that journalists take
>an "oath of integrity." Come find out exactly what that means.
>Presented by the Centre for Faith and the Media.
>
>PANELS:
>
>
>THE BLOG REVOLUTION: How blogs are changing and challenging journalism
>Everyones doing it, including media professionals. Web logs, or
>vlogs, give anyone a platform and a potentially limitless audience.
>Lately, bloggers have broken news stories, kept other stories alive,
>created their own celebrities and oh-yeahhelped overthrow the editor of
>the New York Times. Previously unknown bloggers have been offered
>plum jobs in conventional newsrooms, and conventional newsrooms have
>started blogging. Some prominent journaliss have even found themselves
>paired with watchblogs that analyze and critique every story they
>create. What are the tensions between bloggins and traditional
>journalism? And what can journalists learn from blogs and bloggers?
>Is this a new form of media democracy? This panel of tech-savvy
>journalists, bloggers, and media observers will explore the way blogs
>are changing and challenging journalism and where its all going. The
>panel includes: David Akin, technology writers for the Globe and mail
>and CTV; Emira Mears, co-founder of Raised Eyebrow, web design, media
>activist and co-editor of soapboxgirls.com; Alan Bass, assistant
>professor of journalism; University College of the Cariboo.
>
>CO-DEPENDENCY: Journalists need PR people for stories PR types need
>us to get their message out. But do time and financial constraints in
>the modern newsroom result in too many PR-friendly stories getting into
>the media? We ask our three-member panel: Sheldon Rampton, co-author
>of Trust Us, Were Experts: How Industry Manipulates Science and
>Gambles With Your Future, (2001); Jim Hoggan, President of James
>Hoggan and Associates, one of Canadas leading PR firms, and Alicia
>Priest, a reporter specializing in medical and science issues whos
>written for The Vancouver Sun and Province , The Georgia Straight and
>CBC Radios national science show, Quirks and Quarks.
>
>DISSECTING AN ORGANIZATION: How to break and enter Since the best
>stories are told through people, the tought job of reporting often
>involves cracking the associations they form. Find out how to dissect
>an organization: who the players are, what the rules are, how things
>are done, where mistakes are recorded. An invaluable session for
>investigative journalism. Panelists will include Brent Mudry,
>Stockwatch; Charlie Smith, The Georgia Straight; and investigative
>journalist Les Zaitz, The Oregonian.
>
>JOURNALISTS AND POLICE: Gaining access, protecting boundaries Some of
>the biggest stories come from developing contacts with police. But how
>to do that? And why should they trust you? This workshop explores the
>difficulties of cracking the blue wall, while maintaining
>impartiality. Participants include Kim Bolan, Vancouver Sun; Cecil
>Rosner, Sr. Producer CBC Disclosure; Julian Sher, investigative
>documentary producer/author; and RCMP Sgt. John Ward.
>
>INVESTIGATIONS ON A ZERO BUDGET Wouldn't we all like to have endless
>time and money to spend on "the big story." Fact is, most newsrooms are
>strapped for cash these days but still expect reporters to break news
>quickly and on budget. Well, that can be done. This workshop offers
>concrete guidance for investigative journalism...all on a shoestring
>budget. Cecil Rosner, senior producer CBC Disclosure and Les Zaitz,
>prize-winning investigative reporter from The Oregonian will show you
>how.
>
>THE SPIN CYCLE Public relations people: we need them but they can drive
>us crazy. How do you cut through the spin and get to the truth?
>Sheldon Rampton, co-author of Toxic Sludge Is Good For You: Lies, Damn
>Lies and the Public Relations Industry (1995) and Trust Us, We're
>Experts: How Industry Manipulates Science and Gambles With Your Future
>(2001), offers some secrets on how the public relations industry uses
>you to get its message across, and how to avoid getting sucked into the
>spin cycle.
