[eccr] Fwd: PARIP 2003 Conference

>(apologies for cross-postings)
>
>*CONFERENCE REMINDER*
>
>PARIP 2003
>
>PRACTICE AS RESEARCH IN PERFORMANCE
>11-14 SEPTEMBER
>
>UNIVERSITY OF BRISTOL
>DEPARTMENT OF DRAMA: THEATRE, FILM, TELEVISION
>
>DETAILS / REGISTRATION : http://www.bris.ac.uk/parip/sept2003.htm
>REGISTRATION DEADLINE: 15 August 2003
>
>The UK's national conference on practice as research in the performance 
>media takes place in Bristol and builds on the 2001 PARIP symposium to 
>provide space for multi-modal presentations across a range of creative 
>practices. PARIP 2003 will address 6 key themes through specific 
>performance and writing practices across dance, film, TV, theatre, radio, 
>digital arts, etc:
>
>1) 'How does 'practice as research' problematize notions of 'professional' 
>and 'academic' practices?'
>2) What might be the various epistemologies of and knowledges generated by 
>practice as research?
>3) What kinds of resourcing/plant/infrastructures are needed for practice 
>as research?
>4) What makes an instance of practice *count* as research? Does practice 
>as research involve different methods as a result of its framing as 
>research as distinct from * pure * practice?
>5) How might the multiple locations of practice-as-research knowledges be 
>conceptualized and assessed/evaluated/judged? And who decides?
>6) Must practice as research include some form of disseminable * 
>reflection *? or is the practice in performance/screening contexts 
>sufficient to stand as research outputs? What might be the role of 
>documentation across media?
>
>Registration details at http://www.bris.ac.uk/parip/sept2003.htm
>
>CONFERENCE PRESENTERS
>
>ADAMS: JOHN
>department of drama: theatre, film, television
>university of bristol
>advisory group member contribution
>
>BACON: JANE M
>performance studies
>university college northampton
>musings on documentation: performative self-ethnography as a 
>methodological tool for documenting practice as research in performance
>
>BAILEY: HELEN
>department of performing arts
>de montfort university
>24 acts of arson: writing ?in? and ?(ab)out? dance theatre practice?
>
>BANNERMAN: CHRISTOPHER
>rescen
>advisory group member contribution
>
>BIGGS: MICHAEL A R
>faculty of art and design
>university of hertfordshire
>the rôle of ?the work? in art and design research
>
>BRATTON: JACKY / BUSH-BAILEY: GILLI
>department of drama and theatre
>royal holloway, university of london
>revival: a way forward to the past
>
>BRIGINSHAW: VALERIE / CLAID: EMILYN
>school of visual and performing arts / school of performing arts
>university college chichester / university of surrey
>embodying ambiguities: intertextual plays between space/time philosophies 
>and the performing body
>
>BROWN: CAROL
>carol brown dances
>keynote contribution
>
>CHAMBERLAIN: FRANC / DANIELS: ROBERT JUDE
>performance studies
>university college northampton
>displacing the present: rob daniel's 'playing with myself' and practising 
>research
>
>CLARKE: PAUL
>dartington college of arts
>an experiential approach to theory from within practice
>
>COLOGNI: ELENA
>the london institute, central st martins college
>documenting performative practice
>
>DANIEL: HENRY
>school for the contemporary arts
>simon fraser university
>TRansCPT (transdisciplinary research centre for performance and 
>technology): a case study
>
>DOVEY: JONATHAN
>cultural and media studies
>university of west of england
>keynote contribution
>
>DOWMUNT: TONY
>media and communications
>goldsmiths college, university of london
>mother pictures: an autobiographical video work in progress
>
>DUFFY: CELIA
>royal scottish academy of music and drama
>practice-based research degrees ? a conservatoire view
>
>ELLIS: JOHN
>media arts
>royal holloway, university of london
>research and the problem of ?the industry?
