[Commlist] The Soundtrack 15.1 - Special Issue: 'Screenwriting Sound and Music' - published

Intellect is pleased to announce that The Soundtrack 15.1 is out now!


Special Issue: ‘Screenwriting Sound and Music’


Extensive research in film and media studies on film music and sound has 
delved into various aspects of their role in cinema, recognizing their 
significance. However, a crucial element in film production – the 
screenplay – has often been overlooked in the exploration of sound and 
music integration. Concurrently, studies on screenwriting have displayed 
limited interest in the acoustic dimensions of film, creating a research 
gap where film music studies intersect with screenwriting studies. This 
Special Issue aims to address this gap by emphasizing the screenplay’s 
importance in comprehending the role of sound and music in film.


For more information about the journal and issue click here>>

https://www.intellectbooks.com/the-soundtrack 
<https://www.intellectbooks.com/the-soundtrack>


Aims & Scope


The Soundtrackis a multi-disciplinary, double-blind peer-reviewed 
journal that brings together research in the area of music and sound in 
relation to film and other moving image media, including television, 
games and installations. A complex cultural, technological, industrial 
and artistic phenomenon, sound-with-moving image is a rich area for 
analysis, investigation and speculation. We encourage writing that is 
accessible to audiences from a diversity of intellectual backgrounds and 
disciplines as well as providing a forum for practitioners to discuss 
and describe their work. The Soundtrack's aim is to nurture this new and 
expanding area of academic investigation in dialogue with soundtrack 
producers of all kinds.


Issue 15.1


Editorial


Screenwriting sound and music: Towards a new field of study 
<https://intellectdiscover.com/content/journals/10.1386/ts_00023_2>

PASCAL RUDOLPH AND CLAUS TIEBER


Articles


‘Music is like a ribbon that knits the storylines together’: The 
musicality of Greta Gerwig’s Little Women 
<https://intellectdiscover.com/content/journals/10.1386/ts_00024_1>

ANIKA BABEL


Cinema Novo vs. Beatlemania: Discovering the use of sound and music in 
two unfilmed and 
<https://intellectdiscover.com/content/journals/10.1386/ts_00025_1> 
unpublished Brazilian screenplays from the mid-1960s 
<https://intellectdiscover.com/content/journals/10.1386/ts_00025_1>

MARCELO C. MELLO


‘Can you hear me?’ ‘Son sur le scenario’: The act of writing sound in 
Mark Jenkin’s script 
<https://intellectdiscover.com/content/journals/10.1386/ts_00026_1> of 
Enys Men (2022) 
<https://intellectdiscover.com/content/journals/10.1386/ts_00026_1>

KINGSLEY MARSHALL


Writing sound in the screenplay: Traditions and innovations 
<https://intellectdiscover.com/content/journals/10.1386/ts_00027_1>

GABRIEL M. PALETZ


Writing on screens: (Re-)mediating music and sound through captions 
<https://intellectdiscover.com/content/journals/10.1386/ts_00028_1>

JAMES DEAVILLE


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