>
>WHAT TO DO WHEN THE POLICE COME CALLING: Search warrants, confidential
>sources and the newsroom More and more it seems, journalists can wind
>up in deep legal trouble simply for doing their jobs. This workshop
>will look at recent legal cases involving journalists and police, and
>offer reporter survival tips. Hear first hand from reporters who've
>experienced the legal chill when police come calling. Participants will
>include Andrew McIntosh, National Post; Juliet O'Neill, the Ottawa
>Citizen; and media lawyer David Sutherland. Presented by the B.C. Law
>Society and the Jack Webster Foundation.
>
>YOU CAN'T PRINT THAT In the so-called Age of Information, courts in
>Canada seemingly more than ever before are granting and upholding
>publication bans of greater and wider scope. How is the public
>interest served as lawyers seek and receive seemingly unjustified or
>unenforceable bans and justify secret hearings? Panelists include
>investigative journalists Stevie Cameron and Julian Sher, Vancouver
>media lawyer David Sutherland and B.C. Court of Appeals Justice Wallace
>Oppal.
>
>SECRET BUT SECURE In the name of anti-terrorism, security agencies and
>officials are choking the media's public right to information,
>including revelations about how insecure we may be. Security specialist
>Stewart Bell of the National Post will be joined by other panelists to
>present insights into the right balance between disclosure and
>security, or transparency and terrorism.
>
>CHEERLEADER OR CHASTIZER? Is sports reporting "real" journalism of
>blatant boosterism? The way in which the news media deals with
>high-paid athletes sometimes begs the question. But the issue for
>reporters is real - How do they get at the truth when managers and
>owners have the power to shut the locker room door in your face? Those
>and other questions will be tossed around at this panel discussion.
>
>BUILDING THE BETTER STANDUP For many reporters, convergence means they
>must be as comfortable in front of a computer as they are in front of a
>TV camera. Anna Gebauer of BCTV news and Bill Amos from BCIT's school
>of broadcast will show you how stand-ups are made, and will include
>tips and tricks of reporting live from the scene.
>
>WHY CULTURAL COVERAGE OUGHT TO SAVE DAILY NEWSPAPERS, BUT WON'T News
>outlets desperately want a younger demographic - especially younger
>women - so why aren't they getting it? A look at entertainment coverage
>may provide some of the answers. The Vancouver Sun's editor-in-chief
>Kirk LaPointe; alternative weekly owner and savage lover, Dan Savage;
>and former Vancouver
>Sun entertainment editor Charles Campbell will discuss the issue.
>
>LIFE AFTER THE NEWSROOM - Jump from journalism to what? Many have done
>it, but fewer have made the switch successfully. Come listen to a few
>who have discovered there are numerous career options for former
>reporters and editors.
>
>
>CAJ/CIDA SATURDAY BREAKFAST: Join us as we listen to a short
>presentation by the winners of the CAJ/CIDA Fellowships to Africa.
>Hear them describe their trip to Africa, how they found their way off
>the beaten path and followed it to find a story.
>
>
>SUNDAY BRUNCH: Juliet ONeill Come hear what ONeill has to say
>and what she has learned about keeping her sources safe from the prying
>eyes of government and the police.
>
>
>
>REGISTER:
>
>
>A. SELECT THE APPROPRIATE FEE CATEGORY
>
>Full conference fees include all Friday, Saturday & Sunday workshops,
>panels, Friday night reception, Saturday night awards banquet and
>Sunday brunch.
>
>PLEASE NOTE:
>
>New or lapsed members qualify for membership rates if membership fees
>are included with this registration form - See Section E.