>
>FARRIER: STEPHEN
>central school of speech and drama
>queer praxis
>
>FENEMORE: ANNA
>department of contemporary arts
>manchester metropolitan university
>the housekeeping project
>
>FURNHAM: DAVID
>lansdown centre for electronic arts
>middlesex university
>the cinema of comic illusions
>
>GARDNER: TONY
>school of performance and cultural industries (from July 2003)
>university of leeds
>landlines: creating interactive performance environments with 
>communications technology
>
>GOOD COP BAD COP
>richard huw morgan
>in strictest confidence ? 21 anti-algorithmic excerpts
>
>HARE: ELIZABETH / MOWAT: SUSAN
>drama department
>edge hill college of higher education
>a woman by herself
>
>JONES: SIMON
>department of drama: theatre, film, television
>university of bristol
>keynote contribution
>
>KERSHAW: BAZ
>department of drama: theatre, film, television
>university of bristol
>advisory group member contribution
>
>KRELL: MARY AGNES
>media studies
>university of sussex
>[re]presenting digital media: practice as theory as practice as ?
>
>LORAC: CAROL
>media arts
>royal holloway, university of london
>advisory group member contribution
>
>MCLAUGHLIN: CAHAL
>media arts
>royal holloway, university of london
>recording testimonies in the north of Ireland
>
>MACKEY: SALLY
>central school of speech and drama
>ex[c]-siting the self: problematising the position of the praxitioner in 
>platial-specific performance research
>
>MACKLIN: SIMON
>central school of speech and drama
>wrestling with the unknown
>
>MARSHMAN: TOM / WAITE: BRENDA
>i know i promised you a party trick
>
>MELROSE: SUSAN
>department of drama and performing arts
>middlesex university
>the curiosity of writing (or, who cares about performance mastery?)
>
>MYER: CLIVE
>the film academy
>university of glamorgan
>film practice as film theory ? the place of the viewer and the viewed
>
>NELSON: ROBIN
>department of contemporary arts
>manchester metropolitan university
>local group session coordinator / advisory group member contribution
>
>PAKES: ANNA
>dance department
>university of surrey, roehampton
>practical embodied knowledge: the epistemology of dance practice as research
>
>PAUL+PAULA
>teresa dillon and paul jeff
>the madeleine project
>
>PICCINI: ANGELA
>department of drama: theatre, film, television
>university of bristol
>advisory group member contribution
>
>PITCHES: JONATHAN
>department of contemporary arts
>manchester metropolitan university
>tracing the living link: documentary complexity in the archive of biomechanics
>
>RAE: PAUL
>department of drama and performing arts
>middlesex university
>re: invention ? on the limits of reflective practice
>
>RIDICULUSMUS
>david woods and jon hough
>ideas men
>
>RUBIDGE: SARAH
>school of visual and performing arts
>university college chichester
>artists, practice and research
>
>RYE: CAROLINE
>department of drama: theatre, film, television
>university of bristol
>advisory group member contribution
>
>TAYLOR: LIB
>department of film, theatre and television
>university of reading
>don?s diary: the research process and the epistemology of practice as research
>
>TEMPLETON: FIONA
>department of theatre studies
>lancaster university
>title tbc
>
>THUMIM: JANET
>department of drama: theatre, film, television
>university of bristol
>advisory group member contribution
>
>TILL: NICHOLAS
>theatre
>wimbledon school of art
>title
>
>TREVELYAN: HUMPHRY
>media and visual arts
>southampton institute
>film in the gallery: the space within the film
>
>WELTON: MARTIN
>school of english and drama
>queen mary, university of london
>practice as research and the mind-body problem
>
>WHALLEY: BOB / MILLER: LEE
>department of contemporary arts
>manchester metropolitan university
>we will remember you
>
>WHITE: MARTIN
>department of drama: theatre, film, television
>university of bristol
>advisory group member contribution
>
>WRIGHT: FIONA
>department of visual and performing arts
>nottingham trent university
>slowly kissing down with tears
>
>
>
>
>----------------------
>Dr A A Piccini
>PARIP: Practice as Research in Performance
>Department of Drama: Theatre, Film, Television
>University of Bristol
>Cantocks Close, Woodland Road
>Bristol BS8 1UP
>T: +44 0117 954 5474
>E: (a.a.piccini /at/ bristol.ac.uk)
>W: http://www.bris.ac.uk/parip

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Carpentier Nico (Phd)
Vrije Universiteit Brussel - Free University Brussels
Studies on Media, Information & Telecommunication (SMIT)
Centre for Media Sociology (CeMeSO)
Office: C0.05
Pleinlaan 2 - B-1050 Brussels - Belgium
T: ++ 32 (0)2-629.18.30
F: ++ 32 (0)2-629.28.61
E-mail: (Nico.Carpentier /at/ vub.ac.be)
W1: http://smit.vub.ac.be/
W2: http://homepages.vub.ac.be/~ncarpent/
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