>
> * Members $75.00
> * Associate members (Non-journalists) $150.00
> * Journalists at less than $30,000 salary $40.00
> * Married Co-habiting members $60.00 per person
> * Students $30.00
>
>
>FULL CONFERENCE FEES
>
>BEFORE APRIL 10 AFTER APRIL 10
>
>CAJ MEMBERS
> $189 $205
>Associate
>members $500 $6
>00
>Student members (no
>meals) $99 $110
>Non-
>members $700
> $800
>
>
>FRIDAY OR SATURDAY DAY FEES
>(No Meals)
>
>Members
> $120 $140
>Associate
>members $200 $2
>50
>Non-
>members $400
> $450
>
>
>
>B. SIGN UP FOR YOUR MEALS (Please complete this section)
>
>To ensure we have the right number of meals, please indicate which
>meals below you will attend (they are included in the full registration
>fee, excluding students)
>
>
>_______ Will attend the CAJ/CIDA Fellowship winners breakfast
>
>_______ Will attend the Saturday Awards banquet
>
>_______ Will attend the Sunday brunch
>
>Please indicate whether you need EXTRA meal tickets. Remember that
>your full fee has already paid for your meal tickets.
>
>
>Require ____ extra tickets for Saturday CAJ/CIDA breakfast No cost
>
>Require____ extra tickets for Saturday Awards Banquet @ $ 62.00
>
>Require____ extra tickets for Sunday brunch @ $25.00
>
>Please indicate any meals for which you require vegetarian
>__________________
>Any special dietary needs ___________________
>
>
>
>C. BOOK YOUR HOTEL
>
>Rooms at Vancouvers Hyatt Regency are $ 159.00 per night for
>delegates. Book through the toll free line 1-800-233-1234 or (604)
>683-1234. Let the hotel know youre part of the CAJ National
>conference in order to get delegate rates.
>
>
>
>D. TALLY THE CHARGES
>
>Registration fee __________
>
>CAJ membership fee (if applicable) __________ No GST on
>membership.
>
>Extra Saturday breakfast tickets __________ (CAJ/CIDA
>Breakfast No cost)
>
>Extra Saturday banquet tickets _______ ___
>
>Extra Sunday brunch tickets __________
>
>Saturday lunch tickets __________
>
>
>Sub-Total __________
>
>Add G.S.T. 7% (R131-683-518) __________
>
>
>Grand Total __________
>
>
>E. BOOK YOUR AIRLINE TICKET
>
>Book your flight by calling the CAJs travel agent @ (613) 724-6206 or
>e-mail (dorr /at/ travelcuts.com). Mention your travel is for the CAJ
>conference and you will be eligible for a discounted fare to Vancouver
>for the weekend of May 7-9, 2004.
>
>
>
>F. REGISTRATION INFORMATION (This information must be completed)
>
>Name:
>_________________________________
>
>Address:
>_________________________________
>
>City:_____________________ Prov: _____________
>P.Code:________________
>
>Phone-home:_________________ Work phone:______________
>
>Fax:____________________ e-mail:___________________(Mandatory field)
>
>Employer/School: __________________________________
>
>Work address: _____________________________________
>
>** Please include e-mail address as we will let you know of any changes
>via e-mail and the CAJ web page at www.caj.ca
>
>G. SELECT METHOD OF PAYMENT
>
>________ Enclosed is my cheque payable to the Canadian Association of
>Journalists
>
>________ Charge my Visa
>
>________ Charge my Mastercard
>
>Card # _______________________________________
>
>Exp. date_____________________________________
>
>Signature_____________________________________
>
>(This form will be available online to those who wish to register
>electronically)
>HAVE YOU COMPLETED ALL SECTIONS OF THE FORM? SEND COMPLETED
>APPLICATION FORM TO:
>(Keep a copy of this form for your records)
>
>Canadian Association of Journalists
>Algonquin College
>1385 Woodroffe Ave., B#224
>Ottawa, ON. K2G 1V8
>OR fax to (613) 521-3904.
>
>FOR FURTHER INFORMATION ON RAKE MUCK 2994, NATIONAL CONFERENCE,
>CONTACT:
>
>John Dickins, Executive Director or Trudi Beutel
>Phone - (613) 526-8061 (tbeutel /at/ richmond-news.com)
>E-mail - (caj /at/ igs.net)
>
>WATCH FOR UPDATES ON THE CAJS WEB SITE AT www.caj.ca
>
>
>
>
>
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Carpentier Nico (Phd)
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Katholieke Universiteit Brussel - Catholic University of Brussels
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